inasmuch as it concerns Spit and Polish:
Contortions performed upon that endless search for perfection.
go team go
- 51,730 wds. long
Every day, every work day, presents another face-off between the warring factions of Stuff To Do and Not Enough Time. Yesterday, the latter won, and it was a depressing wipe-out. Today, a decisive victory went to the former. Which is to say: Today I got to prove to myself that, yes, all the different things I have to do can coexist in a single day.
Well, that may be a little optimistic. To be precise: home improvement projects (paint-stripping and sanding closet doors--we're down to the sanding now, folks) coexisted with a well-rounded writing day (morning pages, freewriting, fictionette prep, novel work, Examiner blogging, this-here blogging). And on a Wednesday, too, which is when I record an hour-long reading of employment ads for the Audio Information Network of Colorado. Also there was a not insignificant period of time spent on Puzzle Pirates, mostly during the AINC reading and the paint-stripping.
Notably, my day did not include roller derby practice, and I bowed out of my usual Wednesday night trivia outing. The only "out" I went was to the craft store to reward myself for getting the doors from the paint-stripping stage to the sanding stage. (Aida cloth and DMC embroidery floss. I'm going to finally cross-stitch that "Hurricane Chart, Cajun Style.") Well, and to the restaurant next door for chicken korma and an hour's writing. So. Many things can coexist in a single day, but not, alas, everything. I suppose that's why we gave ourselves seven different days in a week.
About that novel work: I have decided, between yesterday's "we'll see" and today, that I'm constitutionally unable to just sit back and not participate in NaNoWriMo. I don't think I could look myself in the mirror on December 1 if I didn't give November by best novel-writing shot. Besides, I started off this year with the idea that every work day should include some short fiction and some novel work. I might as well try to get back to that.
However, I'm still at a total of zero words. My editor brain knows I'm trying to write a second draft of Iron Wheels rather than a first draft of something new. It won't let me just start typing away. It's got a point; I don't want to repeat the aimless, unstructured journey of the 2013 draft. Since I couldn't bring myself to just blart out rough draft, I instead blarted out thoughts on characters and plot. I especially had some thoughts about Katie's dad and his school board politics, and how these sort of disappeared from the 2013 draft. I'd like to give Mr. Greenbriar a significant role in this draft, maybe bring him face to face with the Faerie Queen and have them argue over who gets Katie. (Spoiler: It's Katie who gets Katie. That's what "growing up" means.)
Maybe tomorrow I'll manage to lay down some "real" words... depending, of course, on which team wins the battle over Thursday. I suspect it's going to be a very close contest.
putting that fictionette in the end zone after the two-minute warning
- 783 wds. long
I've been running late all day, and I'm beginning to question whether writing can coexist with home improvement projects. And cooking. And having a social life. Also eating and sleeping... Whatever. Here is a Friday Fictionette! If you are a Saints fan, it is just for you. I have not finished all of the uploading procedure just yet, but I've at least put the new creation up on Patreon and the teaser excerpt here. The excerpt is not up on Wattpad just yet, partially because, like I said, I'm late, but mainly because Wattpad itself is currently inaccessible, i.e. "over capacity."
Anyway, I wanted to blog while it was still, y'know, today.
Like the Author's Note says, this fictionette began with the prompt sentence, "A man and a woman arguing over whose fault it was the Saints lost this week." Because Saints fans, like devoted football fans everywhere, have their game day rituals which they invest with disproportionate importance in a "ha ha only serious" kind of way. I do it too. For one thing, I haven't worn my Saints scarf (pictured here) on a single game-viewing outing this season, and it shows. I will not only wear it to Harpo's this Sunday, but also to our Sunday morning trail skate. We'll see if it works.
The raw timed writing session output sounded like I was just making fun of my poor characters. I hope that the revision portrays them in a fonder light. I also wanted to make it clearer that this is a world where fans' actions really can affect the outcome of the game. The only question is, which actions? Which game day rituals work, and which are placebos? There's a lot of room in the gray areas for my characters to argue.
