approaching the rough draft in scattershot fashion
- 2,100 words (if poetry, lines) long
Today's been an unusually glorious and productive day. I'm hoping to do something about the "unusually" part, going forward--days like this ought to be routine, drat it all!--but I've been in deplorable sleeping habits the last few days (or weeks). Up reading until sometime past two (and I'm not going to try to say how far past two, because around two is when I just stop looking at the clock), then, as effect follows cause, unable to get out of bed until dang near noon.
I did mention I was binging on T. Kingfisher ebooks, right? This would explain the "up until sometime past two" part of the equation. Nine Goblins was a lot of fun. Bryrony and Roses was amazing. Now I'm waiting on a paperback of The Seventh Bride to come in the mail.
Anyway. Today, despite being up until stupid-o-clock reading last night, I got up on time. That made everything else possible, including a substantial session on the new short story.
Yes! The new short story. It still doesn't have a title, but I've changed the working title (more like a working not-a-title) to reflect the main character's name. She has one now. It's Ellen. Well, in full, it's Barbara Ellen, and if you are at all of a folksongish bent you'll see what I did there. Maybe.
Good grief, was February 18 really the last time I touched it? (My database doesn't lie, but sometimes I forget to give it the whole truth.) Well, the draft is about 1500 words longer than it was. A neat trick, considering I really didn't know where to go after the first scene, or even how to finish the first scene.
I had--I continue to have--certain things I want in the story, plot elements and character backgrounds and so forth, but no clue just yet how to get from one to the next narratively. So, instead of spending another hour obsessively revising the first 500-word chunk, I switched over to what I'm thinking of as the Scattershot Strategy.
For each story element I knew that I wanted to include, I created a new Scrivener text file, and I just started writing in it without any thought for how the results would fit into the overall story. Just get everything that's in my head down on the page, regardless of whether it all works together yet. It wound up feeling a lot like plotting with index cards, only instead of physical index cards I've got virtual ones that I can drag and drop into any order. One of them has the very last two sentences of the story, and nothing else. One of them tells the tale of Ellen's mother's disappearance. Another is the scene where Ellen and the man who was a tree show up at Ellen's sister's house--that will probably be the third scene in the story. (The second scene still hasn't come clear.) Yet another "index card" has a few disjointed lines representing the climax of the story's central dilemma.
Point is, once I stopped worrying about how I'd get from here to there and gave myself permission to just teleport, more or less, it got fun. Like my freewriting sessions are fun. Like writing rough draft is supposed to be fun. I'm in the sandbox, playing with words and characters and ideas! Nothing has to be perfect! This, this right here, this is something I absolutely love about writing.
I sometimes lose track of the things I love about writing. Today I got reminded.
Hooray! More tomorrow.