inasmuch as it concerns Selling My Soul:
"Psst! Wanna buy a story? Hot new manuscripts, exclusively yours to publish! First American, First Serial, E-rights and reprints! Get 'em while they're hot!"
the just-did-a-big-thing doldrums strike again
So I wrote a brand-new, never-before-seen short story over mostly last night and today, and I submitted it, and now I'm sort of sitting around wondering what to do with my life.
I ought to feel happy. Triumphant, even!
Instead I feel weirdly and intensely aimless.
I keep asking myself, what fun things was I not letting myself do while the story was still unfinished and the deadline was looming? What was I looking forward to doing once the manuscript was successfully submitted? And the only answer I keep coming up with is, "Not be working on that story anymore."
I am not unhappy with the story. I mean, sure, if I had another day to work on it, I'd smooth out some of the prose, work harder to differentiate the characters' voices, throw in more physical details and harden up some of the background worldbuilding. (And if the market I just sent it to declines to purchase, I'll spend a little time doing just that. Probably solicit some feedback from my critique group too.) But more or less I'm pleased.
It's a full-length fantasy story, just under 5,000 words, with character growth and a theory of magic and heroism and action and hard choices and also a beginning, a middle, and an end. It's a good day when I get to add a new one of those to my slush stable.
It's also the first time I've submitted a former Friday Fictionette not as a lightly revised reprint but as a completely rewritten and expanded original. (I checked with the editors ahead of time. The verdict was yes, submit it as an original. So we're good there.) This was something I thought I'd be doing more often when I first conceived of the Friday Fictionette Project. I certainly didn't think it would take almost six years into the project for it to happen. Nevertheless, I've done it now, and I'm proud of that.
(Usually I'd link this post to the Friday Fictionette/short story in question, but the place I sent it requires anonymous submissions, so I don't want to risk anyone stumbling over my blog during the reading period and seeing the title here attached to my name. Kinda paranoid, I know, but allow us writers our superstitions, yah?)
But. Anyway. Now I'm wallowing in this sort of "I ought to be doing a thing" mental space, and it's not fun.
Partially it's the familiar effect of having lived with a deadline long enough that the stress and guilt surrounding it becomes habit. I can't possibly have nothing to do right now! My base state at all times is "ought to be writing, aren't writing, feeling guilty and worthless for not writing, which is why I'm not writing even though I ought to be writing."
But it's also due to having scuttled my usual structured work day to get this done in time. So there's a bunch of daily stuff I haven't done today. I did my Morning Pages, OK, they're kinda necessary to getting my brain functioning for the day, but I didn't do my daily idea generation exercise (i.e. freewriting to a prompt). I didn't do my daily 25-minute-or-so session of working on the next Friday Fictionette. And I'm sitting here feeling like I should be doing those things now. I mean, that was the original plan: new fiction production and revision first, then submission procedures, then the "daily & weekly exercises" shift. And here I am not doing that.
You know why? Here's why. I logged six hours on today's timesheet, finishing up that story and sending it out. I am done for the day.
I just don't feel like I have a right to be done.
And if that's not a compelling argument against this "avoid-delay-avoid-delay-LASTMINUTEPANICPANICPANIC" process I've got going on, I don't know what is.
The Ink Slingers Guild on Habitica, of which you may have heard me speak before, has a monthly recurring challenge in which participants announce their goals at the beginning of the month and check in every Wednesday with their progress. My goal for June had been to make my daily Friday Fictionette work sessions so as to continue uploading weekly releases earlier and earlier. I more or less succeeded at that; all four June releases were uploaded to Patreon two days ahead of time, which felt great. Well, for July, my goal is going to be to hold myself to daily New Fiction Production & Revision work sessions, so that hopefully I don't find myself obliged to conduct another Emergency Short Story Boot Camp over the last two days of the next submission window I'm hoping to make.
Because while I'm damn proud of myself for writing a clean and reasonably polished short story of almost 5,000 words in under two days, I have to admit: this post-boot-camp feeling of hollow, aimless, joyless despondency is kind of crap.
someone's gotta clean up all this mess
- 34 words (if poetry, lines) long
Wow, I suck at this Social Media Self-Promotion thing. I keep forgetting to tell you about my latest poem publication. It's "The Mardi Gras Tree," and you can read it in the very latest edition of Eternal Haunted Summer--the Summer Solstice 2020 issue, whose theme is "Holy Days."