Anyway, there it is. The excerpt and cover art notes will hit the Patreon activity stream shortly. Have a great weekend, y'all! WHO DAT!
look i have some yummy cheese for you
- 5,300 wds. long
This week my major task is to revise "Caroline's Wake" so that I can resubmit it. Today, I have made a start.
Now, me and revisions typically don't get along. Not like me and first drafts do. First drafts are great! They're fun. They involve discovery and imagination and "what if...?" and "Oh, I know!" and a lot of happy babbling until THE END. Importantly, there is no pressure. Pressure is on vacation during the first draft. But it comes back to the office when it's time to revise. Oh, hi there, pressure! Welcome back! Wait, what? What are you saying? Now I have to get it right?
And then I run away.
Really, I do. For me, the first step in any revision process is a period of avoidance behavior fueled by pure terror. The second step is sidling up to the project and cautiously, carefully opening the file. The third step is crucial: I have to fool my terrified Rodent Brain into thinking "I'm not revising yet, so I'm safe." Only once I've successfully lured Rodent Brain out from hiding can I actually start the revision. Lately that means importing the critiqued draft into the story's Scrivener file then manually typing in all the critique notes. This is a mechanical enough process to assuage Rodent Brain's fears, but because it involves a close reading of the draft and the notes, it jump starts Perfectionist Brain. And once Perfectionist Brain gets started, whoa. You just get out of her way, because she's coming through and there ain't nothing gonna stop her.
This time around, the critter notes were in MS Word's "Track Changes" and "Comments" features. If you import such a document into Scrivener, all the margin comments become inline comments. That's fine; I just convert all inline comments to linked comments. There's a command for that. What's less convenient is that all the tracked changes turn into plain text. Additions aren't highlighted, and deletions are quietly reinserted as though never deleted at all. Thus I was obliged to pull up the MS Word and Scrivener documents side-by-side, find each tracked deletion or addition in the one, and manually strike it out or mark it as an inline annotation on the other.
You might think this frustrating, disappointing, or annoying. Maybe a combination of all three? You would be wrong! As it turns out, this was ideal for my purposes. It forced a word-by-word, line-by line rereading that engaged Perfectionist Brain so hard that I couldn't stop thinking about the story for the rest of the night.
No joke. I was at roller derby practice doing Hundred Lap Hell, and I could barely keep count because Perfectionist Brain was trying to figure out how to reincorporate this or that deleted bit without bogging down the pacing. And that, Best Beloved, is why Fleur de Beast was so slow to finish clockwise quarter-century numero uno. She kept count on her fingers, and she kept forgetting to flip the digit as she crossed the pivot line because maybe the conversation from the first scene can be held in real time rather than in flashback, maybe have Demi drift off to a window where she can stare out at the snow and try to ignore all the people, didn't an early draft start out that way?
So. I was going somewhere with this. I was going to start by describing all the fear and avoidance, the trail of cheese crumbs that lures Rodent Brain out into the open where Perfectionist Brain can pounce, and then I was going to defend all that emotional mess as being entirely reasonable in this profession. Only I've run long enough as it is. Tell you what--let's place a metaphorical thumb right here on the metaphorical page and maybe pick up tomorrow where we left off today. Sound good? Excellent. See you then.
this is the good thing, which is also the terrifying thing
- 5,975 wds. long
So I promised "more of that stuff" today, where the stuff under discussion was "happy and hopeful" news. And I got some of that for y'all. But I did less with it today than I wanted to, and that tends to be a drag on the "hopeful" part of the equation.
Let me backtrack and explain.
Remember how I said "Caroline's Wake" sent me a very encouraging postcard from its current slush pile? And then I said it was going to be revised per editorial request? Well, the editor in question didn't just request a revision--the editor in question sent me a detailed critique with copious notes and restructuring suggestions. I am all a-squee! When the editor of a market you'd adore to get published in chooses to spend that much time helping you get a story right, you darn well say thank you and get to work.
