a refreshing lack of direness and some surprise chicken
Dear Diary: Today is a Red Letter Day! I have got up on time and done all my writing (excepting this Very Important Missive) by four of the clock in the Afternoon. As you might Imagine, this has left me simply oodles of daylight and evening for all sorts of Pleasant Pastimes...
*Ahem.* No, seriously, it's been great. I had a long and deeply satisfying skating session outside, taking advantage of this single perfect day between snowstorms when enough of the previous storm's accumulations of ice have melted away to allow for rolling, but the next storm hasn't yet started. Then I came home and logged into Story Hour to hear Meg Elison and Gabriela Santiago read their glorious and heartwrenching tales. (I was very good and did not get any tears on my cross-stitching.) And now I am pleasantly ensconced in the bath with a beer, writing this blog post and letting my poor abused adductor muscles relax.
You may recall my announcing an upcoming appearance on Story Hour. That is scheduled for May 5. I suggest you make this Zoom or Facebook livestream part of your weekly routine, so that by the time that date rolls around it'll simply be habit and you'll be able to catch it easily. Story Hour airs each Wednesday at 7:00 PM Pacific Time and runs for an hour, with two authors reading for half an hour each. I know that's pretty darn late for y'all in the Eastern time zone; if you can't catch it live--or even if you can!--you'll be able to watch the archived video on Facebook whenever you like.
Today was also weird and surprising in that we got some windfall groceries. Some chicken breasts, mushrooms, asparagus, and heavy cream that no one at this address asked for are in the fridge now, and there's a packet of sliced almonds and some shallots in the pantry. John ordered his usual game night snack food supplies from Safeway, and they brought him the wrong order. Unfortunately, this means John doesn't get chocolate and potato chips during tonight's Apex Legends session. On the other hand, I'm now plotting a creamy pasta dish for after tomorrow evening's BCB workout. Of course I will share the details with you. Probably in tomorrow night's blog post.
(I'll probably save the shallots to do the caramelized shallot, anchovy, and tomato paste sauce/spread again. That stuff was excellent. I finished off the leftovers by spreading it on the toast I made an open-face green onion omelet with.)
"But what about the story?" I hear you cry. "The one that was tying you up into guilt-ridden knots and revision angst?" Yes, well, never fear, I did not shirk my duty. Avoidance came calling, but I said "Not today, avoidance!" and got right to it. I read the manuscript through carefully and left myself nearly a thousand words of margin notes. That sounds kind of daunting, but I'm honestly not sure I'm going to act on the majority of those notes. It is an extremely imperfect story in many ways, and in many ways it will remain imperfect. I don't want to set myself the task of making an entirely new story out of it except at dire need.
And the need may not be so dire. The themes of dehumanization are more evenly balanced than I remembered; it's the (presumed white) townspeople who have the first episode of inhuman aggression. (That would be the scene where the stranger rolls through town and is careless at a 4-way stop.) And I think that once I fix the beginning, and of course those bits directly affected by the change in the beginning, certain resonances will emerge to shift the balance away from the "white neighbors friendly, brown shepherds scary" dynamic, and more towards "Oh, shit, another group of people I came to trust that I suddenly can't trust. Maybe I can't trust myself, either."
All right, I'm not happy about Bob making the racist joke about worshipping cows in India. If I leave it in, it's gonna need some pushback. I think I know how to do that, but I'll have to see how the fix looks on the page.
Anyway. Not saying I'm perfectly satisfied that the limited changes I'm now planning will fix everything. But I am willing to start out with just those changes, and then to see where things stand.
So that's the state of the rerprint revisions. Thank you for joining me on this journey, and I hope to give you more good news (and possibly a recipe) tomorrow.
an occasion to rethink and revise before reprinting
- 3,453 words (if poetry, lines) long
So, just to remind y'all that the author is a New Orleanian author, lemme tell you what happened this week. So yesterday, OK, the payment for the short story I sold to Apex Magazine arrived via PayPal. Hooray! So today I decided to celebrate the sale, as I had not tangibly celebrated it yet, by splurging on mail-order oysters. In fact, I ordered the gift bundle (it's a gift for me! From me!) on the strength of it including a free shucking knife and gloves, reason being, I don't own any yet and I probably should, and I don't want to make a special trip to--where would I even buy an oyster shucking knife in Boulder, Colorado? A restaurant supply store, I suppose. Or I'd have to mail order it from somewhere and try to get the two separate shipments to coincide. Hell with that. This is easier.