The holy day being commemorated in "The Mardi Gras Tree" is, as you might expect, Fat Tuesday. But it's not about the day of festival and celebration so much as it is about the hangover and mundane clean-up duty of the afternoon after the parades have all passed by, and the morning after when it's time to get back to work. The transition from one to the other happens much sooner than you might think. New Orleans natives know how the unofficial final floats in any parade are the police cars whoop-whooping at spectators to let them know the show's over, and after that the huge street-cleaning trucks with the round brushes and the jets of water scouring the street. Many a child raised in the area knows better than to leave before those vehicles show up--it ain't over until it's over, after all--and many a parent disappoints their kid by yanking them away before that happens--gotta get to the car and vacate your parking spot ahead of everyone else, for fear of having to sit bored in your car waiting for your turn to leave.
(That latter impulse I see at concert venues, with drivers fleeing after the last song proper but before the encore so as to spare themselves the inevitable traffic jam.)
I really like what editor Rebecca Buchanan has to say about my poem: that it illustrates "just how hard it can be to leave sacred space and return to mundane reality." I hadn't thought of it that way--Mardi Gras as sacred space--I'd thought of it more as a drunken Bacchanalia out of which we stumble blearily with a hangover and a certain dread of being confronted with whatever stupid shit we did while the rules of society were temporarily suspended. But that suspension of rules really is a liminal zone, a place where reality is on hold, a "time that is not a time, a place that is not a place" as we Wiccans often say about the magic circles we construct for the purpose of ritual. It was quite normal for a kid growing up in the area to have the entire week of Fat Tuesday off, which made it that much harder to return to everyday life the following week.
(Many of my friends and their families used the week to head up to Colorado ski resorts, a choice I found baffling. Why, I thought, would anyone leave New Orleans during the week of Mardi Gras? Didn't they know Mardi Gras was the best time to be a New Orleanian? Now, ironically enough, I'm in Colorado full time. I still haven't really learned to ski, though.)
Anyway, thanks to such neighborhood monuments as the titular crepe myrtle tree on Bonnabel Boulevard--and I'm sure there are landmark trees like it all over the Greater New Orleans Area; that's just the one maintained in my particular stomping grounds in Metairie--pieces of sacred space celebrate Fat Tuesday all year round. Come spring and summer, they rain petals and pollen down on unsuspecting passersby while their perennial plastic fruit clinks and clatters. "Throw me something, Mister." There are also the barely hopeful idiots in the French Quarter who'll half-heartedly offer anyone presenting as female a string of cheap beads if she should "take it off" and "show your tits"; I guess they're part of the year-round ritual space of carnival, too. I prefer the trees.
I wrote "The Mardi Gras Tree" this year as part of a Codex contest called "Victory in Verse." The contest ran four weeks. The first week called for short poems, twenty lines or less, which were otherwise unrestricted. During the second week, we wrote short formal verse. The third week was all about visual poetry: erasure poems, concrete poetry, found poetry, and other experiments. And the fourth week, dubbed "Take your best shot" (although I seem to persist in misremembering it as "Do Your Verse") featured whatever the hell you wanted to do at whatever length you chose.
The contest facilitator gave us a lot of prompts to spark contestants' imaginations, both pictoral and verbal. One of them was the photo I've included here. Given where I'm from, it was inevitable that it would catch my eye. Thus was born my poem "The Mardi Gras Tree," which I'm so proud to see featured in Eternal Haunted Summer, and so pleased now to share with you.
a long road to nowhere but with some interesting stops along the way
Item the first: I want to make sure I've linked y'all to the correct version of the Dreams and Nightmares website, which is here: https://dreamsandnightmaresmagazine.blogspot.com/. That's kind of important, since the place I linked you before is out of date; I hadn't realized that where it said the May issue had just been released, it was referring to May 2011. Whoops. Sometimes I am not a very careful reader.
It's early days yet. The issue featuring my poem "The Ascent of Inanna" won't be out until September. But why not get a head-start on bookmarking the webpage and maybe subscribing? (I will point out again that for $90, the same price as a three years' subscription outside the US, you can get yourself subscribed for life.) Meanwhile, the editor is posting a new poem every day on the magazine's blog (the page you'll land on when you click the link above), so you might as well make a habit of checking back every day, maybe over your lunch break. Doesn't lunch go down better with poetry? I certainly think it does.