Except I am also a creature of terror and avoidance, and I am having my usual reaction to story critiques. Which is to say: "Oh, dear Gods, someone wants to tell me what they think about my story--run away and hide!" And also the one that goes, "O crap, I thought I got the story right, but it's not right, and it will never be right, because if I so much as touch it I'm sure that I'll break it--"
Well, I never denied that I was irrationally insecure.
I have been spending today, and will spend the remainder of this week, trying to quell those neurotic voices in my head so that I can hear myself think. And also trying to drown out those voices by repeating to myself, "The editor thought this story worth spending time on. The editor believes in this story. This story is worth it." And also working up the courage to take those edits in my two clenched fists and use them to revise the heck out of this story, because that's what's got to happen before y'all can read it.
Sometimes I'm a total mess, y'all. I'll own it. But I'm a mess in constant progress. Onward and upward, then.
story production engines firing on all four cylinders
- 3,380 wds. long
I finished the exploratory draft of the new story today. It's still got no title, but that's OK. That'll come during revision. More troubling is that it clocks in at 3,380 words. That's more than double the cut-off called for in the submission guidelines. It's even more than double what the draft was at yesterday, when I figured I was about halfway through.
Such an occasion calls for introspection, or at least evaluation. Which is to say: Can this really be cut down to 1,400 words?
The part of my brain arguing for YES points out that there is, as I observed yesterday, a lot of cruft to be culled. Several things get said over and over again and also redundantly, and many things get said that need not be said at all. For instance: It is less important to remark on Rosalind's Sunday exception to her morning routine of reading the entire newspaper, back to front, than it is to mention that she no longer bothers reading the obituaries. It is less important (for the sake of the story, anyway) to voice Elaine's disapproval of the labels "homeless" or "transient," given her permanent residence under a particular tree in the park, than it is to capture the voice of her tree asking her to be its new dryad.
The theory that YES-brain espouses is this: Now that I've met all the characters in this story and gotten to know their backgrounds, I'm well equipped to trim their surrounding exposition down to those few phrases that best crystallize who they are and what's at stake for them.
NO-brain is more pessimistic, as you might expect. There's too much going on here, says NO-brain. This story needs at least 2,500 words for the reader to have any clue what's going on. Don't sell your characters short!
On the other hand, NO-brain is also bringing some optimism to the table. It points out that as easily as this story idea arose from my freewriting sessions, just as easily might another that's more apt for the submissions call. YES-brain concedes the point, but counters that, this being the case, there's no harm in making the revision attempt here. I've made such good progress while still nearly two weeks to deadline remain, that there will be time to pan for more gold in my Daily Idea .scrivx should this story remain stubbornly above the maximum word count. And then I'll have two brand new stories to shop around!
What strikes me here is how very natural it was to go from "The deadline's imminent and I've absolutely nothing to send!" to "Well, what came out of my timed writing sessions lately?" That didn't used to happen as readily. But now that I've begun the Friday Fictionettes offerings, it's happening every week at the very least. Every Friday, I'm looking at the past week's scribblings and deciding which of them I'll polish up, stick some cover art on, and upload to my creation stream during the corresponding week of the following month. It only makes sense that this mental process would fire up in response to the need for new story material in additional contexts.
This was one of my sneaky self-improvement goals with Friday Fictionettes. The headliner goals were, firstly, to get more of my stuff out where y'all could read it, and more frequently; and, secondly, to potentially earn a little spare change doing so. But behind the scenes I was also hoping to see some improvement in my larger Story Production Process. I wanted to get in some regular practice making that transition from "just a wisp of an idea that I'm noodling on" to "fully fledged and publishable story." I wanted to see that process go more smoothly and happen more often.
