One Story, Two People
2600 words long
The one about the "magic walkie-talkie pens".
in which i help you catch me in reruns
Heyyyy! Two blog posts in two days--spiffy. And I'm doing this even though I'm already over my five hours of writing and writing-related tasks for the day, and 4thewords.com is telling me that I've surpassed 8,000 words. It's cool. Like I said yesterday, shit-ton of overdue things. On which I am making progress. Which takes time. So.
One of the overdue things is telling you about my recent appearance on The Story Hour! That happened on May 5. I didn't manage to get a blog post out to let y'all know (other than the heads-up wayyyyyy back in January announcing that it was going to happen), but I did holler about it on Facebook and Twitter, so I didn't neglect my own PR entirely.
Anyway, when I volunteered for it back in January, I decided on which stories I was going to read--mostly based on their adding up quite neatly to no more than 30 minutes--and sat back and waited for the calendar to cycle. I'd chosen two stories, one short ("One Story, Two People"), and one very short ("The Soup Witch's Funeral Dinner"), and, knowing that they were both tear-jerkers, I intended to practice a lot in hopes of inuring myself somewhat to the feels. And then suddenly it was April 30 and I hadn't practiced hardly at all, and, well, panic.
I did manage to sneak a little practice in during that last week, and a good thing too, because in addition to the danger of crying over my own fiction, there were also voicing challenges. I'm pretty OK at giving characters distinct voices, but in "One Story, Two People" the two titular people appear at every stage of their lives from ten-year-old children to women in their 60s. So each of their voices, in addition to being distinct from each other, needs to sort of age as the story progresses. I'd love to hear what a real trained narrator could do with that story. I did my best.
And I only cried a little at the very, very end. So I guess that little bit of practice paid off.
ANYWAY. If you missed the reading live, you can go back any old time you've got an hour to spare and watch the video on Facebook. (No Facebook account necessary to view it.) I read during the second half-hour. But don't skip ahead--Lora Gray reads during the first half-hour, and you do not want to miss that. The three stories they chose to share were amazing and wonderful, full of family and transformation and identity and power both overt and quiet, lots of heart, unexpected gentleness, and rich detail you can lose yourself in. I do hope you check them out and become as much of a fan of their writing as I have.
And I hope you consider becoming a Story Hour regular, like I have. I started listening earlier in the year, feeling that if I was going to be a featured artist, I should also be a regular audience member. Karaoke and open mike etiquette, right? Be the audience you want to see. And now The Story Hour has become an integral part of my Wednesday nights. Sometimes I'll work on a hands-on project while I listen--Postcards to Voters tonight, cross-stitch or crochet or knitting other nights, and, hey, maybe I should spin, when did I last pull out the spinning wheel?--and sometimes I'll just kick back with a drink and a handful of treats in case Holland drops by. It's just such a nice way to end the evening.
And now the evening is indeed ended, more or less--and I need to sneak in some of my PT exercises before bed. Off I go!
what all of mine got published in hell year
- 22 words (if poetry, lines) long
- 34 words (if poetry, lines) long
- 100 words (if poetry, lines) long
Just a short note today, because my day started late and went slowly and now I'm tired. But there is Actually Writing content, so yay for that.
Way back in April, I woot-wooted over having a poem newly accepted: "The Ascent of Inanna", originally a short-short then reimagined as a 22-line poem, was purchased by Dreams & Nightmares for publication in Issue 116, then-upcoming in September 2020. I am happy to report that my contributor's copy reached me safely despite this year's postal wonkiness, and it has been added to my Happy Shelf. While I wish I could just give you a link you could click to go read the poem (and the rest of the issue), there's something kinda fantastic, in an old-school way, about having a copy I can hold with pages I can riffle through. (Exceedingly affordable copies are available for purchase from the editor at the link above.)
Captain Holland, of course, has demonstrated a predilection for chewing on things made of paper. To keep the production of the above photo tragedy-free, I put my copy of the magazine inside the clear-sleeve front cover of a three-ring binder.
