inasmuch as it concerns Yahoo! Yeehah! Woopie!:
I gots somethin' ta cheer about, I does.
coming soon to a horror fiction podcast near you
I signed a contract shortly after getting back from Kansas, which means it's real. So! Announcing a forthcoming Nicole J. LeBoeuf publication: My short story "Lambing Season" will be featured in an upcoming episode of the podcast Tales to Terrify. It will probably be before the end of the year. If I learn more, I'll announce it here. I'll definitely announce when it's out.
While you wait, why not subscribe to the podcast and put some fantastic horror and dark fantasy fiction in your ears on a weekly basis? Tales to Terrify episodes come out each Friday. Your host, Drew Sebesteny, will typically lead off the episode by relating the supernatural legends of a particular North American town. Then there'll be a story or two. Often, the first will be from someone writing today, and the second will be an earlier classic. The production is always top notch and narrators do a great job. Tales to Terrify episodes made my drive to and from Salina that much more enjoyable. I would definitely recommend them for your commute.
Previously at the intersection of me and Tales to Terrify: Episode 350, featuring my story "First Breath" (originally published in the anthology Blood and Other Cravings and recently reprinted by the Denver Horror Collective) as well as Victoria Glad's 1951 classic, "Each Man Kills" (which was originally published in Weird Tales). "Lambing Season" was first published in NAMELESS Digest #3.
In other news, I intend to release two Friday Fictionettes a week for the month of September: the one that's due, and the one that's precisely a month overdue. In that manner the project will be all caught up and back on its proper release schedule by September 27. So this Friday you can expect to see the August 2 release, working title "Eyes in the Rain", and the September 6 release, working title "the one about time travel and deathbed curses".
The Friday Fictionette project is a flash fiction subscription service powered by Patreon. For $1/month, you get a new story-like object every first through fourth Friday (that's the aforementioned proper release schedule) in the electronic text format of your choice, as well as access to all the archived Fictionette since August 2014. For $3/month you also get to download the MP3 where I read it to you, as well as the archived audiofictionettes going back to April 2015.
If you yourself like to write, you may enjoy the Monday Muse feature, where I share the writing prompt associated with the upcoming Friday Fictionette so you can play along at home. The Monday Muse posts are unlocked, which is to say, free for all regardless of whether you subscribe.
Hey, tomorrow I might actually wind up blogging about how rewrites are hard. I've been mentioning that for a while, but as it turns out, blogging regularly is also hard. You may have noticed.
A bunch of yay and also driving
- 29 words (if poetry, lines) long
- 46 words (if poetry, lines) long
Hello. I have just driven through a lot of Kansas. This weekend is the War of Wheels tournament in Salina, and I'm here to cheer on the Boulder County Bombers Screaming Mimis as they compete. It's going to be a lot of fun and very exciting and I am looking forward to it but what I'm really looking forward to right now is a good night's sleep because, woo, driving through a lot of Kansas.
Currently I'm at the Ambassador Hotel and Convention Center, and it's... weird. Which I supposed I should have expected. I know better than to take the cheapest hotel Google finds me. I mean, I've seen what happens when teammates do that. They come up to you at the afterparty asking wistfully, "Does your hotel have towels? Clean ones?" But in this case, the very cheap price was tacked onto a convention center. They host conventions! How bad can they be? Also, free breakfast.
And, well, they're not sketch. They're just weird. OK, from the outside they look sketch. To start with, the signage is difficult to make out--I went up and down the block a few times before I spotted it; Google unhelpfully told me "turn left (after the Subway restaurants)" and, well, that describes the driveways of about four hotels as well as an ice cream shop (Braum's) and something that looks like a rebranded Steak & Shake (Spangles!). All I could see was a big red A on black sign presiding over a seriously depopulated parking lot in front of an extinct Irish pub. But inside, it's this huge, cavernous space, four or five levels of balconies jutting out over what's unmistakably a hotel and convention center lobby, with lots of brass banisters and foliage-topped half-walls partitioning out the wide carpeted areas containing tables and chairs and, incongruously, random toy dispensers. You know, you put in a quarter and you get out a little plastic egg with a trinket inside? Yeah. And those toy dispensers make more light than the actual interior lighting of the space, which is super dim. I mean, I described it as "cavernous" advisedly. It's like a town carved into the walls of a great big cave. Also it kind of reminds me of the Christie Lodge in Avon, that one time I stayed there, only, like I said, not as well lit, and instead of pho there's BBQ.