Anyway. Oysters coming mid-March. Forty of 'em. I'm gonna slurp up a dozen on arrival, then chop up the rest for kimchi. (That link there, that's the recipe that got Dad's whole hunting club asking, "Niki's coming home next week, you say? Will she make us kimchi again? Tell her to make it spicier this time.")
All right, yes, I could have been responsible and left the money in my PayPal account against actual household necessities. But it's not like we're relying on my story sales to make household ends meet. (Hoo, girls-n-boys, would we be in trouble if we were!) Besides--a sale to Apex Magazine! The hell to the yes that deserves celebrating!
(Don't worry, it only cost about half the check. I'm sure I can find something responsible to do with the rest.)
So for my next trick, I'd like to see if I can get "Lambing Season" reprinted again. It initially appeared in NAMELESS Magazine #3 in March of 2014. (You can still purchase the issue as an ebook from that link for $3.99. I recommend it; there's a lot of good stuff in there, including a haunting story by my friend and colleague Nicole Cushing.) It's been reprint only once so far, as episode 413 of Tales to Terrify, narrated beautifully by Summer Brooks, on December 19, 2019. (You can listen to it there for free, along with a retrospective of the horror of the two-thousand-teens.)
...And that's probably a good thing. The only having been reprinted once, I mean. Because... Wow there's some problematic bits in the story. Which I completely overlooked when I wrote the story because Hi there, white privilege! Without even having laid eyes or ears on it since the Tales to Terrify outing, I knew I'd need to revise the opening a titch. Here's the second paragraph so you can see what I mean:
I'd so badly needed to escape. Months had passed since I'd last been able to relax. In my mind, I was always on duty, no matter what the clock said. Then my partner went to the hospital on a bullet fired by a twelve-year-old girl, and I started suspecting everyone I met of being armed and dangerous. The chief suggested I take off the uniform and badge for a while before I wound up shooting someone for startling me.
Wow. Just... wow. That sounds like nothing so much as a "Blue Lives Matter" defense of the cop who murdered Tamir Rice. "How was he supposed to know it was only a toy gun? Some of those urban kids out there, those little monsters'd shoot you soon as look at you. You try taking time in one of those neighborhoods to verify if the gun is real, you're dead."
Eeeuuurgh. No. So much no. There is no way I'm submitting that story to be reprinted with that opening. Should be simple enough to fix, though. Instead of a crisis of paranoia, the main character can have a crisis of conscience over her partner having shot a child, and the rest of the department rallying around to defend him, and maybe the protagonist's reluctance to join in the defense is why the chief suggests she take a temporary unpaid leave. Much more believable of a scenario (except for the crisis of conscience part, I fear), and a lot more defensible then what's there now. Because, face it, what's there now is doing white supremacy's work of upholding the narrative of cops who are more wronged than wrong-doing even when they've just fired a bullet into a Black child's body, or knelt on a Black man's neck until he suffocated. As though that had anything to do with justice and keeping the peace. My God. No. I will have no part of even appearing to support those abominations. Not if I can help it. Not any more than I already have, Gods forgive me.
(Virtue signaling? Damn straight I am, and what's wrong with that? The bigots are out there signaling to each other all the time with their dog-whistles and bullhorns everywhere from the corner store to the Capitol. The rest of us are gonna damn well "signal" that we stand four-square against that shit. Got it? Good.)
Except it's not going to be as simple as fixing the opening, turns out.
The manuscript was still in one long LibreOffice RTF, so the first thing I did tonight was pull the manuscript into a Scrivener project and break it up into scenes. There were hard-coded tab-indents, too, so I had to remove those by hand because Scrivener for Windows still doesn't have find-and-replace for special characters. So that required traveling paragraph by paragraph through the whole story. Which meant I was lightly skimming the text as I went along. Which resulted in my realizing the racism kinda permeates the whole story.
I'm not going to get into the details at this time. It's not that I'm worried about spoiling the story for you; you can go read or listen to it right now if you haven't already. No, it's that I know, with a sinking, that I have yet to uncover all the details. Right now I just have a general impression of the dehumanization of non-white people in this story. And you could argue that it's not just the shepherds but all the townspeople too who are under Maud Shempf's sway, they're all going to wind up fleeced and turned into mutton eventually. But the predominately (implied) white townspeople get to act like human beings, even so, while the predominately (heavily implied) black and brown shepherds get to have "dead shark stares" while they menace the protagonist (including with a gun!). And yeah, that could stand as a metaphor for the way systems of authority regularly dehumanize non-white people--but that's not how it looks on the page at this time. At this time, it looks hella racist, and it makes me cringe.