Item the second: The Laptop Saga appears to have arrived at a satisfying conclusion, if by a long and twisty route. No, Thursday's replacement replacement motherboard did not resolve matters. But it got the ball rolling in the right direction.
Also, the onsite technician who visited on Thursday? He was a lot more pleasant than Tuesday's guy.
Tuesday's guy--I won’t sugarcoat this--he was a tool. Rather a jerk, is what I'm saying. He was the kind of guy who shows up during a pandemic under Colorado's "Safer at Home" phase of restrictions with no mask and no gloves (which I was cautiously OK with) and a snide attitude about how "everyone's getting paranoid these days" (which made me less OK about the no mask or gloves thing). The kind of guy who asks you what's going on with your computer, and when you try to answer, he talks over you. The kind of guy who says "I've been doing this thirty years, trust me, I know what I'm talking about" multiple times in a conversation. The kind of guy who, when the planned hardware replacement results in unplanned problems (the aforementioned failure to load Windows), calls up Dell Dispatch and straight-up abuses the dispatch tech. "Do you even know what you're doing? Look, I've been doing this 30 years, I am telling you, this motherboard is glitchy! It needs to be replaced!" The kind of guy who then, after hanging up the phone, starts explaining to you, his captive audience, why it was justified for him to yell at the dispatch tech like that, that dispatch tech doesn't know what he's doing, dealing with people like that dispatch tech is so hard. Also, the onsite tech was white and the dispatch tech was not, but that couldn't possibly have factored into the situation, could it? (Yes, that was sarcasm.)
So Tuesday's onsite tech made everything extremely uncomfortable. But a different technician showed up Thursday to install the replacement motherboard, and the difference was like night and day.
Thursday's tech was not a tool. Thursday's tech was entirely pleasant. Thursday's tech I would quite happily go out for beers with, or coffee, once we're allowed to go out to bars and cafes again, and talk tech and play board games.
To start with, he had no snide attitude about the pandemic; on the contrary, he arrived in facemask and gloves, and he opted to do the repair out on the front patio, "to minimize contact." So I, too, donned a facemask and helped him get set up on the folding table and chair out there. I pried open the screen on the office window so we could pass the laptop's charger cable through. Then I hung out at my desk in the office so we could easily communicate through the window while practicing responsible social distancing.
When he asked me questions about the computer, he listened when I answered. When I had questions, he took them seriously.
When he found the screws that the previous tech had stripped, he replaced them. (Seriously. Tuesday's awful toolish, jerkish tech stripped the screws. I suppose that, when he said, for the tenth or twentieth time, "I've been doing this 30 years," I should have asked, "Doing what?")
And then, after Thursday's entirely pleasant and professionally cautious tech put my computer together again, and it booted up successfully, he said, "I've got a couple other appointments in the area; when I'm done with those, I'll give you a call to see how it's doing and whether you need me to come back." That's how awesome Thursday's tech was.
And indeed, when we spoke again, the computer was not doing so great. Again, on the second or maybe third reboot, right after I installed all the drivers Dell's SupportAssist app told me to install, it choked. Black screen, Dell logo, infinitely revolving wheel of dots forever. Alas.
So the tech set me up another dispatch, one where they ship me a box for me to ship the computer back to the Repair Depot, and that was that.
Only, over the weekend, I got to thinking--am I really helpless here? Does my laptop have to be a paperweight? Must I limp along on the backup ASUS, afraid of running two programs at the same time for fear of bringing the whole machine to a grinding halt? So I booted up the Dell, tapped F8 until the advanced startup options menu appeared, and I invoked Windows Startup Repair.
And it worked. Dang thing rolled back the driver installs and booted up like a charm.
After that, I installed the recommended drivers one by one until I hit the one that caused Windows to fail to load. Turned out to be one of the optional drivers. Easy enough to just refrain from reinstalling it. Meanwhile, replacing the motherboard did seem to have resolved my webcam flicker issue. Sound out the speakers was worse than ever, but after some hours spent juggling Realtek drivers I apparently hit a winning combination; the stutter-lag-static is more or less gone now. I was able join in yesterday’s co-writing session over Zoom and my writing group’s critique session today over Discord without any problems.
The only real issue of note is that the power button will only power the computer on; any attempts to perform a hard shut-down by depressing the power button fail. Which is weird, but hardly worth shipping my computer away for a week. If the computer stops responding and I need a hard shut-down option, I know how to detach the battery.
