some positive uses for the Anvil of Guilt
- 7,164 words (if poetry, lines) long
My goal for this week is to finish "The Impact of Snowflakes." Not necessarily finish-and-submit, but finish. Finish the new ending, for the love of little orange cheez-its! Stop circling in and just land this sorry lawn-mower of a plane!
And today I made absolutely no progress toward that goal. Today I was running errands both in person and on the telephone, most of them to do with the catastrophe-related restorations on our home that will start Monday the 11th. These errands stole most of my morning time, and, indirectly, by way of exhausting me utterly, most of my afternoon too. Essentially, the less said about weeding the garden, the better.
But I remain optimistic. Tomorrow is a whole new day. So are Thursday and Friday. With their help, I feel sure I'll get where I want to go.
Meanwhile, I am have been giving more thought to this Patreon-enabled short story subscription service I've been brainstorming. I've also been having a look around at what other authors are doing with their Patreon pages. I'd like to share a few of them with you this week.
Kellan Sparver is a colleague of mine whom I met via Codex, an online community of neo-pro genre writers. He's just launched his page recently. What he's doing with it highlights one of Patreon's patronage models, that of pledging a certain amount of money per creation. It works like this: You pledge, say, five dollars per story. Then, when he posts a story--for example, the SF short "Hitchhiker"--you're automatically charged for it at the end of the month. (Note: Patreon allows you to specify a maximum monthly amount--a budget, if you will--to protect you in case of sudden and expected prolificness on the part of the creators you're supporting. Details here, under "For Patrons.")
The pledge form is pre-filled with a suggested amount of $3 per story, but you are welcome to pledge as much or as little as you like, in, I think, whole dollar amounts. (Currently it looks like Sparver's Patrons are pledging an average of $5 per story.) Below that, Sparver defines a couple of "milestone goals" to give Patrons a bit of context. Should the total of all pledges reach $25 per story, he'll be earning an equivalent amount to what he would if he sold each piece to a "token" or "for the love" market. Should he reach $200 per story, that's like selling a 3500-word story for pro rates, as defined by SFWA as 6 cents per word.
Another example of per-creation pledges is the Patreon page of Clarkesworld Magazine. As an alternative to subscribing at a fixed rate, you can pledge your preferred amount per issue. Clarkesworld pledges in return to include extra stories in each issue depending on having reached certain milestone goals. Clarkesworld's page also defines several tiers of individual support that will earn Patrons rewards both tangible and intangible--access to downloadable electronic copies of the magazine, having print copies mailed to you, having your name included in the annual anthology's list of "Clarkesworld Citizens."
For me, the upside to the per-creation model is not tying myself to a production schedule. If something went terribly wrong for me one month, I wouldn't have the added stress of knowing that I was failing to give my supporters the stories they'd paid for. No story means no one gets charged. Simple. (Although John would probably say that's the wrong way to think about this. "Patreon isn't about selling a product," he told me the other day. "It's about giving people a way to support your art, and thanking them for that support.") But the upside is also a downside--it wouldn't hold me to a production schedule. Not that a production schedule is impossible on the per-creation model--again, see Clarkesworld. But I'm not sure I trust myself to stick to a schedule without hanging the Anvil of Guilt over my head.
Anyway, thoughts are still coming and going. These are some of them. There will be more thoughts tomorrow.