So I'll be taking my time the rest of this week going over the story with a fine-toothed comb, trying my damnedest to blunt its capacity to do harm. It may take more than a week, in which case I'll put it aside temporarily, because the next story in the revision queue has a deadline. But then I'll come back to it, because this is job that needs to be done right more than it needs to be done in a hurry.
Whew. I warned y'all a while back this blog was gonna get political from time to time. Because the alternative is to be silently oblivious, and all that does is prop up the status quo. And the status quo has really gotta go.
a strange but workable (for now) definition of On Time
- 946 words (if poetry, lines) long
- 1,073 words (if poetry, lines) long
- 1,115 words (if poetry, lines) long
- 1,120 words (if poetry, lines) long
Not so much whining today, as it turns out. What was that I said about external systems of structure and accountability? Today's external accountability mechanisms were my Boulder Food Rescue shift and my various curbside shopping errands, for getting me out of bed on time; and Cat Rambo's afternoon co-writing session, for getting me back to work by 2 PM rather than collapsing into a nap that would eat up the rest of my productive day.
(And what with having been up from early (for me) and not napped, maybe I'll sleep better tonight.)
Because today went so well, I can give you the January 2021 Friday Fictionette Round-up on time, which is to say, no more than the same month I've been late for quite a few months now. Huzzah!
The Fictionette Freebie for January 2021 is "My Sister Draws Things", so you can download and enjoy that one regardless of whether you're a paid subscriber.
Also, dinner tonight is pasta with sausage and cream, only I used penne instead of shells, ground breakfast sausage instead of sweet Italian, and a whole lot of fennel seeds, hot pepper flakes, white and pink peppercorns, and nutmeg.
And that is all.
whining my way toward a better way of ordering my day
Today's post is going to be a whining post. Be warned now. Or be happy, I dunno. I get a lot of comfort out of reading the whining of experienced and successful writers; it tells me that even they have off-days with avoidance issues and difficulty getting the butt in the chair. Which means my having days or even weeks like that doesn't mean I'll never be an experienced and successful writer myself. Indeed, I am now a somewhat experienced writer who is at least more successful than she was two years ago, so you may wish to take my whining in that spirit yourself.
Here is the whine: lately I've been having trouble getting up on time to make the morning co-writing session, or indeed getting any writing done in the morning at all. The lure of hot tea and a Morning Pages session with a backdrop of Rewarded Play usage points, it seems, can't compete with the temptation of staying in bed just a little longer, especially now that I've actually reached a state of solid sleep and technicolor dreams (which I often don't reach nearly as soon as I ought). So I wind up failing to drag my butt to the home office until something like noon.
This is a problem in so many ways.
It throws me off my routine, for one thing. You'd think it wouldn't matter--that no matter what time I get up, all I have to do is hit START on the established process. But no. The later I get up, the more slowly I move through the next steps, and the more time I lose.
And by then I've already lost the prime morning hours when writing comes more easily. Rachel Aaron, in her book 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love, talks about the importance of figuring out when and where you're most productive--she is all about tracking your data and looking for patterns--and it turns out I am most productive in the morning at my desk in the home office. It also turns out I am the laziest night owl ever to attempt to pose as a morning bird.
So now I'm relying on the afternoon to get my writing started at all, which is never a safe bet. And I'll be relying on the evening to finish up the day's tasks. And that's even more of a problem, because by evening time I'm tired, I'd rather play, and, pandemic notwithstanding, I might just have something scheduled for the evening. Tonight, for example, was BCB Workout night. Whipsie Daisy led us in yoga, which was awesome! Convincing myself to complete the last items on my to-do list after I'd worn myself out with surprisingly difficult balance-and-strength poses was less awesome. And I've still got a half hour of reading to record for AINC before I sleep.
Eventually I wind up with this dilemma: fail to get certain things done, or stay up late getting them done? Staying up late is going to happen anyway, it turns out, which then makes getting up on time the next morning more difficult. And so the cycle is complete, the snake is biting its own tail, the downward spiral continues another round down the turning screw, etc., etc.,
All of which is quite sad and also pathetic. But there is one more stupidity hiding in this morass of foolishness, and that has to do with how I find myself approaching the afternoon co-writing session.
The afternoon co-writing session is great. (I may have mentioned.) It may in fact be a write-saver. For as long as I've separated my writing day into the Morning Shift and the Afternoon Shift, I've found it extremely difficult to come off of lunch break and get started on the Afternoon Shift. Knowing that I damn well have to get started right at 2:00 PM because that's when the co-writing session starts--that's been fantastic motivation.
