“...and I didn't know how it was going to end until I got there, which is the best and the worst kind of writing.”
Neil Gaiman

author: Nicole J. LeBoeuf

actually writing blog

not quite like athena
Thu 2014-02-13 23:11:55 (in context)
  • 443 words (if poetry, lines) long

And then yesterday didn't happen. But look! Today, I finished a thing and I submitted that thing. I submitted it to Lightspeed. I am helping to Destroy Science Fiction!

*pats self on head*

The opening line I posted earlier? Didn't end up using it. It now lives in a file in the "Deleted Scenes" folder of the story's Scrivener project, along with a few other false starts and removed verbiage. This is because the story went in a different direction than it did during that first draft, which makes it an entirely different story. Which means the story that the first draft was pointing toward could yet happen. You never know.

Writerly observation of the week: Write it down, no matter how little or incomplete.

Unpacking that: Sometime this week, probably during a drive to or from Longmont (tomorrow night will be my first night all week not doing anything derby-related), I got an insight for the story. In the stalled-out draft, the Caroline-type character has just said a thing to the Louise-type character, and her voice sounded very calm and clear despite the situation. In my head, the Louise-type character makes an observation about her sister's voice, how it reminded her of other times her sister had whispered audacious ideas in her ear and led her into trouble. That's it. That's all. Just a small observation that added a small amount to what little I knew about their history.

I spent far too much time turning that over and over in my head. "OK, but so what? What does that mean? How am I going to use that?"

Today I said, "All right already," and took that tiny insight and added it to the draft. And that's when the draft changed direction and raced headlong toward its brand new goal.

I keep rediscovering this: Stories cannot be completed inside my head. They will not erupt from my skull fully formed and with gray eyes flashing. No, sadly, there comes a point where they simply hit a brick wall in there. And yet, magically, once I give in and just write down what I've got so far, that physical act of writing it down (and also the visual act of reading it) sparks the next idea that I'd been straining for in vain thus far. It's like a small plant that's gottne root-bound in its seedling cup; it needs to be transplanted into the wider world. Only once I put it on the page does it finally bloom.

Also, here's another writerly observation: Drop one name from a classic novel, and it's a literary allusion. Drop two names, and you risk your story looking like fan-fiction. This is not ideal if you're trying to sell the piece to a professional market.

Anyway. Here's hoping tomorrow's rewrite project goes as well as today's did.

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