And the place is simply deserted, undoubtedly because there are no conventions going on at the moment (unless you count the "Welcome Baptist Church!" signs visible through the windows near the locked and unlit convention center entrance; maybe it's a convention every Sunday morning) and also because the roller derby tournament hosts reserved their special rate block with the Quality Inn on the other side of the highway. I've run into a total of... three other guests, I think. Hardly anyone seems to be staying here right now. This underground cliff-dwelling is a ghost town. Or, at least, so it seems tonight. Maybe I'll get a better sense of the hotel's current population when I go over for the complimentary breakfast in the morning.
My room is pretty basic. It has the usual assortment of hotel furniture. There is a bathtub, which puts it ahead of some hotel rooms I've stayed in. Honestly, I can't complain.
But back to the actually writing, about which, this blog.
This week has been rough in terms of productivity. I managed about half of a late-starting Monday before getting pleasantly distracted by John's playing Dicey Dungeons. (That's an excellent fun time, by the way. Totally worth whatever Steam is charging for it. I may end up buying it myself.) Then neither of us managed much sleep (and not for lack of trying), so my Tuesday turned into pretty much nothing but recovering from that sleepless night in time to be functional at derby practice. I missed my daily submissions procedures and everything.
Then Wednesday I opened up my mail and found responses to five different submissions.
That's a lot. I've just gotten used to the idea that, with my one-sub-each-workday challenge, I may well have a rejection to log more days than not. OK. Fine. But five? Five submission responses? Accumulated only over 48 hours? That's... well, that's something that only happens when you have a lot of manuscripts out on submission at once. Which isn't something I've ever had before this year.
Here's the thing. Only two of those five responses were rejections.
One of the remaining three was from the Denver Horror Collective, which just reprinted "First Breath", to square away payment details with me. The contract said X amount within Y days of publication, and, hot damn, that's exactly what happened. That's always nice. Well, I say "always," but it's not like I get to deal with the post-acceptance part of the submission process often enough for "always" to mean a lot. This was only my second sale of 2019.
The other two? Were my fourth and fifth sales of 2019. Which is to say: ACCEPTANCE LETTERS. Yay!
I may have yelped and run out into the living room shouting, "It's a two-acceptance day! Eeeeee!" And then I may have tackle-hugged my husband. If so, he took it in stride.
One of those acceptance letters was for an old poem ("Your Disembodied Friends Would Like to Remind You") that I pulled out of the archives for a serious overhaul in order to submit it to a brand new horror quarterly. The other was for a previously published story ("Lambing Season") I'd submitted for reprint to an established podcast. Both should go live later this year. As usual, that's about all I can say until things develop further. In the meantime, please enjoy imagining me doing the happy dance. Any kind of happy dance. What kind of happy dance would you do? That one will be fine.
(If you are wondering, "Fourth and fifth? What happened to the third publication?" the answer is, "Didn't I mention that I sold a poem a couple weeks ago? I sold a poem called 'At Night, the Dead' a couple weeks ago. It'll be out later this year." Again, more details later.)
So my week may have slid into a rough patch, but Wednesday's inbox goodies really perked it right up! ...just in time for it to get all chaotic again what with the solo road trip and the roller derby tournament.
we pause in our endless slog through the Great Overdue for some good news
So I've spent the last week or so getting even farther behind and am now in the middle of a frenzied new push to Do All The Things Every Day, which is why you're getting a blog post again at last.