So, as far as I'm concerned, the computer's fine now.
The box for shipping the computer to Dell arrived yesterday. I emailed the Repair Center to let them know I won't be using it. And they're cool with that.
poetry is a help in times of water falling from the ceiling
About that poetry sale from the other weekend: I've got the go-ahead to share the details with you! My poem, "The Ascent of Inanna," will be part of the September 2020 issue of Dreams and Nightmares Magazine. Founded in 1986, it's one of the longest-running print publishers of speculative poetry, and I am so pleased to get to be a part of it.
The thing about this poem is, it started as a piece of flash fiction, which I wrote for Codex's annual Weekend Warrior contest. I'm sure I've mentioned it before; this was my third time participating. Each entry must be written new for the contest in the space of a single weekend and can be no longer than 500 words. For Week 2, somehow I lit on the idea that after Inanna hung around three days dead in the Underworld, it must have been just the absolute pits to have to climb back up to Heaven and be Queen again.
So that's what I wrote. But I couldn't figure out how to end it properly. There wasn't enough story in the moment of Inanna's contemplation of her re-ascent to the Great Above. But attempting to pack her entire return into 500 words, right up to the bit where she finds her husband celebrating rather mourning and tells the demons they can have him in her stead, was a little much. I knew that no matter how well or poorly the story did in the contest, it would need a significant revision.
I wound up revising it into a poem. And the editor of Dreams & Nightmares offered to buy it. And you will get to read it in September. Information on subscribing to the magazine can be found here. (I'm intrigued to see that lifetime subscriptions are an option at roughly the cost of a three-year subscription. That's super tempting.)
The acceptance email came on Sunday the 18th, and payment, as the guidelines said it would be, came shortly after that acceptance, on Saturday the 25th. And on Thursday the 23rd, my laptop came home from the repair depot full of brand new hardware that worked blissfully well. It was a good week! And apparently I needed it, because the next week--this week--was gonna start out pretty crappy: In the wee hours of Monday the 27th, I was awakened by the sound of a waterfall where a waterfall had no business being.
About a gallon of water, all told, just poured out of vent fan unit. (This was due, I found out later, to a toilet in the unit above me overflowing. Also, this is not the first time something like this has happened. My upstairs neighbor has let me know she's doing what she can to make sure it's the last.) But it started slowly enough that, before the deluge hit full force, I had time to hop out onto the back porch, select the bucket that was full of pruned bits of tomato plant rather than potting soil, and then--this is key--stand there wavering groggily over what to do with those tomato prunings. I think I stood there for about twenty seconds, just paralyzed over having nowhere to put 'em. This is what happens when I get woken up suddenly at 3:45 AM. My brain does not work. Finally I came to my senses, dumped the compost-to-be onto the patio deck, and raced back inside to position the bucket where it would do the most good. Maddeningly, the water was coming down precisely onto the edge of the toilet seat, not a stable place for the bucket. I wound up using a stool to support it.
Then I went to call the condo association's emergency maintenance line. The emergency maintenance line unexpectedly went to voice mail. I left a rather pathetic message, which was returned around 7:30 AM by the property manager, telling me that they'd get the property restoration people on the case right away, and also that I should have called the emergency maintenance line. "Option four," they tell me. "You press four, that gets you the after-hours emergency people." I told him I did press four, and that's how I got the answering machine. Why did that happen, did they think? "Oh. I don't know why that happened." *facepalm*
So now we are living with two heavy duty fans and a dehydration unit in our bathroom, making the whole bedroom/bathroom area hot and noisy. But the noise is surprisingly easy to sleep through, and the weather outside is nice enough to leave the bedroom window open all night, and the heat in the bathroom has made my sourdough yeast starter experiment encouragingly vigorous. So things aren't all that bad.
Besides, I just sold a poem! I can't get too far down in the dumps before I remember that and smile.
quarantine crafting, cooking, and poetry publishing
Hello from a fairly satisfying Monday! The sun is shining, the paving is dry, and I just went for a big long street-and-trail skate. Looped around 28th to Elmer's Two Mile to Goose Greek to Foothills to Wonderland Creek and home again. It took nearly the entirety of the album Best of Blondie.
