actually the only kind of dating i've ever done
- 3,453 wds. long
Manuscript submissions can be thought of as something like internet dating. Manuscripts go out and meet editors. Both hope that something will click. Most often nothing does. Maybe the editor says "Not for us at this time," or maybe the author looks at the contract and says, "That's way too rights-grabby for me." And then there will be no second date. But sometimes that first date results in a match made in heaven.
Sometimes the author is like those guys Teresa Nielsen Hayden recalls less than fondly in her epic blog post Slushkiller.
An eon or two ago, when I was a girl and occasionally went on dates, I observed that there was a species of young man who’d be perfectly pleasant right up to the point where I declined to go to bed with him. Then he’d turn nasty and angry—all bridges burnt, not even minimally polite. It was clear that the sole thing that mattered was whether I’d put out.
Please, for the love of little fuzzy kittens, don't be that kind of author. It is much better to be the author who considers the whole thing as, at worst, an opportunity for a pleasant night out. I won't lie; this is made easier when the rejection letter says nice things about the manuscript. I'm only human. I respond well to encouragement. But even an impersonal, businesslike form rejection can be an encouraging thing. It means I succeeded at doing the business part of writing. I sent the thing out, and even though it came home again, I like to think it left a good impression. I like to hope I'm making friends and even fans among the editors and/or slush readers, that maybe they look forward to reading my stuff regardless of whether they can buy it. And maybe the next thing I send them will be more their type.
You can't build that kind of relationship if you're the sort of lout who throws unprofessional tantrums when someone tells you no.
I'm aware at this point that my metaphor has shifted a bit. At first it was the manuscript that was going out on dates, then it was the author, then the author was the dating service which sent the manuscript out on dates in hopes of finding The One. Only it's not ever just "The One," because there's reprint rights. The One For Now? As in, serial monogamy? Because, even though each market will want a period of exclusivity, when that period is over you are (that is, the manuscript is) free to play the field. But then the dating pool will be limited to those markets who don't mind not being The First. Annnnnd I'm going to stop right there before we wind up comparing "No reprints, original work only" to toxic attitudes toward women with sexual histories, which comparison is unfair, no good, and wrong no matter which party you're talking about.
Metaphors are, by nature, limited. Life is like a box of chocolates and ogres are like onions, but not in every way.
What I'm actually trying to say here with this tortured metaphor is, one of my manuscripts has been asked out on a second date. Yes! My little story got bumped up the editing chain! That means it's not actually worthless and unpublishable! At least, not at first glance. Not so's the first reader could tell. So I'll be over here on pins and needles until the Editor-in-Chief makes the final call.
Meanwhile, I have great hopes that this will be the week I finally get caught up on all things Friday Fictionettes. The offering for October 5th is this close to being ready for release. Wouldn't it be nice if I could release it tomorrow? Only I've got a dentist appointment, a handyworker coming over to give us an estimate on a couple small projects, and either roller derby practice or a roller derby work party. So the name of the game is low expectations. I mean, we see how well I did with unreasonable expectations, yeah? Not Well At All. So all I will promise is that I'll get some work done on the thing tomorrow, at some point, and we'll see where it goes from there.