I am reminded by my colleagues on Twitter that it's time to make Awards Eligible posts. That is, to list all the things I had published this year, so that you can go read them and, if you wish, nominate them for awards. The very thought makes all the brain-weasels in my addled pate rear up and holler, "Who the hell do you think you are, suggesting that people nominate your drivel for awards? The nerve! The effrontery! The very idea! Hmph." So, OK, here is a list of things I had published this year, so that you can go read them. If you wish. The end. OK? *Nervously glances at brain-weasels* OK. (And I'm only including the word and/or line count to give you an idea of how much of a time investment reading each involves.)
"The Rarest of Prey" in Daily Science Fiction (102 words)
"One Story, Two People" in Community of Magic Pens, print anthology, Atthis Arts (2600 words)
"The Mardi Gras Tree" in Eternal Haunted Summer (34 lines)
"The Ascent of Inanna" in Dreams & Nightmares, print journal, see above (22 lines)
"The Soup Witch's Funeral Dinner" in ep. 431 of Cast of Wonders (980 words)
I do not think that reprints are award-eligible. But this is not an Awards Eligible list. It is a list of stuff I had published in 2020, that's all. So "Soup Witch" belongs on that list.
So now I have fulfilled my promise to blog about Actually Writing "tomorrow" and thus may go to bed with a clear conscience. Huzzah! (There'll be more in days to come, of course; this was all I had the oomph for posting tonight.)
look ma i'm in a storybundle
Hope can find its origin in friendship, whether on an alien planet or a New York street corner. It can come from writing, in a myriad shades as multi-colored as the ink in which it's inscribed. It glitters at the bottom of Pandora's box, waiting to escape. Waiting to provide comfort and lightand renewed vigor for the fight.
So this is a bundle centered on hope with a touch of glitter, rather than grit, and I hope you enjoy reading these stories as much as I did.
Of course the bundle contains Cat's rambunctious Nebula-Awarded novelette Carpe Glitter. which I think is a fine example of hope in both the glitter and the grit flavors. It contains a lot of other stuff I haven't read yet and am really looking forward to reading. I'm told that The Traveling Triple-C Incorporeal Circus by Alanna McFall is a wild ride. And I'm eager to explore M. Darusha Wehm's take on generation ship science fiction.
Included also in that bundle is the anthology Community of Magic Pens, which you'll remember contains my short story "One Story, Two People." BABY'S FIRST STORYBUNDLE INCLUSION! I did not know that was on my bucket list, but there it is, and now I can check it off.
If you're new to the whole StoryBundle thing, here's your briefing: You pay what you want (minimum $5) and you get a bunch of ebooks. If you pay more than a particular threshold amount (in this case, $15), you get a bunch more ebooks (the ones marked BONUS). You get to decide how much of your payment goes to StoryBundle.com (so they can keep offering amazing book collections) and how much goes directly to the authors (so they can keep writing/publishing amazing books). You can also choose to have a percentage of your payment go to non-profit charities that StoryBundle supports (at this time, that would be Girls Write Now).
This is an especially important time to support independent publishers, many of whom lost their most important retail opportunities to the COVID-19 pandemic. I know that Atthis Arts, the publisher behind not only Community of Magic Pens but also the two Diamondsong books and Traveling Triple-C, have been hurting bad and are facing uncertainty as to whether they will exist this time next year. Any income this StoryBundle sends their way can only help.
So I'd encourage you to chip in a fiver or more. You'll get lots of good reading and also that warm fuzzy feeling of having created extra hope in the world (with a side of glitter).
(Full disclosure, in case you're wondering: no, I don't stand to make any money off this. The anthology contract was for up-front payment only, not royalties, so I've already earned what I'm going to from the sale of first rights. I mean, yes, of course, I'd love it if more people read my story and said to themselves, "Gosh, that LeBoeuf gal writes a good read; where can I find more?" But mainly I just want to see this bundle do well so that the publishers and authors who do stand to earn a little extra income thereby get to do so.)