But today, while I was considering the day's schedule, I found myself reasoning thusly: "Oh, dear. Once again I'll be pulling my first shift of the day during afternoon co-writing. When it's my turn to share with the group what I'm working on, do I really want to say, 'freewriting and fictionette' again? Maybe I should reverse the order of operations. It'll sound a lot more impressive to say 'I'm working on a brand new poem which I think I'll be able to submit tonight.'"
Now, there are valid reasons to reverse my usual order of operations. But wanting to sound more impressive to my co-writing colleagues isn't one of them.
(This, by the way, would be reason #375 that Morning Pages are good for me. I'm more likely to catch my really specious reasoning and correct it if I take the time to consciously discover it lurking in my brain.)
So, yeah. This failure to get out of bed on time is a problem. I have some ideas out of which I might cobble a solution, but those will be the subject of a different blog post.
A different blog post also full of whining.
You have been warned.
not too proud to need to hack my own brain
I actually feel good about posting to the actually writing blog today, because today I actually wrote. I got stuff done! I submitted a whole bunch of things! I wrote a whole bunch of words! I wrote down this morning's dreams, which were 1500 words of detail right there. I hit every item on today's timesheet, and that's not an everyday occurrence! ("It's OK, to-do lists are aspirational" is my latest affirmation.)
On top of all the good writing stuff that went on today, John and I succeeded in finishing off Holland's bi-monthly "bunny tune-up" checklist (which is not aspirational but obligatory). This involved John holding him while I cleaned out his scent folds, and, I tell you what, Holland is not nearly as cooperative as the bunny in this instructional video. Holland bore a bit of a grudge for, like, a whole hour, but after that he was back to bounding around the living room and nudging my ankle for treats.
I'm almost feeling too good. I'm a little suspicious of the feeling. So how about I sabotage it by making a shameful confession? Yeah, that sounds about right.
Well, OK, let's put this a bit more positively. Since I'm feeling so good, I've got a bit of resilience stored up, so now's a good time to confess to something that would normally make me feel a little ashamed of myself. Irrationally, I will add. Without provocation. But it's so easy to get down on oneself about so many things that, when you really get right down to it, don't matter in the least. Right, writers? Y'all know what I'm talking about here. But I've stored up a lot of Good Feels today, so let's reveal some of the shameful underbelly of the beast we call Niki's Process.
First, though, let's provide some context. As a writer, I live or die--well, write or don't write--by my mind-hacks. That's enough of a confession right there. As a Baby Writer, I heard enough Wise Elders proclaiming that if you need mind-hacks, you are obviously not a "real" writer. Real writers write because they just! can't! not! If it's ever hard to get started, if you ever find yourself in the throes of avoidance or so-called writer's block, such that you need to trick yourself to get the writing done--well, the Wise Elders said, that's a sign you should give up and go do something easier, like web programming or accountancy.
Thankfully, I've gotten very good at calling bullshit on that particular bit of gatekeeping nonsense. I suspect such Wise Elders as being akin to that Twitter Pundit who tweeted (and then de-tweeted) the following crock-o-feces: "HARSH WRITING ADVICE: Your writer friends are also your competition. Sorry." I'm happy to say that a bunch of my writer acquaintances, colleagues, and, yes, friends, pounced on this ill-informed bit of hogwash and turned it into fun and games, and also actual good advice.
Point is, I think it must be the sort of writer who sees other writers as primarily their competition who also thinks it must be a good thing to expose Baby Writers in their infancy. Y'know, so as to have fewer writers competing with them for eyeballs and dollars.
So! It is therefore decided: Mind-hacks are fine. Whatever it takes to get you writing and, hopefully, feeling good about yourself, hey, an it harm none, do what ye will.
Mur Lafferty talks about mind-hacks in her podcast I Should Be Writing. In Season 17, Episode 13, around about timestamp 7:25, she warms to the subject...
"There are lots and lots of tricks that you can do to fool your head into thinking it's enjoying itself.... The thing I'm learning about habits, and making new habits that you may not want to do, is, attach it to something you do like."
Which is great advice. She talks about eating an M&M candy for every 200 words, or how one of her listeners might use a visit to their horse as incentive to get some edits done. Heck, I did a thing today that's right along those lines--I got myself and my squad of Pikmin poised to descend to the next level of Hole of Heroes that I hadn't visited yet, then hit pause, telling myself, "You get to continue after you've done your freewriting and your Friday Fictionette work for the day." And so I did!