With the current story, I'm seeing evidence that this is happening. And I'm delighted.
rewriting my relationship with deadlines starts now
Until about 2 PM today I was under the impression that the deadline on submissions to An Alphabet of Embers, edited by the most excellent Rose Lemberg, was September 15. That is, today. Which misconception gave me two specific thoughts:
First, that it was a darn good thing I'd begun holding myself to a freewriting session every day, and not just every workday. I added it to my HabitRPG dailies and everything. So Saturday, grumbling but dutiful, I did it. For a writing prompt, I recalled a moment earlier in the day when a feather had floated past the window and I'd thought, "What if that was only the first?" Like, what if, just behind that feather, at any moment, there would come a huge cloud of feathers, like ten down pillows' worth, just billowing along from east to west. Why would that be? What would cause a sudden explosion of feathers, and what effect would it have on the neighborhood? So that's what I wrote about for 25 minutes.
As I drifted off to sleep Saturday night, the results of that timed session came back to me and started to sound a lot like a possible story.
Second, I thought that it was also a good thing I'd taken today off from the farm. There was a good chance I'd wake up this morning in Colorado Springs, having spent Sunday afternoon in the Pikes Peak Derby Dames' Cutthroat Derby Tournament, a four-team, three-bout mix-up. Even if we did drive home Sunday night, I anticipated being absolutely wiped and needing to recover. (And yes, indeed, I did.) Which also meant I'd have all today to write this brand-new story and send it along.
But then I checked the call for submissions and saw that the deadline was indeed September 30. And that gave me a couple of thoughts:
First: "Hooray! That means I don't have to work on it today." Monday isn't typically a writing day, see. (Although it is now a freewriting day. Which I did without grumbling.)
Second: "Looks like I'll be postponing 'Hook' until this thing is done, then. Yay! I mean... Darn."
So now I get a chance to work on this whole "relationship with deadlines" thing. Remember that bookmark? The one that says, "It got better from here"? This week I got to make good on that.
a little light comedy with your fictionette
- 852 wds. long
Despite the aforementioned difficulties, I think I'm getting better at this. Which is to say, getting all the fictionette things revised, posted, and settled still took longer than it should have (I seriously need to simplify the system), but it was my content writing gigs and not my freewriting or my short story revision that paid the price for it. Priorities! I might possibly have a few.
And for a story-like object that had me in fits all week, it didn't turn out all that bad.
Favorite place this week to revise stories: Over a huge steaming bowl of pho at the neighborhood restaurant. I'm told there are better pho restaurants in Boulder, but this is the one I can walk to, and I think it's yummy. The artwork on the walls is kind of creepy, though.
Least favorite place this week to revise stories: On the BV bus, heading from Boulder to Denver, and realizing that the person sitting next to me is actively and unabashedly reading my work in progress over my shoulder. That is in blatant contradiction of public transportation etiquette, y'all. Don't do that shit.
Not counting for the purpose of Amtrak departures and arrivals, I hadn't been down to LoDo in ages. The occasion for this trip was having heard that the Sklar Brothers would be performing at Comedy Works in Larimer Square this weekend, and thinking, "Why not?" So I went. And they were pretty darn funny, so I was glad I did. The opening acts weren't too bad, either. Stand-up comedy can be a bit of a minefield for me, as exemplified by Jackie Kashian's pin-pointedly accurate summary of the jokes that male comedians tell about their wives. When I'm listening to the comedy channel on the radio, and I hear a comedian start in on his wife, or how it was censorship when a venue wouldn't let him use his favorite ethnic/gender/ableist slur, or how violence against women can be perfectly justified, amiright guys, that's my cue to change the channel for a while, because they ain't going nowhere good from there.
I'm happy to report that tonight's show didn't go there. It occasionally went to places from which you could see it, and once or twice it brought out a copy of the map and pointed to key landmarks, but it didn't actually go there, you know? So I left reasonably happy.