So with that, I am off to take my own advice!
bunny population increases by two and book population by one
Guess what today is? It's BOOK RELEASE day! Community of Magic Pens is out, and I have copies of my very own. See? I mean, yes, of course, I already had the ebook edition downloaded, and that was lovely, but there's nothing quite like the reality of a physical paperback, holding it in my hand, flipping to page 209 to see my story in print! Right there! On paper! That has that new book smell and everything!
It is a gorgeous object, this book. It's just perfect for reading. And it would look very nice on your bookshelf. You should totally go order yourself a copy. (Maybe two or three. They make excellent gifts.)
Now, you might notice that there's a bunny posing alongside that book in the photo. Two bunnies, actually, but Holland will insist on hiding behind Gemma and making himself hard to see. He's still a little wary of me since I had to give them both medicine over the weekend. Gemma, on the other hand, will come right up to the crate bars just in case I've got a treat for her. All is forgiven, so long as I bring her a treat.
These two came home with us last week from the Colorado House Rabbit Society. We are "overnighting" them. I put scare-quotes around the word because it's not going to be just a few nights, or even a few weeks. We don't know how long it's going to be. In light of the current RHDV2 outbreak in the southwest US, COHRS is taking active measures to protect their herd of 130 rabbits waiting for adoption. They are dispersing them among their volunteers, so that should any of their bunnies tragically contract the disease, only one other bunny, rather than 129, will be at risk of catching it from them.
So we have furry house-guests until a vaccine becomes available (which it might never--one exists, but getting hold of it involves a lot of money and bureaucracy and at least one confirmed case in a domestic rabbit in the state), or until the risk of infection has passed (no sooner than three months after the last confirmed case in the area, I guess? The virus can survive a long time without a host), or until Gemma and Holland get adopted permanently (which can't happen during the COVID-19 pandemic), or... well, I don't know. We have furry house-guests for the foreseeable future. That's all we know for sure.
On the one hand, there's a certain amount of work involved. You know how it is with pets. Care and feeding and cleaning and love and attention and so forth. On the other hand, there's a lot of joy involved too. Also laughter. Bunnies are hilarious. I just watched Holland pick up his jingle toy, fling it across the crate, then go pick it up and fling it back, repeatedly, for about five minutes. His other favorite game is "Get the stupid oversized apes to chase me." He will play that game around and around the sofa for as long as the stupid oversized apes are willing to play along. Gemma is quieter but more trusting. She's getting very good at practicing "pick up!" with me. Then I'll set her down in my lap, and she will consent to sit there for a few minutes and even tolerate my combing her a little. This, when she hasn't even been here a week yet! It is magical.
It's amazing how much they relieve the solitude of shelter-in-place. I know John is smiling and laughing a lot more since they came home. And while I still seem to thrive more than not in this pandemic-induced isolation, I'm finding it unexpectedly delightful to have additional beings in my face-to-face physical space to interact with.
Between the bunnies coming home last week, the water falling from the ceiling, the domino effect of no sleep one night leading to no work the next day leading to no sleep as I try to catch on the work the next night, and of course some new issues to troubleshoot on my computer because of course there had to be (its replaced hardware is working fine, but now the speakers and microphone have developed a lot of snap-crackle-pop static and the webcam flickers badly)... last week was more or less a loss. I'm still trying to finish the Friday Fictionette for May 1. I made good progress on it this morning, though, so I feel confident saying it'll go up on Patreon either tonight or tomorrow. After that, I'll release the April 2020 Fictionette Freebie and tell you all about it.
Until then! Now, if you'll excuse me, I have to go give the bunnies their afternoon salad. And also another treat.
physically distant but not socially
The pandemic with its attendant Stay-at-Home/Shelter-in-Place orders--and yes, my residence has received separate orders from the City of Boulder, Boulder County, and now the State of Colorado over the course of three days--has, oddly enough, made what I do more social, not less. Writers are reaching out to each other in a conscious effort to stay connected in the face of quarantine and isolation, canceled conventions, and more.
