Writing + Derby = Bad-ass
- 6,000 words (if poetry, lines) long
I spent pretty much the entire working day finishing up revisions on a short story, which I then submitted electronically to a fantastic pro market just in time to not be late for roller derby practice.
I feel like I don't get to say that very often. I'd like to say it more often going forward. Although probably without risking being late. It would be nice to have less last-minute stress going forward, too. But, hey! Today I was a writer and a derby skater. It CAN be done! And I am doing it! Woot!
I win at today. And the best part is, tonight I got home from practice and said to myself, "Hey! I don't have a scary huge deadline hanging over me anymore! I done finished! I can go play Puzzle Pirates 'til my eyes fall out!"
That's the short version of today. Here's the long one:
Back in 2006 I went to Borderlands Bootcamp, and I brought this story of mine to be lovingly savaged by admirable writers and editors as well as my fellow students.
It was a manuscript critique workshop arranged into four break-out sessions each headed by two teachers and focusing on about eight different students' manuscripts. All students were expect to read and critique every single other manuscript because we weren't told in advance whose break-out group we'd be in, so people who didn't tell you about your story in person told you about it in email. That's a whole heck of a lot of critique. The sheer amount of it was enough to distract a body from the usual challenge of triangulating between different opinions; and there were a lot of different opinions too.
On the one hand, a fellow student emailed me a month before the bootcamp to basically say "OMG this is the best thing I've read in the whole bunch." On the other, one of the teachers in a break-out session started off by saying, "If I got this in the slush pile, I wouldn't buy it" (he is in fact an editor and he reads slush) and continued in a similar vein, hitting such points of interest as "It starts off way too slow. Cut the whole first section," and "Get rid of the aliens, you don't need the aliens, this is a perfectly OK horror story without the aliens," and "The sex scene isn't believable," and also "Here you make it sound like the main character is talking to a banana. 'Hello, banana!'" I think he may possibly have been worried, afterward, about how thoroughly he'd shredded it; when he ran into me at World Horror the next year or so, and he asked me "Are you still writing?" he seemed genuinely relieved that the answer was "Yes."
By far, however, the most interesting comment came in what I think was my last break-out session, from a well-published horror author whose name I should probably not drop here without permission, because when someone gives you explicit permission to drop his name in another context, you respect that, yo. But what he said amounted to this: "This is a really interesting story with a lot of potential. It needs a lot of work, of course... [followed by a thorough and detailed critique] ... but I think after you've revised it--and really revise it, now, don't skimp on the revisions!--you should send it to Ellen Datlow. I think this would be right up her alley." Like, for her next open anthology call, you mean? "No, I mean, just send it to her. You can tell her I said so."
So I did what a lot of insecure writers do who don't deal well with the pressure of This could be IT! I made several abortive attempts to begin revising it, and then I sat on it for years.
Sam, Mac, if y'all are reading this right now, you can proceed to yell at me. But know this: A thoroughly revised version of it has been submitted, as of today, the last day of the open reading period, to Fearful Symmetries. It took me seven years, but I got there at last, yo. (Also, there are still aliens in it. Sorry, Sam. But they're more like Lovecraft aliens now, OK? Like, "Colour Out of Space." And they are the reason for everything.)
I did not mention the above-mentioned author's name in the cover letter. It was an open call, so I didn't figure I needed to drop names to get it read in this particular circumstance. I suspect that "Hey, you published something of mine before! Here's something else" would be a more useful thing to say. Besides, I feel like there's a statute of limitations on permission to name-drop.
But if I get the opportunity (i.e. if she buys it), I'd love to be all "Hey, funny story about this story..."
(It'll probably be the medium-length version of the story.)