I'm coming off a pretty damn good weekend for poetry. One came home with the kind of personal rejection that makes an author walk on air and smile foolishly for the rest of the day. The editor responded, at paragraph length (and not a short paragraph, either), with an in-depth interpretation of the poem, teasing out meaning I had not consciously put in there (but wished I had, because damn, that's some clever stuff!). We are talking exegesis here. Another poem came home, from a different market, with an offer to buy. (I said yes, of course.) No contract yet, so details later, yadda yadda yadda. I shall reveal more when I can.
So. One amazingly thoughtful personal rejection and one acceptance. That's a damn good weekend.
There has, meanwhile, been more quarantine cooking and quarantine crafting. John's missing his California Pizza Kitchen fix; he found a copycat recipe for their Kung Pao Spaghetti, and we gave it a shot last night. (Sans chicken, of course.) It got all the thumbs up from this household. The recipe calls for a whole pound of spaghetti, so we figured there would be leftovers. There were no leftovers. There would have been if we had possessed any self-restraint whatsoever, but we did not, and so we ate it all.
Next time we will make half the recipe, just out of self-defense.
The effect was not unlike that of Pinch of Yum's Rainbow Pad Thai. The sauce is very similar. Veggie broth, soy sauce, chili paste, sugar, vinegar. The main difference was that it was thickened with cornstarch in the bowl rather than with egg in the pan. I'm thinking next time I might try the egg method; I find that the flavor and texture of cornstarch is just a little too front-and-center. But obviously I had no real complaints. NO LEFTOVERS.
Meanwhile, I dug up and finally finished this lap blanket, pictured above. I started work on it some three years ago or more. I'd just made one for a Boulder County Bombers silent auction following the Gingerbread Lady's Ribbon Afghan pattern, and I thought it would be nice to have one of my own. This time I'd substitute a half-double stitch for that one chain stitch that separated the blocks of double-crochet from the blocks of single, see if that resulted in a smoother effect. It did, and I liked it, but somehow I just never got around to finishing it. Well, it is now finished. Finished and warm and soft and cozy.
That done, I investigated another couple bags of acrylic yarn someone gave me--this is a thing that happens when one crafts out in public; other people offer one yarn when they want to winnow down their stash. I have yet to learn to say no, mainly because I keep thinking, "I'll make it into another patchwork afghan!" Well, time to get busy on that. That bag of brightly colored balls of yarn you see in the photo next to the lap blanket is getting turned into a bunch of granny squares, more or less following the Crayola Colors Afghan pattern in Women's Day Granny Squares #8, which was on my shelf for some ungodly reason and seemed like a good place to start.
Crocheting granny squares is not a bad way to spend time waiting for a Puzzle Pirates voyage to get under way. Did I mention I'm playing Puzzle Pirates again? Yep. Logged on this afternoon after my work was done. Promptly won a bunch of Easter Egg furniture in an Ocean-wide competition that happened to be going on at the time. When it comes to Rigging and Navigating, I've still got it.
Anyone to whom that actually made sense, drop me a line. We should pilly.
one hundred words closer to upgrading my SFWA membership
- 50,347 words (if poetry, lines) long
- 100 words (if poetry, lines) long
I have happy news today! One of the three stories that sold back in January has now been published--it is online where you can read it and everything! "The Rarest of Prey," what I've been referring to as "that tacky little unicorn drabble," is now live for your reading pleasure at Daily Science Fiction.
Meanwhile, I continue plugging away at all the daily and weekly writing tasks...
This morning's freewriting session resulted in a couple potential poems, one about the pandemic, the other about prejudice, and both depressing as heck. (Sometimes poetry is like that.)
This week's Friday Fictionette is slowly but steadily taking shape. That's particularly reassuring to see, since this one started out more nebulous than most.
Another page of a very overdue Fictionette Artifact got typed up. The very last of the the ribbons I ordered back in January 2017 is on its last legs, so I placed an order for more yesterday with Ribbons Unlimited--and they've already been shipped! Should be here Thursday. They are not just speedy, but solicitous, too. In response to a note I included with my order, the proprieter called me up on the phone to reassure me that, despite a change of verbal description, the part number I had ordered was indeed compatible with my particular typewriter (a Tower "Quiet-Tabulator" from the 1950s that an acquaintance in Oregon sold me for $50 back in, oh, 1998 or so).