Me, I've been attending Cat Rambo's co-writing sessions.
Cat Rambo is an author, a writing teacher, and a member and former president of SFWA. Their novelette Carpe Glitter is a Nebula finalist this year--SFWA members, vote now! Don't wait! The voting period ends March 31! And their Patreon is here.
They've been hosting co-writing sessions open to Patrons supporting them from the $1/month tier on up. (That tier also gets you access to her Discord server, which is a seriously good community for these troubled times, or any time at all.) They've been doing it for a while now, once a week Wednesday mornings, but I only discovered the joy of these co-writing sessions for myself a few weeks ago. When the social distancing measures began to be recommended and the stay-at-home orders came down, they'd already begun hosting a weekend session. Now the schedule's up to darn near daily.
So what's a co-writing session? It's a virtual write-in, basically. Just before time, Cat posts a link to her Patreon and to Discord, which participants use to join their Zoom room. That's video-conferencing software--it downloads and installs itself the first time you use it--but you don't strictly need a web cam to participate. You don't even need a working microphone; there's a chat bar. Sessions will run about an hour and a half. At the beginning of each half-hour, participants introduce themselves and tell the group what they're working on. Then everyone mutes their microphones and gets to work. At the end of the half hour, everyone shares how they're doing. Then lather, rinse, repeat, until it's time to say goodbye.
I cannot begin to tell you what a boon this has been for my workday. Well. I can begin, anyway. When I have an unscheduled day ahead of me, no appointments, no out-of-the-house obligations, nothing on my agenda but writing, I typically... don't, at least not as much as I should. It's so easy to put off getting started. Then once I've completed a task--say, a 25-minute session of freewriting to a prompt--it's so easy to let my 5-minute break become a 10-minute break become a couple hours. Next thing I know, I'm out of time. But these co-writing sessions have increased my accountability to a schedule. If the schedule says Wednesday 8:30 to 10:00 Pacific, I've got to be at my computer and ready to work by 9:30 Mountain. When the half-hour ends, a new one's coming right up, so I have to get right back to work if I want to stay in sync with the group. If I've told them that I'm going to draft this week's Friday Fictionette, I'm not going to futz about in dread and avoidance for the next half hour--however could I show my face at next check-in if I did? And if, as very very rarely happens, Cat hosts two of these in a day (just once, that I know of, and only because of a scheduling snafu), why, I'm going to make darn sure I'm ready to begin my afternoon shift in time for the afternoon session!
I'm not joining in on these every day. But the days I do only reinforce the habit of timely and purposeful work. I've made my aspirational five hours per day more days than not, of late...
...and it's still not enough! I have so much I still didn't get to today! It's maddening! So I have to figure out which part of tomorrow's regularly scheduled routine daily tasks get bumped for the extra-special one-time assignments. Gah. Life!
But that is, as we say, a dilemma devoutly to be wished-for. I mean, I'm going to have this week's Friday Fictionette uploaded a whole day early! For the first time since I started this dang project (in August 2014!), I will have a buffer. A buffer of one single day, mind you, but that's how it starts. Also this month has seen several new poems written and two pieces of flash fiction made ready to submit to paying markets. PRODUCTIVITY! It isn't the be-all end all, but it feels pretty damn good.
Anthology News Recap!
Remember that tomorrow, March 26, Atthis Arts, publisher of forthcoming anthology Community of Magic Pens (which includes my story "One Story, Two People"), will be hosting an AMA ("Ask Me Anything") on Reddit Fantasy. The link should go up around 10 Mountain/Noon Eastern. I'll be participating in some small way, still to be determined. Join us!
Additionally, another of the anthology authors, Ether Nepenthes, has begun tweeting their way down the table of contents: one capsule review of a story daily--spoiler-free!--right up until the May 4 release day. Thread starts here.
(Hey, look--three days of daily blog posts! PRODUCTIVITY!)
magic pen: anthology updates and signal boosting, part ? of ???