Before I left, I randomly ran into a derby skater in the crowd. Well, I assumed she was a skater. She could have been a fan. Anyway, she had on a High City Derby Divas hoodie, so I said hello. I introduced myself by skate name and league and I asked her whether she'd be at the Pikes Peak Derby Dames mix-up on Sunday. I may have been a bit too enthusiastic. I didn't actually say "OMG YOU'RE DERBY I'M DERBY TOO IT'S A SMALL DAMN DERBY WORLD ISN'T IT DERBYYYYYY!!!!!" but mmmmaybe I came across that way? The interaction went all unexpectedly awkward. At least I had enough self-restraint to keep it short.
For a few hours before and a few hours after the show, I worked on the aforementioned Friday Fictionette stuff over at Leela's European Cafe. They're on 15th between Champa and Stout, they're open 24 hours, they have wifi and comfy seating and a nice variety of music, and they serve really tasty hot chocolate. Also beer and cocktails. Heck with coworking--I want to spend my working day at Leela's. Well, sometimes, anyway. Their late night crowd is really interesting.
In conclusion: I should go down to Denver more. There's enjoyable stuff down there.
but fridays are supposed to be not quite ready for prime time
It's only my second week into this project, but I'm already running into difficulties with Friday Fictionettes. They aren't insurmountable, nor are they unforeseen, but they sure are noticeable. And prompt!
The obvious one is the temptation to spend my entire working day on them. And, well, that might be reasonable if I had oodles of patrons pledging me gob-tons of money. For gob-tons of money I would happily treat Friday Fictionettes like my entire day job. As things stand, however, they are merely one of a number of regular writing tasks on my daily agenda.
To keep them in their place, I've been allotting them only one half-hour per day. Friday's the exception. Friday, all bets are off. (Friday I'm in love! Wait.) Since they gotta go up on Friday, they get to take up all the Friday they need to get publishable. But every other day of the week, they get one pom, one 25-minute session on the timer plus another five to wrap things up.
The other difficulty is related to the first. It's why I find it so tempting to spend all day on them. I'm not spending hours and hours fiddling with the craptastic cover art. No, it's the text itself that's giving me trouble. This week especially I am convinced that the piece I chose for Friday's offering simply sucks.
Yes, I know. I'm doing a fantastic job of selling my product here. "If you pledge me a buck per month, you get to read some really sucky writing!" OK, OK, it's not that bad. But I'm not as fond of this one. When I wrote it back in August, spinning off of four random words from one of Gabriela Pereira's CTC29 prompts, it started off vague, ran off in a non-promising direction, then, by the end of the timed writing session, found itself in the opposite direction from which it was going. And in the process of cleaning it up this week I've discovered a third development that wasn't there last month, and that is not compatible with either of the first two story ideas. So I'm spending my daily half hour in serious revisions.
And the whole point is that these fictionettes are supposed to be raw. Not so raw as to be terrible, not Draft Zero raw--they should definitely be presentable--but they're supposed to be a glimpse at the writer's daily process. They're supposed to resemble the practice from which they sprung. That's why, when I select the fictionette for next month's Week 2, I limit my choices to those timed writing sessions produced within this month's Week 2. If I don't like any of them, tough. Friday Fictionettes are about what happened when I showed up on the page.
That this fictionette isn't quite ready for prime time is supposed to be a feature, is what I'm saying.
Still, every morning that I look at it, it keeps failing the test of "Would I be embarrassed if people read this?" So I keep revising it. What's the worst that can happen? I might wind up with something that's actually good. Something I'll regret not submitting to a professional market. But that's OK. That's the other whole point of this exercise: Story ideas aren't so precious that I can't give a few away. Another one will be coming along tomorrow, after all.
At least this one's craptastic cover art is already finished.
it's a very nice rabbit hole, its bookshelves are well-stocked
Today has been a surprisingly exhausting day for not having actual physical roller derby in it. There was a lot of not knowing the shape of my day because I was waiting for the next phone call to tell me what shape it would be. Just for starters, I brought the car to the shop at eight in the morning, so I was waiting to hear back from the mechanics all day. I had errands to run that I couldn't run until I had the car back. And because of various circumstances, the location and time of roller derby practice was TBD right up until less than an hour before I'd have had to leave for it. (The combination of these factors were a large part of me not going to practice at all, but that's neither here nor there.)