But there's another "attach it to something you do like" trick I do, darn near daily, which feels less defensible. I, er...
...I use Rewarded Play to earn Barnes & Nobles gift cards. And I use that as an incentive to do my Morning Pages.
Argh. It's so stupid! Just when I get less cringey about admitting that I do Morning Pages (from reading too many Wise Elder Writers poo-poo'ing The Artist's Way as so much woo, I suppose), now I get to confess that I have a hard time making myself do them sometimes (at which confession the Wise Elders pounce: "A-ha, that's because you know deep down that it's a stupid waste of time!" No, you jerk, it's because Morning Pages force me to confront the contents of my brain, and my brain is not always a happy place), and that I get around this by indulging in a petty exercise of "Yay I got free stuff I could have just paid for because it's not like we're not well-off enough to buy books."
I suppose it's not that weird. Some people like gambling in casinos; I like doing stupid clicky things to earn gift cards. I have a Swagbucks account, too. It's a meta-game, OK? It is possible this is an offshoot of the benign family tradition of Ha Ha I'm Clever I Got Away With Something. I don't know. But then you add Rewarded Play's daily streak bonus, and BOOM, you're just playing into my obsessive completist side that begins instinctively to treat making the daily 5K points as an obligation. Like, gotta do my Morning Pages, gotta do my freewriting, gotta make 5,000 points on Rewarded Play.
So at some point I got into the habit of running the app during Morning Pages. I start up one of the rewarded apps, set the timer on my flip-phone for 4 minutes, then scribble in my notebook until the timer goes off. Pause the scribbling. Close the app. Confirm that Rewarded Play awarded me my daily usage points. Then start the next app up and another 4-minute timer.
Lather, rinse, repeat until three pages of longhand scribbling are done.
The whole process sort of soothes that one particular set of brain weasels that's like MUST! ALWAYS! BE! MULTITASKING! Which, fair. Four minutes multiplied by twenty-three apps equals a lot of time; if I can get some of it done at the same as another must-do-daily thing, well, cool! And despite it being such a mechanical, brainless, non-essential task, it still results in a vague sense of accomplishment...
Which could be dangerous, actually. Non-essential playtime tasks that result in a sense of accomplishment run a real risk of checking off the mental "I got stuff done today!" to-do list. Like little cuckoo nestlings, they can eat up all the sense of urgency and obligation that ought to have pushed me to do my writing. But that's the other good reason for attaching fun things to the (hopefully also fun but not always) writing things. If I don't do the playtime thing before the writing thing, then I don't risk getting my daily done of sense-o-accomplishment exclusively off the playtime things.
So I wake up, and I don't wanna get out of bed, and I definitely don't wanna do Morning Pages. "But if you start Morning Pages, you get to start the Rewarded Play daily usage points too," Smart Me wheedles. "Also, you get your cup of tea. You want that cup of tea, don't you?"
Lazy Me allows as how yes, now that Smart Me mentions it, a cup of tea sounds very, very nice right now. A cup of tea might even make up for this whole worthless getting out of bed shinola.
"Splendid," says Smart Me. "Let's get to it."
And so we do.
stealth foodie blog strikes again: mardi gras edition
Welp, all that crowing about the Zoom co-writing structure-and-motivation for the day, and what happens? I utterly fail this week to 1. get to bed on time, 2. get up on time, 3. make the morning co-writing session. Alas! Counterpoint: A. "This week" refers to two whole days, let's not panic here; B. I've still gotten a metric ton of stuff done, because after the afternoon co-writing session ends there's still a lot of afternoon and evening left. So it's all cool.
But that is not what I came to blog about. I came to blog about winning at dinner. Yes, again. I get very excited about this sort of thing. This is nominally a blog about actually writing, but it is also a stealth foodie blog. (You're welcome.)
A friend of mine tweeted approvingly about this recipe here, Caramelized Shallot Pasta, and I got all interested. I mean, I like anchovies. I like pasta. I like absolutely everything about what I see here. Let's try it.
What follows are step-by-step instructions to wind up with precisely, or more or less, what I wound up with for dinner on Lundi Gras (and lots of leftovers for Mardi Gras).
One. About three business days before you want to do this, maybe five days if catastrophic winter storms are forecast for the weekend, order you a 3-pack of crawfish bread. Yes, it's expensive, but if you can budget for it once a year, I say go for it. Mardi Gras is a great time of year for this, but so is your birthday, or in fact any of your 364 unbirthdays. (Obviously you should only do this if crawfish, cheese, and bread of the gluten variety are things you eat. And if you like spicy things. This is a spicy thing.)