As y'all know, I have a story coming out in the forthcoming anthology from Atthis Arts, Community of Magic Pens. Here's the description:
An eclectic, multi-genre collection of original stories about the power of communication, the magic of writing instruments, and the strength of community, curated to inspire wonder, hope, and joy.
There's not much more I can add to that except that I'm excited to be part of it. I really, really am. Proofing is just about done, I've ordered my author copies--this thing is really happening, y'all. *Squeeeee!*
The book ships in May, but you can preorder it now. Follow the link above, then click "Preorder on Backerkit." Through that page you can preorder the paperback, the ebook, or the limited edition hardcover. (That last will only be available through the end of March.)
As you can imagine, small presses don't have huge profit margins, and now, thanks to the COVID-19 situation, all the in-person events they were counting on to help boost sales have been canceled. So, to steal a spiel from another writer acquaintance of mine, "Buy early! Buy often! Buy two or three--they make lovely gifts!"
Through that page you can also download--for free!--a lovely poster displaying the title of the anthology in multiple languages, each of them spoken by one of more of the authors of the stories therein.
Another piece of anthology-related news I wanted to share is that Atthis Arts will be hosting an AMA over on Reddit Fantasy on Thursday, March 26. That's this Thusday, this week! Author and editor E. D. E. Bell will there along with various of the other anthology authors to take your questions and chat with you over the course of the event. (I'll be hanging out as well, though I expect to do much more listening than talking. Er, reading than typing. You know what I mean.) What I'm hearing is that things will get started around noon Eastern, but festivities will continue for several hours thereafter, so I guess don't stress overly about punctuality.
The other thing I know, but don't have many details on, is that there is a book blogger organizing a series of interviews with the anthology's authors, and I'm busy working my way through the interview questions as we speak. There are a lot of them! Which means the finished posts will be hella fascinating and fun. I don't have a link for you yet, but it's early days; I'm hearing this one won't launch until after the book does. So for now you can just pencil it onto your internet-surfing schedule in the vague area of early May.
And that's where All Things Anthology are right now, as far as I know!
a day in the life under the new normal
When it's been more than a month since my last blog post, writing a new one seems daunting. I feel irrationally obligated to include Every Single Thing That's Happened Since Then, and because that's obviously not feasible nor even possible, the tendency is to just not. And then another day goes by, a day full of More Things to Blog, and the endless spiral descends further.
So today I'm just going to say Hi! and more or less report on the doings of the day.
Today I woke up in the office, which has become my bedroom since coming home from the Berthoud Inn on March 16. That weekend, I'd gone out to a couple bars (in Berthoud), and John had hosted his annual gaming miniconvention (which was why I was holed up in Berthoud), so we've been sorta quasi-isolating ourselves from each other since then to keep what social exposure we'd had as much to ourselves as possible. We joke that the boundary between his space and my space runs right down the center of the kitchen table, where we sit on opposite sides in the evenings to play Spiral Knights. But of course we both use the kitchen. We even cook together sometimes; we made pad thai together Saturday night, for example. So there's only so much we can do. But we're doing it.
First thing I did upon waking up was call to cancel today's appointment at Cafe of Life and tomorrow's at North Boulder Physical Therapy. I guess I'd been kidding myself until recently, or just not thinking about it, but I thought about it over the weekend and realized that these, too, were non-essential as far as medical appointments go. I have my homework, I have my exercises, I can keep myself from losing ground on what both professionals constantly remind me are marathons rather than sprints. It's fine. We'll reconnect after the curve flattens out somewhat.