The early novel revision efforts are inching along. I wrote The Bookwyrm's Hoard using a very early version of yWriter. Possibly version 2? I installed version 6 and it didn't want to open the novel directly; instead, I had to use one of its Import Earlier Version commands. 2006 was that long ago in software years. In any case, I've created a Scrivener project and have begun importing the draft, chapter by chapter, scene by scene. (I'm up to Chapter 3.) As each scene gets imported, I read it and make notes broadly identifying areas I need to fix or pay special attention to. (There are a lot of problems need fixing. Some of them are very embarrassing. No, I'm not going to list examples.) I'm trying not to judge but rather to observe and acquire data. I'm also getting surprised a lot. I remembered the basics of the plot, such as it was, but there are loads of details I'd forgotten, and some of them are actually a delight.
And of course there was dinner. (Bonus food content!) Native Foods said "Hey, it's Takeout Tuesday! Double points if you order today!" so I was like, OK, fine, let's try your fancy Plant-Based Roast. I scheduled an order for 5 PM delivery. It arrived right on time. My hunger also arrived right on time. Only problem was, the fancy Plant-Based Roast arrives frozen solid and requires an hour and a half in the oven. Whoops. Good thing I had also ordered a 4-pack of their burger patties. Those cook up in about 5 minutes on the stove.
The roast, when it was finally done, was delicious. Also it will feed me for days. (Just me. It's not really John's thing, although the burger patties might be.) A+, would recommend. Just understand that, once it arrives at your door, you aren't going to get to eat it for at least two hours, and schedule your delivery accordingly.
it's a horrible plan but it just keeps working
I am trying to learn my lesson. I really am.
Last time I had one of those "Holy crap, the submission window closes TODAY, hurry hurry hurry!" days, I only made the deadline by staying home from that night's roller derby practice. Then the story wound up getting accepted for publication, which was, of course, awesome, but possibly unwise of the universe to reward me like that for basically sucking at time management.
Because I had another one of those days yesterday. It wasn't quite as desperate a situation; instead of writing a whole new story out of nothing, I only had to lightly revise a few existing stories. (It was a situation where reprints from Patreon were welcome, so I had the majority of my Friday Fictionette catalog to choose from.) Also, I didn't have to skip roller derby practice. (Roller derby practice consisted of about a half hour long really intense quad and core workout.) But still, I really shouldn't do this last minute stuff to myself.
Today I got word back from the publication that two of the three stories in my submission package are being held for further consideration. That is (a) super quick, and (b) pretty darn cool. Obviously a hold pending further consideration is not a guarantee of eventual acceptance--with this particular publication, I've had hold notices go either way--but it does mean those stories made the first round cut, which is good news any way you look at it. So I'm feeling pretty spiffy about the whole thing.
I suppose the universe is not so much rewarding me for sucky time management, but for persevering in the face of pressure. I put my submission packet together rather than just giving up, and that's a good thing. Even on the last day of the submission window, it is better to submit than not submit. I get that. I just think it would be even better if I could reliably submit in a timely fashion, and not wait until the last day of the submission window.
Here endeth the lesson.
Time now for some food content, because cooking is fun and eating is even more fun. This, right here, is fun: How to turn a box of Annie's Peace Pasta & Parmesan into one-pot mock carbonara.
- Cook the cute little peace-sign shaped noodles like you always do. Drain and set aside.
- Chop up two slices of bacon into bite-sized bits, maybe 1/2" wide, whatever you like. Pop those in the pot and let them cook on medium, medium-low until cooked through but not crunchy and the grease is coming out. If you've got some cognac on hand, and this sounds like a good idea to you, deglaze the pan with a generous splash of cognac.
- Pour in a nice half cup or so of heavy whipping cream and let it come to a gentle simmery sort of boil.
- Add a cup or so of frozen green peas. Stir them around, maybe add a little milk or more cream if things are prematurely thick in there, and let the whole shebang come back up to temperature.
- Once the peas are no longer frozen and the cream sauce is starting to bubble again, stir in the packet of Annie's Peace Pasta & Parmesan cheese powder. Turn off the fire. Add the noodles. Add a hefty wodge of grated parmesan. Combine thoroughly.
- Consume. Self-restraint not required. You win at dinner.
magic pen: anthology updates and signal boosting, part ? of ???
As y'all know, I have a story coming out in the forthcoming anthology from Atthis Arts, Community of Magic Pens. Here's the description:
An eclectic, multi-genre collection of original stories about the power of communication, the magic of writing instruments, and the strength of community, curated to inspire wonder, hope, and joy.
