mothballing the mourning wardrobe
Today was indeed more productive than yesterday. "Caroline's Wake" got a small amount of fine-tuning (turned out to need less than I anticipated); then it got sent out into the world to meet a new bunch of editor-type people. It feels good, having sent it out again. It's what a writer's supposed to do. And it occasions new hope.
The common advice is, "Never let a manuscript sleep over." That is to say, the moment a rejection comes in, take that story and send it somewhere else immediately. Have a list of places you want to send it, and just send it to the next place on your list. This is very smart from a business perspective: your story, once completed, is a product, and you need to keep trying to sell that product. But it's also smart from an emotional standpoint. It helps the writer end the mourning period and start afresh.
Of course there's a mourning period. Rejections occasion grief. They signal the death of a hope. No, not the Death of Hope, nothing that grand or melodramatic--but the demise of a very particular hoped-for outcome. There was a possibility that the story would be published by a specific market; the rejection signals that the possibility is no more.
So, OK, a writer can grieve. But a writer can also move on. Submitting the story to the next place is how to do that. Also working on the next story.
The next story is "Down Wind," which needs more of an overhaul than "Caroline" did. It needs section breaks and more of a textual differentiation between the three characters' points of view. It probably needs more than that, but I won't know until I pull it out and read it over. Which is next on my agenda!