Two. About two and a half hours before you want to eat, start you thawing a loaf of the crawfish bread, if crawfish bread you are doing. I only allowed two hours, and it wasn't quite enough. Also, start defrosting a pound of boneless chicken breasts.
Three. Go get that pasta recipe and follow Steps 1 through 3, ending with the bit where you squirrel away half of the resulting paste for future enjoyment. I did not use a dutch oven, but rather my largest cast-iron pan. That turned out to be pretty much ideal.
Around now is a good time to preheat the oven to 350 F.
Four. This is where the multitasking starts. I got the pasta started in the usual stainless steel pot on the front burner on the left. I returned the cast-iron pan to the front burner on the right, removed the anchovy-shallot-tomato paste to a plate (to which I added another big teaspoon of hot pepper flakes because YOLO), and started the now empty-ish pan going over medium-high. Into the goodness remaining from the pan's previous activities I tossed two diced tomatoes as a sort of deglazing agent and also the chicken breasts. Salt and pepper on the chicken breasts to your taste; if you're me, that's a few twists on a salt grinder and about a tablespoon of black peppercorns rough-ground in a mortar and pestle. Pan fry the chicken until it is almost but not quite done through, slicing it up into strips whenever convenient.
Somewhere around here is when you shove the crawfish bread into the oven.
Five. Pick up again with Step 4 of the pasta recipe: Add the cup of pasta water, the very al dente pasta, and the anchovy-shallot-tomato paste to chicken and tomatoes in the pan, and let 'em thicken and coat just like the directions say. The chicken will finish cooking during this stage; so will the pasta. Follow through with Step 5 and the garlic-parsley mixture. By the time all this is done, the crawfish bread should also be fully heated, though you may still have to wait for it to cool a few minutes so you're not slicing into lava.
Plate it all up, optionally serving with a bottle of Abita's Mardi Gras Bock or other favorite carbonated beverage. Either resist the urge to have seconds or resign yourself to groaning and gently rolling uselessly around the house for the rest of the night.
And that is the process that led to this picture I tweeted. You're welcome!
virtual external systems of structure and accountability
My social life is entirely on Zoom. Increasingly, my working life, too. It's not a bad thing, honestly.
I just got finished about an hour ago with the Boulder County Bombers Thursday night Zoom workout. Sometimes skaters will bring their own workout to share, other times they'll find an official video from this or that trainer. Either way, we get to see each other and sweat together and turn our bodies into wet noodles of exhaustion with only each other as witnesses. Tonight, we ventured way back to 2009, the very early days of the modern roller derby era for Roller Derby Workout with The Heart Attacks (link goes to YouTube trailer, which contains an outdated link; try this Etsy page instead).
It was... very dated. A lot more Jazzercize than punk. Not a tattoo to be seen, nor much variation in body type or skin color. The patter assumes only she/her pronouns in the audience, and yet the camera angles demonstrate a dedication to the hetero male gaze. Like, yep, that sure is a close-up of a woman's buttocks in very short shorts, isn't it? And not really in a "Check out how strong and toned your bum can be!" way, either. (Maybe it was actually meant for the queer female gaze on the sly? Maybe that was how they got queerness past the censors, so to speak.)
But at the same time, it was a damn good workout. It was a roller derby workout, targeting all the roller derby muscle groups. Lots of core, abs, hams, quads, glutes. Lots of squats, leg-lifts, and derby stance. Lots of "I don't think I could have held a one-legged squat this long during the height of my derby career, let alone one year into the pandemic!" moments. I may just order a copy of that DVD for my own library so I can memorize the exercises for the next time I get to lead a Phase 1 class.
So that was tonight's workout. Now I am recovering in a hot bath with a beer and a bowl of chole, the spicy garbanzo dish included in this fantastic cooking presentation. And I'm writing this blog post, because writing in the bath is what I do, some evenings.
Usually I'm writing at the desk in the second bedroom, which we've kitted out into an office. And more and more lately I'm writing during Zoom co-writing sessions.
It turns out, I really need structure in my day in order to have any kind of time management. Best is if I can replicate the routine of Going To Work. For a little while, years ago, I had a membership to a co-working space in downtown Boulder so that I had to Go To The Office. But it turned out I had little to no tolerance for other people in my workspace. I couldn't tune out conversations and other people's music, not even if I used headphones. So I went back to slouching across the house over to the home office instead. And I can make that work, but it's difficult to force myself to adhere to a schedule when it seems like it hardly matters if I don't.