I did say I'd let you know when the latest reprinting of my story "First Breath" was out, didn't I? Well, as of... er, about a week ago, actually--sorry?--it's out! The Denver Horror Collective is soon to release their local horror anthology, Terror at 5280', and in celebration of that they're posting some stories to their website ahead of release day. My story is not in the anthology proper, but it's part of the run-up festivities, and you can read it here.
In other very pleasant news, I got an acceptance response to a recent poetry submission. Since nothing's real until contracts are signed, further details will have to wait until probably September. But the acceptance letter was definitely real, for pre-contract values of real.
For those keeping count, we're up to three acceptances in 2019, two of them poetry. The poem that just got accepted, I more or less wrote on the bus from Boulder to Longmont. Clearly I should be writing more poetry.
In case you're interested in how the submit-every-day, get-100-rejections challenge is going, I shall paste in the table with all the 2019 numbers. They are good numbers. I am quite proud of them.
|Jan||Feb||Mar||Apr||May||Jun||Jul||Aug||Total for 2019 (so far)|
In other news, revisions continue to be hard, and Friday Fictionettes continue to be way behind schedule. More about that quite possibly tomorrow if I manage to Do All The Things again.
the hardest working little story in my stable
- 1,129 words (if poetry, lines) long
- 1,362 words (if poetry, lines) long
So this blog post is mainly to announce that my short story, "First Breath", will be reprinted again. I'm not sure exactly when and I don't think I'm at liberty yet to say exactly where, but I have Signed a Contract so it's pretty darn definite.
I'm tickled to now be able to call this story "my most reprinted story." It will have been reprinted a whole two times. Go little story, go! On the other hand, I'm less than impressed with myself; my last two prose sales--that is, counting only short stories, not poetry--have been reprints of this story. And while I remain quite proud of this story, it first saw print eight years ago, you know? I've been writing all sorts of things since then! I would very much like to get an acceptance letter for a new thing! It would help reassure me that I am still capable of writing publishable stories!
But I'm not complaining too hard here. Yay, a second sale in 2019! The numbers game works!
Speaking of the numbers game, here are those numbers:
Meanwhile, I'm still behind on all things Fictionette. But as of Monday, the Friday Fictionette for June 28th is up: "Right on Time" (ironic title, that--ebook here, audiobook here). Like many stories, it's about how things can always get worse. In this case, things get worse when the wrong miracle happens to the absolute most wrong person. Also, as of today, I've released the Fictionette Freebie for June 2019 to the world at large. You no longer need to be a Patron to access the Friday Fictionette for June 14, "Love in the Time of Lizard People".
I have a whole 'nother rant in me about how REWRITING THINGS IS HARRRRRD but how about we save that for tomorrow? Yeah, lets.
i distract you with poetry and sanctioned violence
- 45 words (if poetry, lines) long
So have I posted the Friday Fictionettes that were due last week and today? No. No, I have not. They will not be appearing tonight. Fridays suck, this week has sucked, I suck. It's true. But hey! Let me distract you with the Summer Solstice 2019 issue of Eternal Haunted Summer! I think if you read the table of contents you will see a familiar name.
If you're local to the Boulder, Colorado area, I could also distract you with roller derby. We're playing the teams from Fort Collins and from Cincinnati tomorrow in a round robin tournament of full sanctioned games. $15 gets you in all day. Come check it out, it'll be a fun time! Also we owe our Cincinnati visitors just as much love as they showed us when we visited them last year. That means we need a great big noisy crowd. Don't you want to be part of a great big noisy crowd? I think you do.
If you're there, make sure to say hi--I'll be the one with the long braid, the upside-down fleur-de-lis on my leggings, and the tall hand-knit green and purple stockings that make everyone say, "Aren't you hot in those things?" (Friend, I'm hot in everything. It's a gift.) Also the great big 504 on my back and arm-bands, which might be the more significant giveaway.
My intentions at this point are to do my Saturday AINC reading tonight and be in bed by midnight. Tomorrow's gonna be a long day, what with skating in two games in the evening, helping to set up the track in the morning, and trying my darnedest to get some writing in--including on the overdue Fictionettes--in between. So I'll sign off here and get to it.