So then I made myself tea and got to work. Work looked a lot like work on any weekday. Morning Pages followed by breakfast, tooth-brushing, pill-taking, and catching up on news of the day. Freewriting to a prompt. Work on this week's Friday Fictionette offering (have I mentioned my release schedule is back to normal? Yeah! I done caught up). Work on the next very belated Fictionette Artifact for my exceedingly patient $5/month subscribers (obviously still catching up on that). Break for lunch and some admin duties. Then a solid session of Submission Procedures, because it's Monday. Logged the rejection letters my poetry and fiction got over the past week. Resubmitted my latest flash fiction piece. Did a final proofread on my story in the Community of Magic Pens anthology (which I will talk about a whole bunch tomorrow, so stay tuned).
It is a bit unsettling how very little my work and social routine have changed under pandemic lock-down. Under normal circumstances, I can quite easily go days without seeing anyone but my husband and my roller derby teammates. I'm seeing more of John since he's working from home every day rather than some days; I'm seeing my derby friends online for virtual workouts rather than in person for practice. That's pretty much all that's different; otherwise, it's life as usual for this hermit. And, well, wow. I already identified as an introvert, but I guess I didn't realize how much of an introvert I was until I realized how little this sort of social isolation bothers me--and how much social isolation I was already performing by choice before it became the medically necessary and socially responsible thing to do. I feel like maybe I should be a little bothered by that. But I'm not, not really.
Both John and myself continue symptom-free. But of course I get paranoid every time I blow my nose first thing in the morning or have a small wet coughing fit shortly after a meal. Which I've done, and had, every morning and after every meal for years. Is it still hypochondria when the microbes really are out to get you?
I'm powering through the main storyline quests on 4thewords.com, the system that turns writing goals into RPG-style battles. I'm currently in the Gansu Watering Hole chapter. Before I began writing this blog post, I fired up a battle against the Red Witch: 4,000 words in 1,000 minutes. Woo! With my attack and defense stats, it's actually 3,254 words in 1,200 minutes. I have until tomorrow at 1:30 PM to make the required word count. Sounds entirely plausible; by then I should have done tomorrow's freewriting and Fictionette work. Not to mention I'll have finished this blog post.
The sun's out, it's vaguely warm, and the sidewalks have dried off since the most recent blizzard, so I went skating. I did about two miles going "around the block", which is to say, all the way to the dead end of my street, then onto the path that follows the southbound highway, turn the corner to follow the westbound highway, then hit the creek path that cuts through the neighborhood and puts me back onto my street. There was also an early detour to a neighborhood park for footwork/individual skate skill practice on the cement basketball court.
Lunch was leftover peanut stew with bacon and okra, a variation on the recipe discussed here. I'd gone to the grocery Friday--that and Boulder Food Rescue combined are the one weekly out-of-the-house errand I'm still running; food delivery to those in need is more important now than ever, and while I'm at the donor grocery, I might as well get my own groceries too--and acquired ingredients for the peanut stew, the aforementioned pad thai, and an attempt at Dragon & Phoenix. In the absence of occasional meals at restaurants, I'm cooking my favorite restaurant meals at home. I got the okra, oyster sauce, stir-fry noodles, and various happy-making snacks for me at the Asian Seafood Market on my way home; they are still open too, and they are wonderful. Neither they nor Sprouts had fresh garlic, but I've got a small supply in addition to a bunch of minced roasted garlic in a jar in the fridge. We'll get by.
And now I'm back in the office writing this blog post. John's at the kitchen table finishing up his own day's work. We'll meet up soon for another dive into the Clockworks (I just made myself Mercurial Mail and I can't wait to level it up!). And that, more or less, is the status report for Monday, March 23, 2020.
Please stay safe and healthy, everyone, and treat yourself well.
i show you a thing! two things! only one might make you go eww!
Work on the Magic Pens anthology is progressing. Author bios are getting finalized, and final story edits are due back in the next couple of days. My story got the benefit of a couple more pairs of eyes, and I'm thrilled with all the care and attention that this editorial team is bringing to the project. I'm also thrilled to see who else is in the table of contents with me; the Codex online writers' group is well represented.
And the cover art is finalized! I get to share it with you!
If you want to get a head start on ordering your copy, the preorders page is here. Note that the limited editions are only guaranteed available through March. Mid-May is what I'm hearing for shipping (of any edition).
