“I only write when I am inspired. Fortunately I am inspired at 9 o'clock every morning.”
William Faulkner

author: Nicole J. LeBoeuf

actually writing blog

in which the author looks back on 2022 and realizes she was not entirely unpublished therein
Wed 2023-01-11 22:21:06 (in context)
  • 2,850 words (if poetry, lines) long
  • 14 words (if poetry, lines) long
  • 3,453 words (if poetry, lines) long

At least one post per week: Check. I have not been uniformly On The Ball since last post, but this much I can do.

This week's post will be my "what I had published last year" roundup. It will be fairly short, because 2022 was not a great year for writing new things or submitting regularly. But there were some things published:

New poetry: "On the Limitations of Photographic Evidence in Fairyland," Eternal Haunted Summer, Summer Solstice 2022 (theme: Other-Than-Human Realms).

In fairy folklore, there's a story that turns up now and again involving a human who gets invited into Fairyland to perform some necessary function, and has to have magic ointment applied to their eyes in order that they might see true while they're there. Much later, after their return home, a fairy looks them up in their day-to-day and asks them, "Which eye is it you see me out of?" Turns out they did an imperfect job of removing the magic ointment, which means they've got a loose end to tidy up. Can't be having random humans going around able to see fairies clearly! So the human answers, "The left eye," and the fairy says "Cool, thanks," and immediately puts out the human's left eye. As opposed to dunking them in a handy ditch to just, y'know, wash the ointment out. Because fairies are cruel and capricious and, above all, dramatic.

Anyway, I wanted to play with that trope, such that the "eye" that had to be put out was the photographer's camera (the photographer's services having been engaged for an important fairy wedding). The fairy would smash the camera, and maybe even blind the photographer (see above: cruel and capricious), but of course the photographer still has the negatives, which they would pass down to future generations along with the story of the photographer's adventures.

One day I will actually write that poem. Or story. It could be a story. In any case, it wasn't what I wrote in time for this submission deadline. I wrote this other thing instead.

Reprint poem: "Reasonable Accommodations," The Future Fire issue 2022.62

My poor little corporate weredeer first appeared in Departure Mirror Quarterly Issue 2 (Winter 2021). You can still download that issue, but you'll have to do it from the Internet Archive "Wayback Machine," because the publication sadly had to close its doors before Issue 4 came out. In which issue, incidentally, another poem of mine they'd solicited had been set to appear. Alas. That poem remains unpublished, and not for want of my sending it out. Maybe 2023 will be its year.

Reprint story: "Survival, After," Apex Magazine 2021 (or via Weightless Books)

Originally published and podcast by Apex Magazine in August 2021, this story was included, along with every other story they published in 2021, in the magazine's yearly anthology. I understand it's their biggest table of contents yet! There's lots of amazing stuff in there that quite frankly blows my little tale out of the water, so it's well worth the price. Yes, you could just go read all the stories for free on the website, but the print anthology, in addition to being extremely convenient in providing all the content in one handy codex (no need to click all over the place! Just turn the pages!), is a truly gorgeous artifact. It would look beautiful on your bookshelf or your coffee table.

Reprint story: "First Breath," penumbric speculative fiction mag vol vi issue 4 (December 2k22)

Originally published in Ellen Datlow's vampirism anthology Blood and Other Cravings (Tor Books, September 2011), this is my most reprinted work--less because of its classic staying power, I think, and more because it's the story I keep sending out in hopes of getting it reprinted. But this is its third outing (not counting its debut) so I guess editors like it. (Previous reprintings: Denver Horror Collective and the Tales to Terrify podcast.)

I'm saddened to discover the purchase pages for the original anthology are gone. But I suppose every anthology must go out of print sometime. You can still find copies via that online retailer named for a river in South America, because of course you can, but it's no longer available via Macmillan Publishing or Barnes & Noble that I can see. So instead I've linked the Publisher's Weekly write-up, which actually name-checks me (I was a "newcomer"! I arguably still am) so that's kinda cool.

I suppose that will be one of my 2023 goals: Get "First Breath" reprinted again.

Anyway, that's the 2022 Publications Roundup. As you run off to click the links and check them out, do check out the rest of the relevant issues (or the relevant year, in the case of Apex). There's some great stuff in those tables of contents, written by some enormously skilled wordsmiths, and you need to get your eyeballs on 'em STAT.

Until next week!

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