There's not much more I can add to that except that I'm excited to be part of it. I really, really am. Proofing is just about done, I've ordered my author copies--this thing is really happening, y'all. *Squeeeee!*
The book ships in May, but you can preorder it now. Follow the link above, then click "Preorder on Backerkit." Through that page you can preorder the paperback, the ebook, or the limited edition hardcover. (That last will only be available through the end of March.)
As you can imagine, small presses don't have huge profit margins, and now, thanks to the COVID-19 situation, all the in-person events they were counting on to help boost sales have been canceled. So, to steal a spiel from another writer acquaintance of mine, "Buy early! Buy often! Buy two or three--they make lovely gifts!"
Through that page you can also download--for free!--a lovely poster displaying the title of the anthology in multiple languages, each of them spoken by one of more of the authors of the stories therein.
Another piece of anthology-related news I wanted to share is that Atthis Arts will be hosting an AMA over on Reddit Fantasy on Thursday, March 26. That's this Thusday, this week! Author and editor E. D. E. Bell will there along with various of the other anthology authors to take your questions and chat with you over the course of the event. (I'll be hanging out as well, though I expect to do much more listening than talking. Er, reading than typing. You know what I mean.) What I'm hearing is that things will get started around noon Eastern, but festivities will continue for several hours thereafter, so I guess don't stress overly about punctuality.
The other thing I know, but don't have many details on, is that there is a book blogger organizing a series of interviews with the anthology's authors, and I'm busy working my way through the interview questions as we speak. There are a lot of them! Which means the finished posts will be hella fascinating and fun. I don't have a link for you yet, but it's early days; I'm hearing this one won't launch until after the book does. So for now you can just pencil it onto your internet-surfing schedule in the vague area of early May.
And that's where All Things Anthology are right now, as far as I know!
a day in the life under the new normal
When it's been more than a month since my last blog post, writing a new one seems daunting. I feel irrationally obligated to include Every Single Thing That's Happened Since Then, and because that's obviously not feasible nor even possible, the tendency is to just not. And then another day goes by, a day full of More Things to Blog, and the endless spiral descends further.
So today I'm just going to say Hi! and more or less report on the doings of the day.
Today I woke up in the office, which has become my bedroom since coming home from the Berthoud Inn on March 16. That weekend, I'd gone out to a couple bars (in Berthoud), and John had hosted his annual gaming miniconvention (which was why I was holed up in Berthoud), so we've been sorta quasi-isolating ourselves from each other since then to keep what social exposure we'd had as much to ourselves as possible. We joke that the boundary between his space and my space runs right down the center of the kitchen table, where we sit on opposite sides in the evenings to play Spiral Knights. But of course we both use the kitchen. We even cook together sometimes; we made pad thai together Saturday night, for example. So there's only so much we can do. But we're doing it.
First thing I did upon waking up was call to cancel today's appointment at Cafe of Life and tomorrow's at North Boulder Physical Therapy. I guess I'd been kidding myself until recently, or just not thinking about it, but I thought about it over the weekend and realized that these, too, were non-essential as far as medical appointments go. I have my homework, I have my exercises, I can keep myself from losing ground on what both professionals constantly remind me are marathons rather than sprints. It's fine. We'll reconnect after the curve flattens out somewhat.
So then I made myself tea and got to work. Work looked a lot like work on any weekday. Morning Pages followed by breakfast, tooth-brushing, pill-taking, and catching up on news of the day. Freewriting to a prompt. Work on this week's Friday Fictionette offering (have I mentioned my release schedule is back to normal? Yeah! I done caught up). Work on the next very belated Fictionette Artifact for my exceedingly patient $5/month subscribers (obviously still catching up on that). Break for lunch and some admin duties. Then a solid session of Submission Procedures, because it's Monday. Logged the rejection letters my poetry and fiction got over the past week. Resubmitted my latest flash fiction piece. Did a final proofread on my story in the Community of Magic Pens anthology (which I will talk about a whole bunch tomorrow, so stay tuned).
