author: Nicole J. LeBoeuf

Intensity of intention has an inverse relationship with productivity.

To wit: This morning I got up and said to myself, "You've only finished three paid content-writing articles all month! And the third requires a rewrite! And when this month have you done anything substantial, fictionwise? But it's a brand-new day! 24 potential stuff-doing hours remain in August! Do your rewrite, and then spend the rest of the working day doing articles! See how many you can do! I bet you can do a lot!"

Then I did absolutely nothing all day. I read a lot of blog. Blog this, blog that. Answered emails. Read more blog. Walked around downtown. Ate pizza. Ran out of blog to read, so went back and read previous blog after hitting refresh a lot.

Finally, finally, roughly around stupid o'clock PM, I did a quick Denver Metblogs write-up and I completed that one article rewrite.

And that was all.

So at one end of the spectrum is "Eh, whatever. Kick back and relax." At the other end is "OMG panic panic panic GET A MOVE ON!" It's a stress-and-guilt spectrum. It goes from zero to stomach-churning. But it's a weird little spectrum in that it's not a line but a circle. The two ends curve back around and meet up at a single point, and that point is called total lack of productivity.

Somewhere in between is a happy area, a land of the blessed, a sort of Avalon of stress-free motivation where tasks are approached in a Zen-like state of detached intent. It's all, "Yes, I have stuff to do," but it's missing that instinctively self-destructive component of "and any sense of self-esteem I can rightly lay claim to hangs on my doing it!"

I'm not sure I've ever actually been to Avalon. I'll tell you this, though. I'll know it when I see it.

Thing about nervousness in the face of a story critique is, I don't ever get over it. All I do is get used to suffering it. So last week I told myself, "So what, you're nervous? So what else is new? Send the thing." Then I found out that while the nervousness never gets better, it damn well can get worse. There's "I wrote a story and other people are reading it" nervous, and then there's "I wrote a story that's sort of transgressive and psychosexual and may reflect badly on the state of my sanity" nervous.

An additional large part of my nervousness came from not really knowing what I'd written. I spent two hours last Saturday doing a type-in revision of the story, after which I simply spell-checked it and sent it out. After which my only clear memories of the story were all the things that were potentially bad. Predictably, this was followed by a bout of "Oh my Gods what have I done?" panic.

According to my critique group, I wrote a damn fine story that steers just shy enough of purple prose ("it's more lavender, really") to have some stunningly poetic moments and breaks a lot of conventional rules and gets away with almost all of them.

OK then. *pauses to blush and grin uncontrollably*

The "almost" is where the difficulty of revising it will come from, because I think what I'm trying to do there is worthwhile but needs to be done in a gentler way. In any case, the negative parts of the peer review were all the right kinds of negatives. My story has grown-up problems. Now I gotta be a grown-up and fix them, the sooner to send the story out into the wide world.

Today, however, I am being a lump. I work 5 days a week, and I am deciding this week to trade my Thursday for my Sunday. I drove John to the airport today, after sharing breakfast and several bouldering problems with him. Though it's hard to find anything to complain about in a day that started with rock climbing and green chile, I am now unexpectedly tired. And being all alone on Sunday means a good block of time to write then. So tonight I'm doing nothing much productive.

I've been rereading old blog entries since last night. And laughing at them. I don't know if I'm just a vain nut or what, but damn I've written some funny things in these pages.

(I'm sort of snorting soft drinks through my nose over these two.)

And I'm contemplating the new crafting puzzle at Puzzle Pirates. Weaving. I'm still not entirely sure whether I like it. The physics of it are satisfying, but the animations are a little slow. In any case, I may be doing that for a while tonight. Also, my Sage Ocean pirate Nensieuisge ("Nancy Whiskey") bought an Emerald Class Sloop and really needs to take it a-pilly. So that's what I've got on for the night.

Then tomorrow, Saturday, and Sunday, there will be work.

So. It's later. This post, I think, counts as "more."

It may not have entirely escaped notice that I've been rather absent from this blog of late. I've been sort of pendulum-swinging between hard-core goofing off and hard-core panicked productivity. The "Thunk" from the previous post marked my exiting the latter mode and returning to the former.

Let's review:

Thunk, onomatopoeia, the sound of something with a high word count and high stress level landing in my editor's inbox. (See also Thwumph, likewise, the sound of me hitting the sack after an all-night writing binge.)

So I've been goofing off a bit since. My main characters in Puzzle Pirates have been going to Atlantis a lot, earning plenty pieces of eight at their distilling jobs, and trading pieces of eight for doubloons. My most favorite paperbacks are getting a rereading work out. Sleep is happening in great quantities. Also cooking. My grandmother once gave me a copy of Kenneth Lo's The Top One Hundred Chinese Dishes and I've been working my way through the sections on noodles, rice, eggs, and tofu.

However. I've got another deadline of an even higher word count coming up on the 29th of this month, and I'm hoping to avoid the thunk/thwumph cycle. Also hoping to avoid stretching out that deadline into November, because November is holy. November is when new novels get written at a rate of no less than 1,667 words a day. And speaking of which--fiction! It's what that "hey I wanna be a writer when I grow up!" thing was all about! Might be nice to start actually submitting short stories here and there again...