Because you have come to expect foodie content on this blog, and I am loathe to disappoint, BEHOLD: How I learned to
love tolerate liverwurst.
Look. I picked some up thinking, "Hey, look! Liverwurst! I've never had liverwurst. I wonder if I'll like it?" because that's how I approach food. I sliced off some and spread it on toast and lo, I did not like it. The ingredient list said "pork, pork liver, spices," but as far as my mouth was concerned, it was just liver paste. I may have actually gagged.
But I didn't want to throw the rest away. I hate wasting food. So I found these sandwich recipes. I like the cream cheese and cucumber one best; it has enough bright, crisp flavors in it to
balance out mask the liver muddiness. And, as a bonus, there's literary content.
(I was also open to frying slices of liverwurst in bacon fat along with a bunch of chopped collard greens, as I remember actually liking a charbroiled liver and collards dish I got at the French Quarter Fest some years back. I had no fresh collard greens in the house at the same time as the liverwurst, however. Maybe next time. If there is a next time.)
And that's what I've got for you today!
within range of the smell of the violets that grow atop Mt. Overdue
- 996 words (if poetry, lines) long
I released another overdue Friday Fictionette the other day! The January 24 offering is "Listening," the aforementioned Momo fanfiction piece. It turned out not to be nearly the act of character assassination I feared. It's just that she's a grown-up and so are all her friends, and grown-up problems are complicated and don't always have good solutions. The ebook, available at the $1/month subscription tier, is here; the audiobook for the $3 monthly sub tier is here.
Meanwhile, the text of the Friday Fictionette that was due last week, February 7, is done and ready for production tomorrow morning. Which in theory means the February 14 offering could be ready to release on February 14. Not making any promises, mind you; Friday afternoons remain difficult and low-energy. But if it doesn't go live on February 14, it'll show up not long after. And then I'll be back on schedule: one release every first through fourth Friday, requiring only 25 minutes of work per day for me to keep up.
Then I will be able to do so much short story revision! Three two-hour sessions of short story revision per week! Luxury! There's so much I want to do. I want to expand the creepy doll flash piece, for one thing; I just got a personal rejection from a big-name magazine on it, and that feedback has finally convinced me that the story needs another scene or two to make it feel less rushed and railroaded. And I was halfway through rewriting the potato salad story towards the end of December when I laid it aside because A. it wasn't going to make GALACTIC STEW's deadline, and B. right about then I began the aggressive push to get the Friday Fictionette project back on schedule. I'm eager to return to the potato salad story, not least because I originally wrote it something like six years ago and it's time, y'all, it's more than time I sent that sucker out. I've got at least a couple "science fantasy" style pieces released as part of the Friday Fictionette project that, with a bit of expansion, might be good candidates to submit to Escape Pod, especially considering how warmly the Escape Artists podcasts encourage Patreon reprints. (See also.) And I'm just finishing up the final week of a rapid-fire flash fiction contest, which means I have four new flash-length stories ready for revision attention.
All those short stories, waiting for my loving attention! Not long now, friends! I'll be with you soooooooon!
In news of imminent publication, I just turned in my biography paragraph for Community of Magic Pens, and the latest estimated release date I'm hearing for that anthology is mid-May. Pencil it onto your calendars, y'all.
on the benefits of high pressure fiction practice; also a recipe
- 100 words (if poetry, lines) long
- 1,021 words (if poetry, lines) long
Hey, I just posted another overdue Friday Fictionette yesterday! It was the release scheduled for January 17. It's called "The Huntsman's Assignment" (ebook, audiobook) which, yes, is a reference to the dude who gets sent out to kill Snow White and bring back her heart in a box. It isn't a Snow White retelling, but the assignment remains. Look, it comes with a content note for suggested harm to children. Best go in knowing that.