Then, not long ago--maybe a little before the pandemic? I think?--I discovered Cat Rambo's Patreon; and from there, their Discord community; and from there, their Zoom co-writing sessions. These are great. Everyone says hi, shares a little about what they're working on, then mutes their microphones and works for 30 minutes. At the end of 30 minutes, everyone says how they're coming along, and then they go right back to it. In all, it's three 30-minute sessions dedicated to whatever on your agenda needs it, helped along by a little mutual accountability and leavened with a touch of socializing.
That. That there. That is my Office. On an ideal day, I will wake up in time to do my morning pages, then have breakfast and do all the morning routines, then log onto the morning co-writing session for 9:30 AM Mountain Time. It ends around 11:15 or so. I take a lunch break, do some household chores, maybe do a little cross-stitching by the sunny south-facing window or play video games. There's another co-writing session at 2:00 PM Mountain Time, and by the time that ends, the majority of my work for the day is done! It's magical.
And then, on Sunday afternoons, SFWA hosts a co-writing session too! This is something that started with their online Nebula Conference last year and just continued. Each week a different author or editor hosts. It follows a similar pattern to Rambo's sessions, but the break-time check-in and socializing between their two 45-minute work periods happens in Zoom break-out rooms, in groups of five or six people. Sunday afternoon SFWA writing dates were how four out of five of my Weekend Warrior stories got written. (The one where I missed the writing date was just harder, that's all.)
So that is my current time management plan. I've found an external system of structure and accountability, and it's great. It's not going to be everyone's deal--everyone's process is different, and no one's wrong so long as the writing gets writ--but if it sounds like something that might help you, then you can...
- Join Cat Rambo's Patreon at any tier
- Register for the virtual 2020 Nebula Conference and enjoy all its year-round programming
And those are my current thoughts on time management.
i get interviewed, then i get sappy
- 14 words (if poetry, lines) long
In these weeks since Departure Mirror Quarterly Issue 2 went live, they've been publishing a series of Author Spotlight features on their website, focusing on the contributors to that issue. Mine just went up today!
In it, among other things, I reveal a little of how "Reasonable Accommodations" came to be written. I tell probably the briefest version ever of my How I Fell In Love With Roller Derby story. I also give a shout-out to the two teachers who gave me an early education in how freelance writing and publishing works. I didn't name them in the Author Spotlight, probably because I was trying to be brief, but those two wonderful humans are Betsy Petersen and Chet Day. I gave them a shout-out also, nearly ten years ago, in the blog-up to the announcement of my very first pro sale. I really do owe them so much.
I had the pleasure of running into Ms. Petersen on campus, during Alumni Weekend, on the occasion of my high school class's 25-year reunion. (And here I'll pause to acknowledge how very, very lucky the class of 1994 was. If we had been the class of 1995, we couldn't have had our reunion--or worse, we'd have probably gone ahead with it anyway, and become another superspreader statistic.) We watched the high school play together, a performance of Mamma Mia! starring some of her current students, and I got to tell her during the intermission about my recent publications and successes. I felt like such a kid, so needy to show my teacher how I'd done good with what she taught me! I get like that a little around my first roller derby trainers too. Look how good I can skate backwards, y'all! Look how bravely I can do a turn-around toe-stop these days! And without falling down and smashing my face anymore!
Anyway, I hope you enjoy my Author Spotlight interview at Departure Mirror Quarterly. And if you haven't read Issue 2 yet, go download yourself a free ebook copy! Lots of great stuff in there.
It occurs to me that I entirely forgot to promote my blog in that interview. I did mention the Friday Fictionettes Project, and I'm going to mention it here too because finally all the December releases are out. (Jan 1 is out, too, and Jan 8 will probably go up Friday.) So it's time for a Friday Fictionette Round-up:
- December 4, 2020: "Hostage" (ebook, audio) In which extraterrestrial ex-boyfriends are the worst.
- December 11, 2020: "Always Make Sure to Put Your Toys Away" (ebook, audio) In which things don't always stay put in the place you left them.
- December 18, 2020: "Culture Clash" (ebook, audio) In which human social taboos are incomprehensible and also toxic to visitors.
- December 25, 2020: "Good Intentions" (ebook, audio) In which it is, once again, a thoroughly bad idea to try to change history. This is the Fictionette Freebie for December 2020!