Thus, the plan: After posting this, it's 1500 words on the work-for-hire contract and then a bit of fictional noodling.

And then some Puzzle Pirates. Nensieuisge needs a new sword, after all.

So, more later. And more later after that. And after that. And so on.

I have Good News. The article about the hand-knit bikini experiment? It really really will be published. At any rate, I was recently asked to turn in a slight (very slight) revision to it along with a bio and a nice headshot of me. And money arrived in my PayPal account. So it all looks like getting published. Hurrah!

However, the publisher has started sending me emails with strangely spam-like rhetoric. "Nicole Do you know the TRUTH about knitting?" "The insider secrets that you should know before you even THINK of starting a knitting piece!" Fear! Feeear the knitting! Without our help the knitting will surely defeat you! It's like the headlines from a cover of Reader's Digest. Should I be worried?

Meanwhile, I'm under a deadline that is two days gone, and two more deadlines have sprung up looking scary in the distance, and I haven't touched any fiction in almost a month. This makes me cranky.

However! There is extracurricular good news. I am this close to being able to legally act as Pilot in Command again--it's likely that after tomorrow's lesson the instructor will sign off on my flight review (he did! Yay! I can has endorsement!)--and John and I have been taking beginner rock-climbing classes at the neighborhood gym. Both of these do wonders for one's sense of competence. Yesterday I walked into the gym in a tank top and ill-fitting shorts, horribly self-conscious about being short and pudgy and hairy and a total n00b. (Shut up. I know.) Then I started climbing, and then I got to the top of the route, and then all I could think was "Ha! Who cares how I look? I don't care how I look. Ain't nobody gonna talk to me about how I look. I look bad ass." Bad ass for a n00b, sure, the route was only labeled 5.8, but still. A highly recommended experience.

No, really. Getting back to work now. Laters.

Haven't quite hit the story rewrites yet. Will soon. Am meanwhile throwing stuff at the page that may or may not turn into anything worth a title. Some of it goes like this.

Observe her, there, beside the fountain downstairs in the library. Don't worry about seeming rude. She'll never notice your eyes upon her. She's not really here, you see. Not while those pages are turning.

She sits like a child, butt on the floor and legs straight out in front of her. Her right hand idly rests upon the fountain's edge, where the pool sinks below feet level, and her fingers are getting wet. It's OK, though. She's left-handed. She's not getting the pages wet. Sometimes her right hand seeks the hand of the bronze ballerina who kneels upon a bronze paving stone in the pool. Sometimes the fingers of her right hand dip deeper to pick up a penny, twist it through the liquid light, pass it from finger to finger like a carnival juggler. Sometimes she scratches her scalp and leaves chlorinated drops in her hair.

She is aware of none of this. She's not here, I tell you. She's not even in her body. The words her eyes pick up merely pass through on their way to her consciousness, which wanders around some far-off Matrix with a radio antenna in her ear. The left hand turns pages by remote control.

Unaware of our eyes, or the water, or the children running past her in a great roiling boister, she is yet keeping an ear open for some few things. Those things that cue that it is time to close the book. "The library will be closing in five minutes," is one of them. "Sadie, we're ready to go home." That's another. When these signals filter through her body's answering machine to the soul that is picking up messages far elsewhere, the left hand does a fearsome thing. It closes the book and makes the otherworld disappear.

Then Sadie rubs her wet hand dry upon her jeans, recoils her hair at the nape of her neck, and stands up on legs full of knee-popping and stiff-stretching. Wincing at the protestation of joints makes the faint lines reappear beside eyes and mouth. She no longer seems childlike. She no longer appears young. But she is not in great practice being aware of her body, so she does not count this a tragedy. She simply hobbles for a few steps until her legs limber up again and continues normally to the checkout counter. The book goes in her purse and the woman goes back to her friends (if they called her to leave) or simply to her car (if the library's closing time was the only impetus).

Once she arrives home, she will make the world disappear again. This world. The otherworld will be there, waiting for her, like a video tape left on pause.

This is Sadie's life. She spends only what time is necessary here with us, at work or eating or taking care of the children. Or socializing with friends over coffee, reassuring them that she remains among the living in both mind and body. But when she's able, when she can get away with it, she opens a book and disappears.

Our story begins, like many stories begin, on a day that begins like any other. Like any good story, that day soon diverges from routine, for what else are stories about if not the point of no return? For Sadie, the point came when she opened a book like any other book--or was it? Was it the book that differed, or something in her mind? Did something that noticed her comings and goings finally act upon it? Because, sometime later, she reached the point at which she realized she had passed the point of no return. And that was when she closed the book.

And the otherworld failed to let her go.

Well, that's what happens with me, anyway.

Like I said. If you can't get started on the one project, for the Gods' sake, write something else.