It is a bit unsettling how very little my work and social routine have changed under pandemic lock-down. Under normal circumstances, I can quite easily go days without seeing anyone but my husband and my roller derby teammates. I'm seeing more of John since he's working from home every day rather than some days; I'm seeing my derby friends online for virtual workouts rather than in person for practice. That's pretty much all that's different; otherwise, it's life as usual for this hermit. And, well, wow. I already identified as an introvert, but I guess I didn't realize how much of an introvert I was until I realized how little this sort of social isolation bothers me--and how much social isolation I was already performing by choice before it became the medically necessary and socially responsible thing to do. I feel like maybe I should be a little bothered by that. But I'm not, not really.
Both John and myself continue symptom-free. But of course I get paranoid every time I blow my nose first thing in the morning or have a small wet coughing fit shortly after a meal. Which I've done, and had, every morning and after every meal for years. Is it still hypochondria when the microbes really are out to get you?
I'm powering through the main storyline quests on 4thewords.com, the system that turns writing goals into RPG-style battles. I'm currently in the Gansu Watering Hole chapter. Before I began writing this blog post, I fired up a battle against the Red Witch: 4,000 words in 1,000 minutes. Woo! With my attack and defense stats, it's actually 3,254 words in 1,200 minutes. I have until tomorrow at 1:30 PM to make the required word count. Sounds entirely plausible; by then I should have done tomorrow's freewriting and Fictionette work. Not to mention I'll have finished this blog post.
The sun's out, it's vaguely warm, and the sidewalks have dried off since the most recent blizzard, so I went skating. I did about two miles going "around the block", which is to say, all the way to the dead end of my street, then onto the path that follows the southbound highway, turn the corner to follow the westbound highway, then hit the creek path that cuts through the neighborhood and puts me back onto my street. There was also an early detour to a neighborhood park for footwork/individual skate skill practice on the cement basketball court.
Lunch was leftover peanut stew with bacon and okra, a variation on the recipe discussed here. I'd gone to the grocery Friday--that and Boulder Food Rescue combined are the one weekly out-of-the-house errand I'm still running; food delivery to those in need is more important now than ever, and while I'm at the donor grocery, I might as well get my own groceries too--and acquired ingredients for the peanut stew, the aforementioned pad thai, and an attempt at Dragon & Phoenix. In the absence of occasional meals at restaurants, I'm cooking my favorite restaurant meals at home. I got the okra, oyster sauce, stir-fry noodles, and various happy-making snacks for me at the Asian Seafood Market on my way home; they are still open too, and they are wonderful. Neither they nor Sprouts had fresh garlic, but I've got a small supply in addition to a bunch of minced roasted garlic in a jar in the fridge. We'll get by.
And now I'm back in the office writing this blog post. John's at the kitchen table finishing up his own day's work. We'll meet up soon for another dive into the Clockworks (I just made myself Mercurial Mail and I can't wait to level it up!). And that, more or less, is the status report for Monday, March 23, 2020.
Please stay safe and healthy, everyone, and treat yourself well.
i show you a thing! two things! only one might make you go eww!
Work on the Magic Pens anthology is progressing. Author bios are getting finalized, and final story edits are due back in the next couple of days. My story got the benefit of a couple more pairs of eyes, and I'm thrilled with all the care and attention that this editorial team is bringing to the project. I'm also thrilled to see who else is in the table of contents with me; the Codex online writers' group is well represented.
And the cover art is finalized! I get to share it with you!
If you want to get a head start on ordering your copy, the preorders page is here. Note that the limited editions are only guaranteed available through March. Mid-May is what I'm hearing for shipping (of any edition).
Because you have come to expect foodie content on this blog, and I am loathe to disappoint, BEHOLD: How I learned to
love tolerate liverwurst.
Look. I picked some up thinking, "Hey, look! Liverwurst! I've never had liverwurst. I wonder if I'll like it?" because that's how I approach food. I sliced off some and spread it on toast and lo, I did not like it. The ingredient list said "pork, pork liver, spices," but as far as my mouth was concerned, it was just liver paste. I may have actually gagged.
But I didn't want to throw the rest away. I hate wasting food. So I found these sandwich recipes. I like the cream cheese and cucumber one best; it has enough bright, crisp flavors in it to
balance out mask the liver muddiness. And, as a bonus, there's literary content.
(I was also open to frying slices of liverwurst in bacon fat along with a bunch of chopped collard greens, as I remember actually liking a charbroiled liver and collards dish I got at the French Quarter Fest some years back. I had no fresh collard greens in the house at the same time as the liverwurst, however. Maybe next time. If there is a next time.)
And that's what I've got for you today!