“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”
Mark Twain

author: Nicole J. LeBoeuf

actually writing blog

Various Packages In Transmission
Mon 2006-05-15 08:24:36 (in context)
  • 1,900 words (if poetry, lines) long

The story workshopped Saturday has been committed to email as of nine hours ago. As for myself, I am in the Emeryville train station, ready to be committed to rail in about an hour.

Before leaving San Francisco, before finishing and emailing my story, before sitting around half the night in the Hospitality Suite at the Dead Dog Party knitting and watching Adult Swim, I actually got out of the hotel for a bit. I started out by asking the hotel staff, "How do I get to an Amtrak bus stop tomorrow morning?" Oddly enough, the staff member seemed aware only of the Ferry Building stop, and the only way he seemed to know how to get me there was allll the way down Van Ness on a southbound #47 to Market Street, and then alll the way back over on the Market Street cable car, forming a nice big "V" shape over the map of downtown San Francisco in doing so.

"What about Pier 39?" I asked, because Amtrak's pamphlet showed it would pick up passengers there too, and the northbound #47 bus would go right there. Believe me, with my luggage, I didn't want any more transfer points than were strictly necessary.

"Look, all you need to do is get to the Ferry Building, see?" He redrew the "V" shape. "Like that."

"And there's no route to just get me there straight?" I drew a line across the top of the "V" from the circle he'd drawn at the Holiday Inn to the circle he'd drawn at the Ferry Building. The line that capped the "V" went along a street I'd become familiar with, California, as I'd taken the #1 bus along it to the hotel on Thursday morning after checking out of the Green Tortoise Adventure Hostel. It was one of the cross streets that demarcated the block containing the Holiday Inn. "Nothing runs directly along California between here and there?"

"Not that I know of!" he said cheerfully.

I was doubtful. I decided to scout things out for myself. I took the northbound #47 up to Pier 39 / Fisherman's Wharf, found the Amtrak bus stop there, and said to myself, "A-ha!" Then I commenced to putter. I was at Pier 39, after all. There were supposedly all sorts of fun things here. Restaurants, and candy, and an arcade, and a merry-go-round, and seals! Well, actually, sea lions, you can tell the difference because they're smarter and have visible ear flaps and so forth, but--seals!!!! Like fifty or sixty of 'em, laying out on the platforms between the piers and barking at each other and scritching themselves behind the ears with their foot-like flippers and lounging with their furry bellies in the air and--wow! Sea lions. Dude.

Then I figured I'd just walk along the Embarcadero to the Ferry Building. It was good exercise and pretty too. I located the Amtrak stop there as well, ate an Ahi sandwich and worked on the workshopped story at a restaurant in the Ferry Building, and finally turned inland to get on the Market Street cable car.

And then I found out that there is a public transit route that caps the damn "V" that the hotel staff member drew. I found the damn rout that runs right along California. It's the California cable car, duh, and it runs practically from the Ferry Building right out to Van Ness and then stops.

Rather a convenient line of public transportation for the hotel staff to be completely unaware of, don't you think?

At this point in the narration, the author pauses to regale you with a nightmare. I don't have many nightmares. When I do, they tend to fall into one of a handful of categories. There's the airplane or car trouble dream, in which I can't brake or steer or land worth a damn--I had one of those Sunday morning, finding myself awakening at the controls of a Boeing 757 which I had absolutely no training to handle or certification to pilot and which my husband was steering within mere feet of the water. I had to grab the yoke to force us into a wings-a-tilt position so we'd fit underneath a bridge coming straight up. "Why are you flying so close to the water?" I screeched; "Because I'm more comfortable there," he said. I corrected this as soon as I could, but we were not in VFR conditions and I didn't know what to do other than land and wait for help. I later told the jet pilot who came to take the plane home, "Really, I swear, I just sort of woke up in the cockpit. I don't know how I got there."

So that's the vehicle trouble dream. It used to take place in cars, but now it almost exclusively takes place in airplanes because, well, piloting stresses me out more.

Then there's the nightmare of pursuit in which some monstrous person or thing chases me at a walking speed, knowing I can run but I can't hide. That one has happened only very, very rarely since I got into my 20s.

And the nightmare of being unprepared for school happens fairly frequently. It almost always puts me back in high school, not college. I've heard others say the same. We form more of a stressy connection with the school our parents chose, maybe, than with the school we chose to escape to. Or maybe high school is more grounded in the subconscious, being usually in our home neighborhoods and associated with rites of passage like the sweet sixteen, learning to drive, and so forth.

Well, you probably recognize all those dreams. Especially the school one. And you'll probably recognize this one, too: the nightmare of falling. Only when I have it, it's special. It's quite precise. It very rarely involves a straight freefall; instead, it begins on an inclined plane. And I'm in a vehicle of some sort: a roller coaster, a car, a bus, maybe even a waterslide. And I am going down or up a very steep incline, so very steep and increasingly so that inevitably my vehicle's wheels (or, in the case of the waterslide, my butt cheeks) lose contact with the road (or track or slide) and begins to fall as though the plane had become perpendicular to the ground.

The entire way up Nob Hill while riding the California Street Cable Car, I kept thinking, "Greeeeat. Fresh fodder for my falling-off-an-inclined-plane nightmares. Just what I needed."

Because California Street is pretty damn steep. I'd wager 10%, some of those blocks. And the cable car is two-thirds open to the sides. My entire stay in the Holiday Inn, I'd fallen asleep and woken up staring at a Photoshop-filtered picture of people riding a San Francisco trolly (ding! ding! think Rice-a-Roni!), and I'd marvelled at the way they some of them stood on the running board and held onto the side pole as they rode. Was that allowed? Was the driver aware? Yes the driver is aware, and it is in fact expected, and it is not the norm for someone sitting on the bench in the open bit to clutch the side pole and the back of the bench with white knuckles and shaking arms as the car rides up past Chinatown.

Yes I'm a wimp. What's your point?

On my way back to the Ferry Building with luggage this morning, I sat in the enclosed section in the middle. I still did my share of white-knuckling, especially when a young lady stepped right out onto the running board in preparation for her stop about two blocks above the heart of Chinatown. I suppose people get used to the darndest things.

Hell, I suppose if I can get used to steering an airplane, or to chatting with Big Name Authors at conventions without going all "hrrrr dahhhh thhbbbb uh You Rock, Sir! i er ummm....", or with reading my own fiction aloud in front of a group of strangers (which group includes said Big Name Author(s)), other people can get used to seemingly death-defying feats such as hanging out the side of a cable car going 10 miles an hour down a 10% grade incline. Each to their own.

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