In other news, my first bloody mary experiment in Boulder has been semi-successful. Here in the land of No Effing Zing-Zang Anywhere, I went to Whole Foods and picked up a bottle of a local product called "Premium Gourmet Bloody Mary Mix." Also some V8 to cut it with, in case it packed the horseradish in a stomach-lining-corroding proprotions. Also a selection of pickled products in bottles and off the olive bar for use in garnish: marinated mini-onions, olives stuffed with garlic, hot pickled green beans (another local product, which the local grocery clerk (being local and not from New Orleans where a bloody mary doubles as your pre-dinner salad) thought was a very odd garnish for a bloody mary), capers, and those awesome little bumpy garlicky pickles.

But you know what we're missing? You know what I couldn't find at Whole Foods, neither on the baking aisle nor among the bulk spices?

You know what's not crusting the edges of my glass in this lovely picture here?

CELERY SALT.

This is why we're only talking semi-successful here. Maybe tomorrow I'll call... shudder... Safeway.

Thunk - the sound of a 15,000-word RTF attachment hitting my editor's inbox at 8:00 AM on the morning of a much-extended (for reasons mostly to do with scheduling interviews) deadline morning.

Zzzzz - the sounds emanating from the bedroom shortly thereafter and for most of the day. Week, in fact. Most of the week. When I crash, I crash hard.

Whizz - the sound of the February 28 deadline for Shimmer's "Pirate" issue approaching with great velocity, in flagrant disregard for my state of crashiness.

Vroom! - Me, shifting into high-speed productivity mode with regard to that and everything else I'd temporaily shelved during the freelance project (a prospective freelance web design assignment, a continuing novel critique, and all sorts of fictioneering in addition to the short story.

...Better late than never, right?

Bonus terminology: Damn you, wench! And I mean that in the nicest possible way... - Me, discovering exactly what my friend had done when she said, "You know what? You should totally check out PuzzlePirates.com." Do not, as you value your own real-world productivity, go and do likewise.

OK, well, but if you do, drop me and email and tell me what handle you play on which ocean. I'll invite you to be one of me hearties. Arrr!

Signed,

Ninnybird (Cobalt)
Teshka (Midnight)
Millefleur (Viridian)

Write.

I didn't. Not a single word. All week.

...Shut up! I was on vacation!

This has not been one of my most productive weeks.

Well, not novel-wise, anyway. In other ways, it's been quite fast-paced. For instance, I've got myself all signed up for the World Horror Convention, including the Editor's Workshop (topic: "Professional Help," ha ha ha *groan*). I've gotten initial hold of everyone I want to interview for my latest work-for-hire gig. I have even gotten interviewed for a possible new web development job (no! no! don't wanna! can't make me! ...well, OK) with a follow-up interview next week.

But the novel? Er. Eek?

I've decided on just the first three chapters, since that's a better place, storywise, to break off. The application guidelines say up to 10,000 words, not exactly 10,000 words, after all. And I've only just started on the chapter three line-by-line. If I had to get through Chapter 4, too, I'd never get this dang thing in on time.

Today's headache: Flashbacks.

That's all. No long, drawn-out explanation. Just: Flashbacks. Flashbacks, and the segue between past perfect and simple past. Ew, I say. Ewwwwwww.

According to this quiz over here, my protagonist is not a Mary Sue.

You have no idea what a load off my mind that is.

(Further fun reading on the subject can be found at Making Light.)

Yes, I already quoted this on Metroblogging Denver. Yes, I do tend to go on and on about things that are funny. Yes, this is another example of me reading other people's flamewars for kicks and grins. But OMG this is good.

So we have a follow-up to Miss Snark's "When To Quit" post. It's an example of the sort of doomsayer I've been railing about here. Only this guy's line is, apparently, that anyone who writes but isn't seeking publication really ought to just stop wasting their energy on such a pointless endeavor. Her Snarkiness, of course, trods him firmly beneath her famed stiletto heels.

Oh, but that wasn't enough. Intrepid Snarklings had to go read this bozo's blog. Mr. "If it Ain't Gonna Be Published Why Bother" has a self-published book of his very own, and a blog subtitled "a novel in progress." That blog, apparently, gives one little doubt as to his book's commercial viability, or, more to the point, lack thereof. Each entry consists of one sentence, perhaps two, each of which earnestly vying for the title of Longest Sentence In The World. A reader might be prompted to reflect on the other meaning of "sentence," and how appropriate it is that both meanings fall under the same word, for reading the run-ons to be found at the bozo's blog is certainly a punitive procedure.

Or, as these comments demonstrate, one might be prompted to think other things:

I'll say he's talented! In scrolling through his blog, I think I saw two periods. Those are some of the longest ass sentences I've seen since me Joyce and Faulkner readin' days. Yikes!

I read some of his stuff.

Congrats, Mark!! To judge by the singular lack of periods in your narrative you're PREGNANT!

This has absolutely nothing to do with my writing beyond the fact that in reading blog archives I was rewarding myself for a successful hour on the novel while simultaneously procrastinating the next round of attack upon the current work-for-hire project. Which goes swimmingly, by the way. I am still on the aforementioned sanity-saving schedule, and should be able to go to the goth club with everyone Sunday night guilt-free.