and it's no wonder i sleep so late so often
- 2,850 words (if poetry, lines) long
As if I don't have enough to work on already, I got up this morning in a terrible excitement about two brand new story ideas, straight out of dreams. That's a gift. That's a precious, unlooked-for gift--the dreams themselves, handing me the kernels of new stories on a silver platter, but also the excitement. Excitement about a new story--it's been way too long since I've felt that. That's absolutely a gift.
It's also very much a mixed blessing when I'm trying to get other things done. Thanks awfully, subconscious!
In one dream, all the statues had come to life, humans alongside animals both fantastical and mundane passing through the city as animate marble, cement, iron. As the bus I was riding on passed through a neighborhood full of old oaks, we saw a big old house whose decorative copper-verdigris fence was waking up. Green deer were untangling themselves from the knot the artist had worked them into, and were picking their way over and around their fellows out onto the sidewalk. Suddenly the neighborhood was full of deer, centaurs, and men and women on horseback, all the color of copper verdigris. "Look," I said to John, who was sitting next to me on the bus, "it's the perfect color for them."
In another dream, an owl I thought I'd shot dead in a careless and much-regretted moment turned out to be alive after all, but the relief of that turned into horror when it changed shape to reveal itself a nefarious spirit in disguise, to whom we both would be in thrall until it finished feeding off of us and we died.
"I had these wonderful mythopoetic dreams this morning," I said to John, "one of them a pure delight and the other a fantastic horror movie. I can't wait to make them into stories. All I have to do is excise all the Daffy Duck bits and give them more of a narrative shape."
"Daffy Duck bits" are the parts of the dream that are too banal or just too silly for the story the dream inspires. My calling them that comes from the dream that gave rise to the short story "First Breath." The dream's main plot repeated itself, as dream elements often do. The first time, I was in a crowd of people in a large cave, and someone pointed out to me a figure in a grey hooded robe. "Don't let her touch you," I was told. "You mustn't let her touch you." Or what? Or she'd become me, and I'd become nothing at all. I ran and ran through the caves, the hooded figure getting closer all the time... Then the chase scene started over, but with an oblivious and sputtering Daffy Duck in my place, comically falling hip-deep into a hole and asking the hooded, robed figure to pull him out.
As you might expect, Daffy Duck appears nowhere in any draft of the story, let alone the version published in Blood and Other Cravings. Similarly, there's some utterly ridiculous things in my dreams from this morning. Some of the verdigris centaurs were cobbled together backwards, such that their human halves face their horse's asses. And when we attempted to lock the owl-demon out of our house, it ran pipes up through the floor, spewing a noxiously yellow sleepy gas into the house to knock us out so it could gain entrance. Which we knew because the gas left a yellow stain wash up and down my legs. Also there was frozen corn defrosting in the oven that happened to be built into the back wall of our bedroom... See? Daffy Duck bits.
Regardless, so much of both stories is already there, fully formed, in the dream. Not an occurrence I can plan for. All I can do is be grateful when it happens. I certainly can't complain, except maybe a little about the timing.
Dreams are awesome! They're what make sleep worth it!