“A novel is something that stands at the end of a lengthy process called writing.”
Victoria Nelson

author: Nicole J. LeBoeuf

actually writing blog

Day 18: So Who's the Support Spouse Again?
Thu 2010-11-18 23:41:01 (in context)
  • 34,526 words (if poetry, lines) long

It's not quite U.S. Thanksgiving yet, but I'll count my blessings.

John started his new job this week. The company he works for is starting up a brand-new Denver-based group to work on a brand-new project, so they need a brand-new office. They do not yet have this office. They spent the first three days of the week meeting in a conference room at a hotel in Louisville where the folks flying in from L.A. were staying.

Last night apparently the team all got told, "Sorry, still no office. Take your company-issued laptops and work from home for the rest of the week."

So I got to spend pretty much all day sharing "office space" with my husband. And by "office space" I mean the Parkway Cafe this morning over a long breakfast and Red Rock Coffeehouse over a very long afternoon. He spent it on IM with co-workers, working on building their brand-new code base. I spent it blogging and noveling and programing personal PHP/MySQL projects. Eventually other Wrimos joined me at Red Rock. We did three 15-minute word-sprints, over the course of which I got some 1670 more words of rough draft into the word processor, and we talked about how our novels were going. I posted to the forum that "the Red Rock group is here, ready for word wars! There are three of us and a support spouse." After a moment I looked over at John, hard at work in about five different application windows, and amended that aloud: "I couldn't tell you which of us is the support spouse, actually. We're sort of reciprocal like that."

It's been a really nice day. Tomorrow looks to be equally nice.

Really nice days like today ought to happen more often.

"Wait. Montrose. Is he--"

"Oh, he's alive. So's the thug. Won't be too long before they come around, so let's get out of here."

I start walking, but she doesn't move, so I accidentally wrench my hand free of hers as she stands there staring at her erstwhile captors. "Kill him," Lia says. Her teeth make that grinding noise I remember from our first afternoon together. "I want that bastard dead."

I study her face; what I see there makes me slightly ill. "That's not why I came," I tell her.

"If you don't kill him, I will."

"No." But she turns, takes a step toward the unconscious bodies. The state she's in, I truly believe she might kick Pa Montrose to death with those ridiculously spray-painted sneakers. I grab her arm, yank her toward me hard enough to make her cry out. "I said no."

She gives a long shriek like I've never heard come out of her before--and if that doesn't bring the rest of this hornet's nest down on top of us, I don't know what will--but the vengeful obsession seems to leave her with the sound. The next thing out of her mouth is a petulant whine: "Well, why not?" I'll take petulant over obsessed any day. "Why that poor security guard, then? He wasn't your target either. Why kill him but spare this piece of shit?"

"Because I had no choice. I had to be in that building for an hour or more. He'd have woken up and called the whole police station down on me." It bothers me still. There'd been a photo next to the parking lot cam monitor: a small boy laughing in a spray of rain. "I don't kill where I don't have to. And I don't have to kill him. He's an asshole, but he's not why I came."

"Then why--" She turns a pleading look on me. "Why did you come?"

I tell her the truth. "I came for you, Lia." Well, I think, and the words are lapis blue, but not the whole truth.