My big idea to catch up to schedule is to try to release two fictionettes a week. This has not happened. I am still about four weeks behind. I can get one release completed over three or four days, but then I find it weirdly hard to get any writing done Friday through Sunday. I'll be getting my Sundays back, though, having written this past weekend my fifth and final contest entry story for Weekend Warrior (see previous). Maybe that'll help. Maybe I'll be smart and use the time I had been using for Weekend Warrior stories, for Friday Fictionette production. Maybe!
Tomorrow (assuming I get to blogging tomorrow) - I have thoughts on structure and time management! They aren't brilliant! Also I cooked a thing! Aren't you just in all the suspense? Stay tuned.
my online writing community is the best online writing community, fight me
Today had a smaller wonkiness quotient, so let's talk about why Codex is the greatest and its contests are the bestest.
Only sorta kidding. But to put it in less superlative tones: Codex is an online community for semi-pro writers, primarily in the speculative genres (see the New Member Qualifications on the linked page to see what that means). I joined shortly after making my first pro sale in 2010. To be very precise, I joined shortly after the convention at which editor Ellen Datlow hosted a reading from that anthology, in which I participated. I spent a large part of the train ride home in the lounge car chatting deep into the night with other author attendees who urged me to join Codex. And so I did.
Since then, Codex has been the biggest single boost to my writing career. Or, rather, it has represented multiple boosts. It's been a motivator, a networking outlet, an industry information warehouse, and just an all-around uplifting experience. I'm in a "face-to-face" critique group (over Zoom) because of Codex. I've found out about markets I might not have otherwise because of Codex. I've found out important things about the markets I might or might not submit to because of Codex.
And I've written a lot more than I might have otherwise because of Codex's contests.
Right now we are in week 3 of an annual flash fiction contest called Weekend Warrior. The conceit is simple. Friday afternoon, writing prompts go up. Sunday at midnight, the story you wrote inspired by one or more of those prompts is due. It must be 750 words or less. Until the next Friday afternoon--when the cycle starts over again--everyone reads each other's (anonymous) contest stories, gives each story a mini-critique (optional), and assigns each story a score from 1 to 10 (essential). It's super fun when your story scores high, but scoring isn't the real point. The point is, you wrote five new stories! And got them mini-critiqued! And now you can go revise them and start sending them out to paying markets!
Another benefit of the contest is having to read and critique some twenty tiny stories every week. I stress about it, because that's a lot to add to my weekly task list, but I really do benefit from it. Having to focus in and clearly identify what works for me and what doesn't helps me in turn to write stories that work well more often than they don't. And reading other peoples' comments directs my attention to aspects of those stories I might not otherwise have noticed.
I am doing unusually well in time management this week, yesterday's wonkiness notwithstanding. I've divided up my reading assignment into four parts, one of which I read per day. I'll be hitting the third batch tonight after this post goes up, and the fourth tomorrow afternoon after I get home from my BFR shift. I've feeling very proud of myself because of this. I can't tell you how many times I've done the whole lot in a panic during the last two hours on Friday, and then guilty about it. In my rush, I probably failed to read as closely as my fellow participants deserve. Better time-management this week means I can be so much more careful and deliberate and thoughtful about my reading--and that benefits everyone.
I am also very proud of the story I submitted for this week's consideration. I'm looking forward to what everyone else had to say about it.
I have a whole bunch of stories in my To-Be-Revised queue already, and they will stay there, untouched, because I'm not allowed to get started on them until I'm caught up on the Friday Fictionette project. (I'm sort of participating in three Weekend Warrior contests simultaneously. There's the one story I write for the actual contest, and then theoretically there's two Friday Fictionettes I'm writing a week in order to get caught up. Argh.) And yet I'm looking forward to adding five new stories to the revision queue. Well, really what I'm looking forward to is sending them out to play in various slush piles, and revision is just something that's got to happen along the way. Except I'm genuinely looking forward to getting these stories right.
So that's why Codex is the greatest and Codex contests are the bestest. Thank you for coming to my Ted Talk.
i did the thing
- 1,109 words (if poetry, lines) long
OK so it's TOMORROW and I did upload the Friday Fictionette that was originally scheduled for December 18. Hooray! And I got some preliminary babble down concerning the one for December 25. So that's good.
Now, I had planned to use today's blogging time to tell you all about this fantastic flash fiction contest I'm participating in this month, but it turns out today got long and wonky and I'm a very tired person. So let's regroup back here the next time we get a tomorrow, and I'll blog about the flash fiction contest then. Probably.