See you tomorrow or just as soon as possible thereafter!
adulting like a boss (is the exception not the rule)
What I really want to do with tonight's blog post is celebrate finally having completed a workday checklist from bottom to top. All my writing tasks, done, plus a few more household tasks besides. It's been a very long time since I managed that feat. Me and time management haven't been good friends. But today I wrote myself out a schedule, complete with target times for beginning and ending each task, and I kept to that schedule, by golly. Story revision at 10:00, come hell or high water; when the clock says ten, I gotta drop whatever I'm doing and get to it. Come 1:00 PM, as long as I've actually submitted a piece somewhere, I've putzed around enough with whatever I'm putzing around with under the rubric of Submission Procedures. Put it down. Put a bookmark in it for tomorrow. Go pay the bills that are due. Freewriting's scheduled for 3:00 PM, and if I'm not finished eating lunch when 3:00 PM rolls around, then fine, I'll shovel the last bites down my gullet in between sentences.
I got it all done, on time and according to schedule. And that despite waking up late after too little sleep then having derby practice in the evening.
Except crowing about that doesn't feel very grown-up. Crowing about it means admitting that this basic adult task of getting my shit done each day has routinely been beyond me. That rather stands as evidence that I don't adult so good, right? Which is embarrassing to admit. Basically, I feel like a high-schooler bragging to her classmates about having successfully used the toilet. In my mind's eye, I see them looking at me funny and saying, "That was kinda TMI, girlfriend," and "Yes, most of us manage that several times a day without comment. Should we be worried about you?"
On the other hand, after days and days and days of late night efforts just to get to eight-five percent; of reaching the end of my ability to even sit upright three hours after travel team practice and at last resigning myself, with mingled relief and shame, to a larger failure than the failure I'd already resigned myself to; of pushing through exhaustion while chanting "Do a little if you can't do a lot, do a little--seriously, just this little bit more, OK?" ...it feels really good to come home from derby and think, "All I have left to do is a blog post, and I don't even have to do that if I don't want to. Everything else, all the hard stuff, is done."
Besides, it's worthwhile to look at the failures, and look at the successes, and look at the differences in my process between the two, and say, "All right, if I want more successes, this is what works."
What works: Getting up on time, more or less. Doing my morning pages immediately, more or less. Not even opening the computer until after morning pages are done. And using that time on the page to scan my day ahead for obstacles, to slot each task awaiting me into precisely delineated windows of time. Then following the plan as much as possible to the letter. Where deviations occur, taking notes. I've made two new columns in my daily time-sheet: "Plan" and "Outcome." Pretty self-explanatory. I fill in the "Plan" column at the beginning of the day, then, as each task is completed, I write my observations about how well I stuck to the plan in the "Outcome" column. Having to actually type out "started freewriting a few minutes late because I wanted to finish up the lunch dishes" or, heavens forfend, "Half an hour late to story revision because I couldn't pull myself away from Merge Dragons, probably because I know story revision is going to be difficult" forces a concrete sense of accountability. And it adds to the data. More data is good! More data about how I function, how I screw up, and how I succeed means a better chance of success next time around.
So, hell with it. I'll admit to my tendency to fail at being an adult. I'll put it right out there, so y'all can see how huge it is that today I actually completed my workday checklist. Go me.
according to plan
Today I had two submission responses that had arrived over the weekend waiting for me to log them during today's Submissions Procedures session. However, I only got to add one rejection to the year's tally.
That's because I appear to have sold a poem.
When the email came in Sunday night, y'all, I kinda screamed a little. Also I might have bounced up and down in my seat and shaken my fists in the air in a "I don't know what to do with this sudden rush of energy especially not at 11:00 at night but I have to use it somehow so here we go" sort of way. My first acceptance of 2019! And it came... let's see... about 45 days, more or less--33 of which were weekdays, therefore 33 submissions--since the beginning of my weekdaily submitting streak.