Turns out, I don't function very well when part of my brain is On Call. My brain translates On Call into On Hold. The tendency is to fly a holding pattern, unable to exert real effort while uncertain of what my immediate future holds.
So I'm quite pleased with myself for actually getting some work done on the short story.
Granted, it was mostly down the rabbit hole of research. But I was finally persistent enough to get the answers I needed to the questions I'd scribbled on the first couple pages.
Example 1: My main character laments that there are no suitable books in the house to distract her little brother from Peter Pan, because the roof leaked during the storm right onto their bookshelves. And they couldn't just go to the library because the libraries weren't open yet. True or false?
As it turns out, false. While the Jefferson Parish Library system was deeply crippled, and some branches were entirely destroyed along with all of their books, there was library service in Jefferson Parish as early as October 3. At least, that's what I understand to be the case from what library director Lon R. Dickerson writes in "Building Even Better Libraries, Post-Katrina" (American Libraries, Nov. 2005, Vol. 36, Issue 10):
With a service population of 455,466 residents, Jefferson Parish Library was already the largest library in Louisiana. Before Katrina hit, we had an operating budget of $15 million. By default, we're now the only large library in metropolitan New Orleans that can serve people as they return to Orleans, St. Bernard, and Plaquemines parishes.
JPL has dropped its nonresident fees and is issuing "Katrina library cards" to anyone in the area. Staff and library users alike say that having libraries open is part of their need for normalcy. We expected the rush of people on October 3 who wanted to use our computers, but we also had long lines of people waiting to check out books. We expect to have at least 10 branches open by November. Schools are more dependent on us than ever before, and our library is essential lo the rebuilding of this community's economy. A stronger and more vibrant library will help us attract new businesses and residents.
Now, the last time this story was workshopped, the critique hive mind basically side-stepped the question of veracity. They informed me that most readers wouldn't need an explanation for the dearth of books in the narrator's house. "A lot of people just don't read much. Certainly not as much as us writers do," they said. "You're spendig a lot of energy trying to explain a situation that most creaders won't even question in the first place."
It made sense at the time--at least, once I got past my initial "Huh? Houses without books? That is un-possible!" reaction. But today I'm not so sure. Seems to me, the readership of the types of market I'd try to get this submitted to, they're readers. Right? I mean, someone who reads commercial science fiction and fantasy short fiction... is a reader. I think it's not unreasonable to expect that the target audience of, say, F&SF or Shimmer, is someone who sees unoccupied walls as an opportunity for more bookshelves, then stacks those shelves double-deep with paperbacks. (Also, a not insignificant portion of that reading population comprises writers.)
In the end, though, that's not what matters. What matters is, the family in my story used to have a lot of books before Katrina hit. Now, they do not. This is notable enough for the main character to mention it, even though she herself is not the huge reader that her brother and mother are (or so I've decided for this draft). Revision should result is these facts being plausible character notes and part of a larger important story theme.
(Of course it's an important theme. The main character's little brother is literally getting lost in a book. Of course books are important.)
Example 2: The main character notes that her father used to take the kids fishing in Lake Pontchartrain, despite there being nothing much to catch. True or false?
Again, false. In this case, I was going off my memory of being a kid in the late '70s and early '80s watching Dad catch nothing but the odd croaker--which he'd throw back--and then getting his bait stolen by a needle-noser. That's not a particularly reliable memory to go from. It lacks perspective. It's not accurate to infer the fishing viability of the entire lake from vague memories of Dad casting a line next to the Bonnabel pumping station.
