the game i'm supposed to be playing
- Friday Fictionettes
- Industrious Thoughts
- Profitable Hackery
- Scales And Arpeggios
- Selling My Soul
- 3,330 words (if poetry, lines) long
So apparently it takes me another, what, three hours? THREE HOURS to get what ought to have been a simple Hugo Awards 101 blog post done. Seriously, it is not worth it. I need to be able to prioritize, and, when priorities are low, turn the exhaustive perfectionist dial wayyyyy down.
But speaking of priorities, I have modified my must-dos for the workday mornings. To date, I've required of myself three things to start each workday:
- Morning Pages (mental morning hygiene)
- 25 minutes of freewriting (scales and arpeggios)
- and 25 minutes working on the next Friday Fictionette (getting it done a little at a time, rather than all at the last minute).
Recently I looked at my timesheet template and realized that there was one line I was consistently failing to visit: "Submissions Procedures." Also, I had a rejection letter in my email that I still needed to log a month after I received it. So I've added...
- 25 minutes of Submissions Procedures
...to my morning gottas.
What do I do with that session?
Log submissions and responses. If I send off a manuscript, if I receive a response to a submission, I've got to log that. I keep such records in a personal database that's hosted at this domain (it feeds the "Recently Published" block on the front page and the "Works Progressing" list here on the blog). I also make note of them in the Diabolical Plots Submission Grinder, which does a lot more with my data than I've programmed my own database to do. It does things with my data that benefit other writers, too, mostly to do with market statistics. Anyway, communications regarding submitted manuscripts go there.
Query long-delayed submissions. This is what I did next after I logged that pending rejection email. I had a couple submissions out since early 2014 with no response logged. I sent emails to both markets asking after those submissions' statuses, and, when one of them got back to me (and resent the rejection letter I'd missed in my spam last year), I logged that too.
Resubmit rejected manuscripts to new markets. I did this Friday! "It's For You" had returned with a rejection letter back in December. It was about time I sent it out again. Off it went to meet the staff of a different magazine, hopeful and full of energy!
Research markets for future submissions. Here's where being on the clock becomes absolutely essential. I can spend hours doing this--reading the stories published by professional markets, deciding whether any of my existing stories would fit well in a table of contents with them, reading my colleagues' reported experiences with those markets, plugging the stats for my unpublished stories into the Submission Grinder search form to find even more markets, reading all their submission guidelines... But because I'm on a 25-minute timer, I try to stay focused.
Today I spent my Submission Procedures session pruning a handful of browser tabs open to various submission guidelines. With one exception, I discarded non-paying markets. Then I discarded the ones I'm honestly unlikely to come up with suitable material for any time soon. Of the ones that remained, I chose two whose current submission period ended on or about July 31 and decided what I was going to send them. In both cases, I chose unpublished drabbles that could be expanded into flash or full-length short stories this week and next. Then I made note of a couple other tabs open to markets whose next submission period opens in August. I've existing pieces I could send them as-is with a clean conscience.
Making this a daily ritual has got me back in the game. I mean, I've sent off a piece to a pro-paying market! For the first time in months! That's huge! But it's also valuable as a regular reminder of what I'm supposed to be doing in the first place. Things like Friday Fictionettes and Examiner blog posts can feel like such an accomplishment when I finish them that it's easy to forget that they're not my main gig. My main gig is writing fiction for love and getting it published for money. So now, every workday, I take time on the clock to plan or enact the next step required to play that gig.
That way, even if I don't manage to spend the bulk of the working day on fiction for professional publication, even if I throw most of my hours down the black hole of FIND ALL THE PERFECT LINKS FOR THIS BLOG POST, I've at least spent half an hour with my head in the right game, so I don't forget which game I'm supposed to be playing.