IT'S WORKING, Y'ALL. The submit-every-work-day initiative is WORKING.
And then another submission response came in this afternoon, and it was a slush reader at a pro market which accepts Patreon reprints telling me that they liked the Patreon reprint I submitted so well that they'd passed it up to the editor.
The Friday Fictionette thing I was talking about last week? THAT'S STILL WORKING TOO!
And the other day I got a rejection letter from a market that doesn't even send rejection letters. The kind of market that says, "If you haven't heard from us in X amount of days, consider it declined." Even though the story wasn't enough of a fit with what they were looking for, for them to buy it, they went out of their way to tell me that they liked it. That's big, y'all. If you don't live and breathe this gig like I do, it might not be obvious, but, trust me, it's big.
ALL THE THINGS ARE WORKING! *flails and falls over in a faint*
So.... yeah. I'm a happy writer right now. And this is shaping up to be quite the week.
more story submissions than you can shake a reject-o-stick at
This, for once, is not a whiny post! This is a post where I say, Yay! I did a thing! I'm perpetually behind on the Friday Fictionette project, I've hardly blogged at all this year, and I'm still working on the same infuriating short story revision about which I was complaining early this month, but I did a thing. Here is the thing I done did:
Each day for nine sequential weekdays running, I have submitted a story for paid publication. That's more story submissions in April 2019 than in the entire twelve month period preceding April 2019. Go me!
It's not like I hit any particular landmark that ignited a fire under my butt about getting published. I've been frustrated with myself for doing so little on that front for quite some time; that hasn't changed. But a few metaphorical pebbles got knocked loose recently that may have contributed to an optimistic avalanche. To wit:
- I joined a Habitica guild challenge to acquire 100 rejections in 2019. I joined the challenge specifically in response to the frustration outlined above: that day after day went by without my ever hitting the "Submission Procedures" item on my to-do list. And then week after week went by much the same as before. Frustrations increased but somehow I couldn't seem to do anything about it because I was busy with derby, busy catching up on the Friday Fictionettes, busy keeping up with household tasks, busy submitting our tax returns, busy just doing my best to get out of bed and get upright and get functional.
- I saw birthday number 43 approaching (it was yesterday) and caught myself thinking, "Another birthday. And still no novels on submission and very few short story publications since the pro sales I celebrated in... what, 2012? 2013? What the hell have I been doing with my life?" This is not my favorite way to celebrate birthdays. (I had a pretty good roller derby practice yesterday though. I think roller derby is an auspicious thing to do on one's birthday.)
- And then I just got fed up.
"Fed Up" is kind of magical. Like a city in Fairyland, it doesn't exist in one reliable place on a map, but rather follows the needs of the narrative. You arrive there when it's time, when circumstances are both right and wrong, when you're ready, when you just can't go anywhere else anymore. I arrived in the glowering metropolis of Fed Up (without benefit of toy car, magical tollbooth, or time-keeping dog) and I damn well did a thing:
I reversed my daily checklist.
I swapped the so-called Morning Shift and Afternoon Shift. Now, instead of beginning my day with a timed freewriting session followed by some work on the current Friday Fictionette, I'm jumping right into Submission Procedures first thing. Followed by short story revisions, another task I'd been accomplishing far too infrequently.
I've done this before, but I gave up on it when I started failing to get to the freewriting and Fictionette work. And, well, that's kind of been happening again. But I can sort of see what's causing the problem, and I feel hopeful that the steps I'm taking behind the scenes will address that. (In short: my sleep schedule's been all effed up, which has effed up my ability to function in the mornings, not to mention my overall energy level, which in turn effs up my chances of putting in a full work day. I'm working on the sleep schedule thing.)
So. Submitting stories! Every day! It's a revelation. It's led to several Thoughts and Observations, which I will lay out in future blog posts because this one's quite long enough now.
Days 3-5: In which we arrive, share some good news, and make plans to depart once more
So remember when I said that my first pro sale, "First Breath," would be on the Tales To Terrify podcast this year sometime only I had no idea when? Well, it's up now! It went up on October 12 in Episode 350, and you can listen to it here.