Now I'm working on the January 24 release in hopes to push it live tomorrow night. It's looking like Momo fan fiction. You know Momo? The lesser-known children's novel by Michael Ende, author of The Neverending Story? The little girl who listens, and the Men in Grey who convince everyone to "save time"? Ok, so, the Jan 24 story-like object is about her, but all grown up and living in a complicated world, and, well, apologies in advance, but I'm about to commit mild character assassination.
I do not always write grim cynical things! OK, the drabble forthcoming at Daily Science Fiction is pretty cynical. But the stories forthcoming at Cast of Wonders and Community of Magic Pens are sweet! Bittersweet, maybe. But they are guaranteed to contain a significant portion of your daily recommended intake of hope and heart! Promise! But... sometimes the grim stuff comes out. You're not surprised, right? I also write horror. You know this.
On a related note, I'm realizing yet another benefit I'm getting from the Friday Fictionette project: behind schedule as I am, I'm still getting a lot of practice at producing presentable story drafts in a very short amounts of time. The Magic Pens story has my Friday Fictionette practice to thank for its existence. Mostly written all in a single evening, but still polished enough to submit and sell? That's not something I could have done without some five years' practice writing four short-shorts a month.
So the project is stressing me out some as I scramble to get back on top of the release schedule, but my writing skills are improving in all sorts of ways because of it. And of course now I have this huge stable of reprintable flash fiction, which has led to two paid publications to date. So. Conclusion? Worth it.
All right. Time for a recipe. Let's talk West African Peanut Stew
I've been making a lot of this lately. And eating a lot of it, too. I could probably eat it three meals a day for three weeks and not get bored. It's hearty, nutritionally dense, and full of complex flavor and texture. It's super easy to make, and it's a great excuse to haul out Mawmaw's big iron gumbo pot.
(Gods I love that pot. Me and that pot, we talk chicken fricassee, we talk mushroom bourguignon, and we definitely talk gumbo. But, yeah, we've been talking peanut stew a lot.)
From looking around the internet, I can see this recipe from Budget Bytes is only one variation on a wider theme; the Wikipedia entry for peanut soup led me to a couple that look really interesting. But the Budget Bytes recipe is convenient, as it's not particularly time consuming or difficult to prepare, and its ingredients are all readily accessible at any bog-standard mainstream U.S. grocery store. I don't have to plan too hard about it. All I gotta do is pick up some sweet potato and a bunch of collards on my regular Friday grocery run. Maybe a can of tomato paste too, since I don't have much on hand all that often. It's also vegan and gluten free, which means I can make it for pretty much anyone I know who isn't allergic to peanuts. And as long as they like things like sweet potatoes and collard greens, I guess.
My vegetarian husband doesn't care too much for sweet potatoes and collard greens, which means 1. more for me, and 2. I can carnivore it up if I want. Last time I made it, I added bacon. I cooked three big slices of bacon until the grease covered the bottom of that iron pot. Then I took the bacon out, chopped it up, and set it aside to be added back in along with the broth, peanut butter, and tomato paste. So basically I substituted bacon grease for olive oil, because I fear no cholesterol (thanks, genetics!). But the other adjustment I made was to throw the chopped-up collard greens in to sautée with the sweet potato chunks, because I'm less interested in collards boiled in soup than I am in collards fried in bacon grease and then boiled in soup.
Meanwhile, I'm making the brown rice in the multicooker. This last time I actually used the BROWN RICE function, not the PRESSURE function. I still don't know how the two functions differ, but it worked just fine. 2 cups brown rice to 2-3/4 cups water, set the timer for 22 minutes, turn it off when it beeps and allow it to sit 20 minutes longer before releasing the pressure. Definitely turn it off; leaving the multicooker to KEEP WARM for too long resulted in burnt, dried-out rice that one time I made that mistake.
Also, don't mistake the BROWN function for the BROWN RICE function. "Why? Why are you beeping at me? What is your emergency? ...Oh. RIGHT. Got it."
It took me maybe three days, maybe less, to get through all of it. Now I am ready to make more. And tomorrow is Friday! Friday is grocery day! How convenient!