Also, those forays were some 20 years before my story takes place. The lake had benefited from a concerted clean-up effort in the years since my single digits. Heck, in 2000 some parts of the lake were actually declared safe for swimming. That still blows my mind.
Anyway, not only was there plenty of successful fishing in Lake Pontchartrain just before Katrina hit, but it turns out that the environmental impact of Hurricane Katrina on Lake Pontchartrain was surprisingly benign, and in some respects actually beneficial. No reason to think the narrator wouldn't have seen any fish caught on those family expeditions.
In summary: Research is fun! And it is useful. It might even keep the author from looking shamefully uninformed about her own hometown. Yay research!
a case of the unexpecteds, but it will NOT triumph
This week I'm back to work on "A Wish for Captain Hook." I finished scribbling my way through the previous draft's print-out today. Once I stopped feeling deathly embarrassed over the constant unironic use of an ethnic slur throughout the draft--or, at least, once I managed to put the deathly embarrassment on a mental shelf so I wasn't constantly stubbing my mental toes on it on my way to and from other mental tasks--I figured out what overarching single thing was really wrong with it.
Shaping. It's got none. It's got architectural plot-wise structure, but its emotional shaping is uneven in places and simply off in others. Characters' reactions to each others' actions aren't what they need to be. As a result, tension isn't smoothly built toward a climax, but rather lumped here and bled out there. I'm going to need to do some big-picture thinking and eagle-eye viewing in order to figure out how to fix it. I foresee timeline sketches pinned to my office wall with multicolored Sharpie scribbles.
(Speaking of deathly embarrassment: I had the little boy Jimbo pretending to be a Neverland Indian brave on the war path, woo-woo-wooing his way up and down Houma Boulevard. Oh the irony. All die. On the bright side, I'm now thinking more concretely in terms of the regional and cultural contexts for this story, such as the United Houma Nation and also the long-standing New Orleans tradition of the Mardi Gras Indian tribes. Admittedly, what I know about either, you could fit in a brand new matchbox after lighting a toddler's birthday candles, so this isn't going to be easy.)
I drew up a very specific hour-by-hour schedule for everything today, as per my newest resolution for Getting Stuff Done. It called for two hours of work on "Hook," from 1:30 to 3:30. It also called for more work on my Friday Fictionettes project, mostly to do with setting up my Wattpad profile, during a planned lunchtime outing that was to start at 11:00 AM. (Just because I launched it yesterday doesn't mean there isn't work yet to be done.)
And then... stuff happened.
I ended up being obliged to be At Home to surprise work crews: One to disinter our utility outlets from the new wall where they had been mostly drywalled over, and one to reassemble (or, as it turned out, replace) our floorboard heater cover. Then I realized I'd neglected to make time for paying the bills and doing the household accounts, which absolutely had to be done today. Yet more time had to be made for filling out and signing the e-document format Seller's Disclosure Form. The contractor who might help us replace, update, and/or fix our unit's persistent door problems had to be called. Messages needed to be left on answering machines. And so forth.
This is why I'd resisted hour-by-hour schedules in the first place. Stuff happens.
The solution I'm trying out today is this: Deal with the unexpecteds as they arise. When they are done, pick up with the schedule at whatever hour it is and whatever task I should be doing at that hour. Whatever tasks got erased by that case of the unexpecteds, get back to them during a previously unscheduled hour or whenever all scheduled tasks are done. The theory is that this will help me avoid feeling like the unexpecteds Ruined My Whole Day. Sure, it ate up my morning chunk of schedule, but there's no reason I can't faithfully complete my afternoon tasks. Empowerment!
So, yeah. The unexpecteds did eat up my morning, gnawing thence into my afternoon. Out of the 2 hours I'd planned for short story work, I only got about 45 minutes. And I never hit the Friday Fictionette work at all. But seeing as how the rest of my tasks today got done more or less precisely in their allotted timeslots, I'll have plenty of time to return to those other tasks that got eaten up.
Plenty time! Just as soon as we deal with that e-document. Bleargh.