I had the weirdest reluctance to listen to it. Well, maybe not so weird. Maybe it's related to the way I have to leave the room if someone is reading something of mine; if I stay there, I'll be on pins and needles, trying to read reactions into every shift or sigh--"They yawned. Are they bored? They keep recrossing their legs, are they uncomfortable? Do they think I'm a freak because I thought up stuff like that and put it in a story?" I guess I had similar discomfort with the idea of hearing someone else read my story out loud. In my gut I was sure that, hearing it, I'd finally see what an awful, stupid, shameful thing I'd written and put out into the world--
Stop that, I told myself; you know perfectly well that a prestigious editor already thought this was worth putting in an anthology. And this is a Hugo-nominated podcast; its editor clearly has good taste--and he chose to run your story. Your story has not suddenly become awful. Press play.
I listened to the episode on my drive out of Avon Sunday morning. My story comes first, narrated by Michelle Kane, and she does a good job. I mean, I have quibbles, as I expect I would no matter who read it because it's my baby and they're not me; but they're only quibbles, and not worth going into. Most importantly, I was gently crying by the end, so, go her, and go me.
Thing about that story is, I keep forgetting it's a horror story, and, moreover, a vampire story, or at least it has a sort of vampirism at its heart. I didn't write it with vampires or the horror genre in mind. But it's clear the vampire aspect was a factor in the choice of story to pair it with: Victoria Glad's "Each Man Kills," originally published in Weird Tales in 1951. Now, there's a vampire story, one springing from under the cape of Dracula himself.
Anyway. I hope you get a chance to wander over and take a listen.
Time now for the NaNoWriMo Rebel report, covering today and the weekend we just left behind us. The short story is, I'm still at 100% on my self-challenge. Here are the details.
Morning Pages: (Weekdays only.) Did them today, but lollygagged on my way there. It was like I couldn't bear to admit it was Monday. Used them mostly to make sense of my vague sense of dread about all the things I had to get done today: it's my first full day back in Boulder, but also my last full day in Boulder before I leave again, so we're back in travel prep stress mode. It helped to write down the specific things I had to do, make a concrete list of them, and make a plan to hit each one. It made the scary big cloud of dread into an achievable agenda.
Freewriting: I'm happy to report that I did this faithfully each day of the weekend as well as today. But I'll admit that on Saturday and Sunday I put it off until almost the end of the night. Saturday I actually played Puzzle Pirates again--my crew on the Cerulean Ocean was defending an island, and I wanted to help. After four rounds, I pulled myself away and got to work. I had to put off all my writing work until evening today, too, but for a better reason--I had to prioritize some travel prep errands first.
Over the weekend I began using the 50 Creative Writing Prompts at NowNovel.com. This is a series of exercises for focused writing practice. They feel a little like classroom assignments. They remind me of working my way through Ursula K. LeGuin's Steering the Craft, which was also full of classroom-like exercises for focused writing practice. I did exercise 1 on Saturday and exercise 2 on Sunday.
Today's writing prompt came from Chuck Wendig's series of flash fiction challenges; I've been working my way backwards through his archive, doing one a week. Here's the one I did today.
Fictionette Development: Pretty much part of the same writing session as freewriting over the past three days. Each session was kind of small, in keeping with the philosophy of "at least do a little." By the end of Sunday I had finished the Monday Muse post and set it for scheduled release--I love it when I can do that, it means I am perfectly on schedule--and today I babbled to myself on the page about what the piece due Friday will look like.
Commercial Fiction Production/Revision: (Weekdays only.) More babbling. Made a list of questions that would have to be answered as I expanded the original flash piece into a full-length story. May have encountered some answers along the way. Will have to sleep on it.
Submission Procedures: (Weekdays only.) So, about Friday. You know how I said it was late and I wasn't going to do anything more than just think about where to send "Survival, After" next? Well, turns out, I figured out where to send it next--and discovered that they'd be closing to submissions Saturday afternoon. So I sent them the story then and there. Go me!
