factors in a personal productivity revolution
- 4,668 words (if poetry, lines) long
I have here, in my hot little hands, a brand new printed-out draft of "Caroline's Wake." It's about 1500 words shorter than the version I submitted last year, and, I very much hope, a stronger story. It's not quite ready to submit at this time, but give me a couple more hours to scribble in between the double-spaced lines of the print-out, and it will be.
Today is Day 3 of Actually Getting Writing Done on a Reliable, Workerlike Basis. Seriously, this week has been fantastic. I've been getting my morning shift done in the morning, and I've been using my afternoon shift to create publishable story copy. It is amazing how awesome it feels to transform writing from a guilt-inducing monster into a life-affirming achievement.
I'm not entirely sure what made this sort of productivity and dailiness feel convincingly possible this week and not, say, last week, or last year, or eleven and a half years ago when I quit my day job. But I can point to a few things that could be said to have helped.
Dropped all expectations of content writing. I got cut from first one Examiner gig and then the other, and I decided I was ready to let them go rather than fight to get them back. Examiner only paid according to some secret metric of eyeballs-on-page, which came to about $20 every third month. I was doing it because it was an outlet for babbling about stuff that interested me, not because it paid well. Which was sily, because I already have an outlet for babbling, and that's this blog here.
But this change also occasioned me reevaluating the desirability of having a content writing gig at all. Content writing obviously cuts into my writing time and capacity. Every writing hour spent on Examiner or Textbroker is an hour I'm not thinking up and writing down stories. And while a good content writing gig can be a reliable source of funds, the fact is I'm fortunate enough to have a well-paid spouse who enthusiastically supports my career goals. I can afford to take not just my writing but my fiction full-time.
And if I put all my writing hours toward writing, revising, and submitting short stories, I'm likely to actually sell a few. It's a better use of my time all around.
Which is not to say that I won't be tempted by a decent content writing gig. I did just submit a sample of my writing to a respectable organization that's looking to build a stable of web writers and editors. If that goes somewhere, well, I'll figure out how to schedule it in at that time.
Rearranged my timesheet template. I log my writing on a spreadsheet every day. That's how I know when I've done my five hours. This week I totally revamped the daily template, and it's ridiculous how much this helped. I suppose a well-organized brain is a productive brain.
I used to have my spreadsheet separated out into categories of types of writing: fiction in this block (short story, novel, freewriting), content writing in that block (Examiner, textbroker, other), miscellaneous over thataways (Friday Fictionettes, etc.). Then, if I was feeling decisive, I'd babble out a sort of schedule for the day in a column off to the right, which I might or might not look at again all day.
This week I overhauled it such that the schedule was baked right into the timesheet. Everything I expect myself to do in a work day, it's there, and in order. All the nonsense and clutter is gone. It's just Morning Pages, the Morning Shift block, the Afternoon Shift block, the actually writing blog, done. If I want to be more precise, there's room to type a description--for instance, "Short Fiction" today is described as "finish 'Caroline's Wake' to printable draft" for the first hour and "take your pen and finalize that draft!" for the second. But for the most part, my plan is just to do the next thing until I come to the end of the things.
There's still a line for content writing in the Afternoon Shift block, but mostly it just gets crossed off.
Began enforcing scheduling constraints. Before, I would get lost somewhere between Morning Pages and freewriting, or between freewriting and fictionette, and I might never come back from my long break in order to start the afternoon shift. Having reorganized my timesheet, I can now use it to determine where I break and for how long. Basically, if I'm in the middle of a block, I keep working Pomodoro style until I'm done with that block: 25 minutes on, 5 minutes off. If I get to white space, I can take a longer break for a meal or for playtime, but I have to have a concrete idea of when I'll start the next block. When that time comes around, I absolutely must get back to work.
This is not rocket science. This is what I always should have done, and what I've always known I ought to do. Somehow, this week I'm actually doing it. Amazing. I'm going to attribute it in part to the overhauled timesheet, and in another part to something else:
Reevaluated how I spend my break time. I hate to admit it, but I can't actually fit an hour of Puzzle Pirates into a 5-minute break. I can't even fit an hour of Puzzle Pirates into an hour. It's like football that way. Or roller derby. The clock may say that an hour of game time passed, but it took a lot more than one hour of real time.
The weird thing is, these little self-contained puzzle games are starting to act like both a reward and a trigger. That is, they not only function as "Yay, you worked 25 minutes straight, you get a cookie," but also as this Pavlovian signal that it's time to get back to work. Finishing a "pom" means I get to play a puzzle. Finishing a puzzle means it's time to get back to work.
So, these are things that have helped. (Also, getting up early--I keep aiming for 8:00, but as long as I'm up by 9:00 I stand a strong chance of finishing my morning shift by noon.) But what also helped was simply knowing that it's been more than a year since the rewrite on "Caroline's Wake" was requested, and that's just ridiculous, and the ridiculous shit ends now. And so it does.