Today was just for record-keeping. Logged that "First Breath" was now published at Tales To Terrify; logged that the place I sent "Survival, After" had sent an acknowledgement of the submission. Pretty much left it at that.
Blogging: (Weekdays only.) And there you go.
Tomorrow's work day will be prioritized according to what must be done before I get on the train, which is to say, while I can still access the internet. So Tuesday's blog post should show up sometime in the afternoon rather than stupid-o-clock at night. At least I won't have to stress about getting in my daily 444 on 4thewords.com; since I have continued writing this post well after midnight (its date stamp notwithstanding), I've extended my streak through Tuesday the 6th already. That's a relief. However, I'm currently battling a 24-hour 3,000-word monster, and I'm not finishing that sucker tonight. Guess I'll have to blog it to death from Denver Union Station tomorrow afternoon.
actually the only kind of dating i've ever done
Manuscript submissions can be thought of as something like internet dating. Manuscripts go out and meet editors. Both hope that something will click. Most often nothing does. Maybe the editor says "Not for us at this time," or maybe the author looks at the contract and says, "That's way too rights-grabby for me." And then there will be no second date. But sometimes that first date results in a match made in heaven.
Sometimes the author is like those guys Teresa Nielsen Hayden recalls less than fondly in her epic blog post Slushkiller.
An eon or two ago, when I was a girl and occasionally went on dates, I observed that there was a species of young man who’d be perfectly pleasant right up to the point where I declined to go to bed with him. Then he’d turn nasty and angry—all bridges burnt, not even minimally polite. It was clear that the sole thing that mattered was whether I’d put out.
Please, for the love of little fuzzy kittens, don't be that kind of author. It is much better to be the author who considers the whole thing as, at worst, an opportunity for a pleasant night out. I won't lie; this is made easier when the rejection letter says nice things about the manuscript. I'm only human. I respond well to encouragement. But even an impersonal, businesslike form rejection can be an encouraging thing. It means I succeeded at doing the business part of writing. I sent the thing out, and even though it came home again, I like to think it left a good impression. I like to hope I'm making friends and even fans among the editors and/or slush readers, that maybe they look forward to reading my stuff regardless of whether they can buy it. And maybe the next thing I send them will be more their type.
You can't build that kind of relationship if you're the sort of lout who throws unprofessional tantrums when someone tells you no.
I'm aware at this point that my metaphor has shifted a bit. At first it was the manuscript that was going out on dates, then it was the author, then the author was the dating service which sent the manuscript out on dates in hopes of finding The One. Only it's not ever just "The One," because there's reprint rights. The One For Now? As in, serial monogamy? Because, even though each market will want a period of exclusivity, when that period is over you are (that is, the manuscript is) free to play the field. But then the dating pool will be limited to those markets who don't mind not being The First. Annnnnd I'm going to stop right there before we wind up comparing "No reprints, original work only" to toxic attitudes toward women with sexual histories, which comparison is unfair, no good, and wrong no matter which party you're talking about.
Metaphors are, by nature, limited. Life is like a box of chocolates and ogres are like onions, but not in every way.
What I'm actually trying to say here with this tortured metaphor is, one of my manuscripts has been asked out on a second date. Yes! My little story got bumped up the editing chain! That means it's not actually worthless and unpublishable! At least, not at first glance. Not so's the first reader could tell. So I'll be over here on pins and needles until the Editor-in-Chief makes the final call.
Meanwhile, I have great hopes that this will be the week I finally get caught up on all things Friday Fictionettes. The offering for October 5th is this close to being ready for release. Wouldn't it be nice if I could release it tomorrow? Only I've got a dentist appointment, a handyworker coming over to give us an estimate on a couple small projects, and either roller derby practice or a roller derby work party. So the name of the game is low expectations. I mean, we see how well I did with unreasonable expectations, yeah? Not Well At All. So all I will promise is that I'll get some work done on the thing tomorrow, at some point, and we'll see where it goes from there.